Qilu.com·Lightning News December 31st On December 31st, Station B’s New Year’s Eve party brought a grand performance with constant surprises to the audience. This year's multi-night lineup has a strong lineup, including well-known domestic and foreign artists including Stefanie Sun, Tao Zhe, Dou Jingtong, Phoenix Legend, Alan Walker, etc. The venue, which can accommodate tens of thousands of people, is packed. As the only virtual singer invited that night, Luo Tianyi and teacher Gong Linna sang "Singing in All Directions" together, singing a tribute to and inheritance of the intangible cultural heritage music of ethnic minorities.
Composing mountains and rivers with music, creating a shocking audio-visual experience
A visual feast is being staged. In the overall visual design of the stage of "Singing in All Directions", the creative team combined China's visual elements, natural features, national musical instruments and virtual ar technology to convey Produce oriental aesthetics with various ethnic styles. With the help of virtual imaging, the vast sand sea in Xinjiang, the vast snow-capped mountains in Tibet, and the vast galaxies in Inner Mongolia have all been moved to the scene. At the beginning of the show, Luo Tianyi jumped out of the huge mountain and river scroll that spanned the entire venue, becoming one of the most shocking scenes of the night; the musical instruments Rewapu and tambourine from the Xinjiang Uyghur ethnic group also appeared in the sky on the stage in the form of virtual animation. In the performance, the technological texture of quicksand spreads out slowly in harmony with the rhythm of music, which is beautiful and smart; the fireworks blooming brightly in the galaxy are the perfect ending to the performance.
(picture: screenshot of the scene)
In order to better present the different characteristics of each ethnic group, Luo Tianyi put on five newly designed different looks, each of which refers to the classic ethnic costume design: the silver jewelry of the Miao people, The Aoji long waistcoat in Inner Mongolia and the Tibetan robe in Tibet. Realistic cloth calculation technology restores the materials and dynamics of different ethnic costumes. The details of light and shadow and physical movement are getting closer to reality. Luo Tianyi dances to the song. In terms of dance choreography, Luo Tianyi perfectly combines the dance steps of ethnic minorities with the two-dimensional style. It is worth mentioning that Luo Tianyi’s first Miao drum show is more agile with the cooperation of real drummers. , still flying in the air under the gaze of tens of thousands of spectators, stepping on the drums and hitting colorful melody notes in the air, forming a musical river. The elegant figure and gorgeous design fully demonstrate the beauty of ethnic costumes.
In terms of music arrangement, top music producer Zhao Zhao joined in to help, and adapted the stage version of "Singing in All Directions" and designed an ear-catching duet, so that Teacher Gong's high-pitched national singing and Luo Tianyi's electronic tone complement each other. . A hundred-member symphony orchestra was added to the cadenza. When the music reached its climax, the magnificent symphony pushed the emotion to its peak. The collision of Chinese and Western instruments creates a refreshing experience.
html More than 90 intangible cultural heritage artists born in the 1990s collaborated across borders to participate in the performance, including Inner Mongolia Morin Fur player Haramji, Xinjiang Rewap player Nur Aili, Tibetan drum performer Dan Zengxi, and Guizhou reed player Dong Ridie. In the inheritance of intangible cultural heritage, they represent the power of the younger generation. This also coincides with the original intention of "Singing in Everywhere" to hope that more young people will participate in the protection of intangible cultural heritage.(Picture: Close-up of the performers)
The dance, singing, and performance together lit up the stage across the night. The combination of national music and symphony created a colorful musical landscape, interpreting the national style in the most shocking way. beauty of. The audience kept cheering, and many netizens said in the barrage that this song is particularly suitable for the night stage. It has national characteristics and is full of expectations for a better future.
Songs travel far and wide, and Tianyi travels to appreciate the beauty of national music
Intangible cultural heritage national music is a valuable asset of traditional music. It contains the understanding of nature and music by various ethnic groups, and can also inspire music creation in the new era. The "Tianyi Travel Notes" project launched by Luo Tianyi's team this year is for this purpose. It aims to visit, understand and inherit intangible cultural heritage. By exploring the origins of various musical instruments of different ethnic groups, it combines tradition with modernity and travels across China. Learning leads to knowledge.
"Singing in All Directions" is a new single planned by "Tianyi Travels", which has been widely praised after its release.The single video has been played 404.36 million times on station B, and has been played over 50 million times on the entire network. More than a thousand people have spontaneously covered the song, including many virtual singers and celebrity artists. This has also become a much discussed song in the v circle this year. The song
was also recognized by the "National Team". As a singer of Chinese new art music, teacher Gong Linna has deep feelings for national music. After the release of "Singing in All Directions", teacher Gong Linna took the initiative to cover it. Xinhuanet, CCTV News and other official media also praised it. From ordinary audiences to artists to official media, the popularity of "Singing in Everywhere" comes from the exploration of the value of intangible cultural heritage, showing the vitality of intangible cultural heritage in the new era.
"Songs Traveling Around the World" travels the world with songs. The lyrics show the charm of all ethnic groups in China and express their longing for a better future. The "yala hula" repeatedly sung in the lyrics of
is a praise of freedom and joy, an emotional resonance of the encounter between friends of all ethnic groups, and an expression of cross-dimensional happiness between heaven and earth. It’s this positive energy that makes the song even more emotionally powerful. Hearing this song at a New Year's Eve party may inspire the young people present to travel thousands of miles to appreciate the beautiful mountains and rivers of the motherland and feel the cultural flavor of ethnic minorities in the new year. Many viewers also discussed spontaneously in the comment area, saying that this song "uses the most sincere lineup to perform the most beautiful national charm" and "felt happiness and beauty from this song". Some viewers also expressed their hope that this song is full of justice. The value-oriented songs can be featured in the Spring Festival Gala.
Culture can only be developed through creation. Therefore, inheriting intangible cultural heritage is not simply reciting one or two conceptual symbols, but truly understanding the core of traditional culture and expressing it in line with the times. Through "study tour" Tianyi deeply understood the connotation and charm of national music, and then combined it with his own electronic music characteristics to create popular works.
In the future, Luo Tianyi will also try to combine it with other categories of traditional Chinese culture besides ethnic music, such as poetry, operas from various places, etc. Through the integration of culture and technology, we can help realize the creative transformation and innovative development of traditional culture.
Lightning News reporter Yu Ming reports on