6 18, the first day of the screening, the Shanghai International Film Festival "City·Light and Shadow" screening meeting of the dance drama film " Never Dies " was held grandly at the Dolby Theater in Hall 1 of Shanghai Cinemas. The hall of 1,000 people was packed.
original dance drama screenwriter Luo Huaizhen, film chief producer and director Cui Yi, leading actors Wang Jiajun, Zhu Jiejing, starring Deng Yun, Fang Guang, etc. were all present. They communicated sincerely with the audience and took a group photo with barley in hand, which means "a big hit at the box office" ", the scene was lively. Hearing the positive reviews from the audience for the first time, the creators expressed their happiness. Luo Huaizhen gave a "stamp" of praise: "The dance drama has created a new paradigm of Chinese dance drama, and the dance drama film has once again created a new paradigm of Chinese art films."
"The Wave That Never Dies" is released today. The
meet-and-greet was full of rituals on stage and famous quotes frequently appeared, and there were also many highlights "hidden" in the audience. Zhu Jiejing's parents rushed to be the "first-day audience", and Sun Daolin's daughter Sun Qingyuan formed a "watching group" to listen to the original voice of her father traveling through time and space. Dragon TV host Cao Kefan spoke after watching, praising the creators of the film. In addition, the audience who voluntarily wore cheongsam to try new things also became a beautiful sight. What's interesting is that after the screening, many viewers started a heated discussion about the so-called "gang gang" scenes in the film, as if they had just experienced a "treasure hunt" trip.
The dance drama film "The Eternal Wave" is directed by the Propaganda Department of the Shanghai Municipal Committee of the Communist Party of China, presented with honor by Shanghai Radio and Television Station, and jointly produced by Shanghai Song and Dance Troupe and Shanghai Shangshi Film Co., Ltd. It is adapted from the original dance drama of the same name directed by Han Zhen and Zhou Liya. , with Zheng Dasheng as the chief director, Cui Yi as the director and chief producer, and starring Wang Jiajun, Zhu Jiejing and other Shanghai Song and Dance Troupe dancers.
A group photo of the main creative staff
"Shadow" through dance, witnessing the birth of new art film
The main creative meeting was held in the Thousand-person Hall of Shanghai Cinemas, and the venue was packed. During the screening, the audience paid full attention and was deeply attracted by the wonderful plot, dance and performance. When the beautiful and wonderful cheongsam dance, cattail leaf fan dance, street chase scenes and other classic scenes were shown on the big screen, the audience sometimes exclaimed with the exciting plot, sometimes marveled at the beautiful scenes, and sometimes were moved to tears. When the lights came on after the screening, many audience members had tears in their eyes.
When the host He Qing called the creators to the stage, the audience gave warm applause. During the exchange, Zhu Jiejing said that she described herself as a first-time film-shooter as "a newborn calf is not afraid of tigers": "I will be a little panicked, but there is no stage fright. I think this is due to the confidence brought to us by the dance drama 'Dianbo'. The two characters created by the director are very good. In the past six years, we have performed more than 600 performances. Every time we fall in love with the characters on the stage, it gives us a belief that 'I am strong.'"
Wang Jiajun. Sharing his unique feeling of being "electrically shocked", "As a dancer, being able to bring a dance drama film to the Shanghai International Film Festival, facing so many directors and actors, I feel like they are scrutinizing me. But our dance drama film's radio wave "Being able to show different elements, representing China, representing Shanghai, and representing the openness of this city, I suddenly felt confident."
Wang Jiajun
As a dance drama screenwriter, Luo Huaizhen spoke highly of the artistic innovation achievements of dance drama films. , and shared his feelings as an audience watching a dance drama film: "Today I sit with everyone like an audience to appreciate an art work, and at the same time I also witnessed the birth of a new art film form."
Luo Huaizhen
in the audience "Hiding" big names, paying tribute to classics is very successful
Faced with the enthusiasm of the audience, Zhu Jiejing excitedly introduced that her parents were also sitting in the audience to witness her first movie. In fact, there were many well-connected audiences "hiding" in the audience, who came to watch the dance drama movie "The Wave That Never Dies" immediately.
In the 1958 version of the movie "The Eternal Wave", Li Bai was played by Sun Qingyuan, the daughter of the famous performing artist Sun Daolin. She and her friends formed a "viewing group" to witness the classic IP "Dianbo"'s artistic dialogue across time and space. Sun Qingyuan expressed with emotion that she was deeply moved by the movie and couldn't help crying at the end: "I just saw the last scene of the movie, and my father's voice said 'Comrades, farewell', and my tears fell. "The dance drama movie combines stage and film performances and pays homage to the classics. It is a very good work."
The famous host of Dragon TV, Cao Kefan, had experienced the style of dance drama before, but he still fell into deep love after watching the dance drama movie. Deeply moved and shocked, "The 'language' used by these two arts, stage and film, is very different. It is very difficult to convert them and integrate them together. It can be seen that the director has done a great job A lot of innovation and hard work, and I would like to pay tribute to the creators." As an old acquaintance of Zhu Jiejing, Wang Jiajun and Zheng Dasheng who have all conducted "Ke Fan Listen" interviews, Cao Kefan also jokingly praised the two leading actors for their first electric shock performance: "They are also so good in life-oriented parts. , I think you two can act in an idol drama in the future." This caused a burst of laughter in the audience.
Zhu Jiejing
Cheongsam is attentive, great love is endorphins
On June 7th, the film festival ticket opening day was a "flash sale", and the audience at this meeting were all "die fans", a group of audience members wearing cheongsam said : "Today is the premiere meeting. We specially wore cheongsam in order to better integrate into the atmosphere of the movie. We really like the costumes in the movie!" The audience even asked questions enthusiastically, so the host had to remind the time. not enough.
Everyone said that the film has a compact plot, delicate performances, and beautiful images. In particular, the tacit cooperation between the leading actors Zhu Jiejing and Wang Jiajun is impressive. "The images are breathtakingly beautiful. With the blessing of the big screen and Dolby sound effects, it completely captivates the visual experience." Feedback such as "In the midst of a feast" and "Zhu Jiejing and Wang Jiajun performed so well. I saw many details on the actors' expressions that I had never seen before in the movie. It was a completely new experience." frequently appeared. An audience member who is a "loyal fan" of Zhu Jiejing excitedly shared: "The dance drama "Dianbo" is my first work. From dance drama to movies, I have witnessed the growth and changes of Lanfen's character."
Some viewers said that they had never expected it before. The red theme can also make people empathize so much that I underestimated how good the dance drama movie "The Wave of Eternity" is. After watching it, I felt like "Small love is dopamine, big love is endorphins", " I cried and adjusted my breathing throughout the entire film. There was not a single line in the entire film, there were no big scenes, and there were no big post-production special effects. After watching it, it must be described as shocking. There is so much to learn about artistic creation, downward tolerance, and upward outlook. "
"Getting involved" caused controversy, and watching the movie became a journey of "decoding"
When asked about the most impressive detail in the movie, an audience member mentioned the detail of a "safety exit" light sign in the film, " As soon as this scene came out, someone said, "Are you cheating?" But I think this detail is definitely not cheating. Instead, it implies that Li Bai could have retreated to a safe area, but he chose to come out of the safety exit to face danger and danger. Sacrifice. I think this is a particularly interesting detail, and everyone may have their own understanding."
talked about this, and some viewers also participated in the heated debate. Some viewers said frankly that the obvious "safety exit" should be erased, and scenes such as the practice hall and the fight back to the audience should be erased to make themselves appear in the show. But some people on the side "objected" and said that this must be the director's ulterior motive. He especially enjoyed the thrill of finding the "password", "such as the appearance of a gang of people in the auditorium, the dance section of the little tailor's practice hall, the password rain, and the oil painting sky." wait".
In this regard, the main creator compared the movie-watching process to a "decoding" journey, saying that the great attraction of the film is that "the dance drama film uses a lot of film language with the director's ingenuity to express", "Every time When these audience shots appear, what is the expression behind them? I think you might as well go to the movie with these questions to find the answers," said director Cui Yi.
Starting from June 18, the dance drama film "The Waves That Eternally Die" has officially landed in major theaters of the National Art Federation, bringing an unprecedented movie-watching experience to audiences across the country. According to reports, the dance drama film "The Eternal Wave" is based on the true story of martyr Li Bai. It is a red business card hatched from the red gene of the city of Shanghai. The artistic exploration from movies to dance dramas to dance drama films is a return to the original intention and ingenuity of artistic workers, using literary and artistic creation to pass on the red culture and continue the radio spirit that will never fade away.
