Qin Hao has always been loved by the audience for his real acting skills. Today (5), China Film Report released an interview with Qin Hao. He said that in the past two or three years, he has received more than a hundred scripts, but none of them impressed him. He thought: "(Received) some movie (scripts) ) I would tell him, why do you need to make it into a movie? Just make a drama. Why should it be made into a movie? " He admitted that what he wants is pure artistic expression or to be loved by the audience.
At the same time, he believed that he did not express any role for the sake of acting skills. He often told people around him that he had no acting skills, "The so-called acting skills are 'real'. I think 'real' is the most precious thing for an actor." He said that when he first acted in literary films, he faced the performance in this state, turning himself into the character in the role and showing it to the audience.
It is reported that in 1996, Qin Hao entered the Performance Department of the Central Academy of Drama, and his classmates included a large number of acting schools such as Zhang Ziyi, Liu Ye, Qin Hailu, and Yuan Quan. Previously, he said in an interview that his dream is to become a great actor like Al Pacino and Robert De Niro, "I just want to play "The Godfather", "Furong Town", those in Chen Kaige's movies" Role." So I developed a "bad habit" of choosing scripts during my college years. Because of this standard, Qin Hao rejected eight plays in the year he graduated, three in the second year after graduation, and by the third year, no one asked him to film.
Later, Qin Hao met Lou Ye and Wang Xiaoshuai. "Spring Breeze Night", "Massage", "Sunshine on Chongqing", "Blue and Red" and "The Mystery of the Floating City" also made Qin Hao nominated for Cannes three times.
editor Zeng Qi
