Xin Haicheng’s movies in recent years always feel that there is a certain spiritual core hidden. When he was young, he walked hundreds of kilometers alone, and he could set off with a few landscape paintings in his memory. And this movie Zhong does not hesitate to bet on the decisiveness of his entire life. Young Lang's beliefs, execution and courage, which are so powerful that they are almost crazy, are heartbreaking and have to be enviable. The moment the protagonist steps over the railing and onto the rails, there is a voice in his heart: I want to be he.
want to fight, fight, fight for life, challenge all the obstacles imposed on you in fate, young man has nothing, only the courage in his heart, the blood burns in his heart, it seems that he will never burn Exhausted, how brave and charming this is. The ring I gave you fell from the air, and I will find you and put it on your left ring finger again. I just want to see her again. This sentence is too easy to cry. How much sorrow and sorrow there are in the minds of young people at this moment, and how much stubbornness they have. They never suffer from self-sufficiency, do not shrink, do not hesitate. Like, how can people not yearn for it. The youth was full of spirits, vigorous and fierce.
is the soundtrack above all. Since the sound of the theater is extremely poor, it is noisy and sharp, so there is no more praise or criticism. It’s just that I think the author hopes to win with the voice, but I think it’s self-defeating. The second is the plot. I think the whole work, from the personality, the setting, to the thoughts that I want to express, is all private by Xin Haicheng. They cater to Xin Haicheng’s personal preferences too much (and Xin Haicheng is now daring to show his arms and tell you "I love this"), and the thoughts expressed in the film, at least for me, are difficult to resonate (not to say It is good or it is bad, but I am not excited or moved. I guess-not necessarily right-few people can resonate. I think that is a state that few people reach).
is narrative again. The narrative of a single section is obviously much more mature than that of "Your Name", but the overall narrative has a sense of fragmentation and rush. Although not a complicated story. Moreover, Xin Haicheng has also become very fond of adding to the middle of the plot, adding some boring and flattering jokes, abrupt and embarrassing, I often think that I have returned to the theater where Marvel popcorn movies were shown. Finally, the picture and so on. Obviously, it is much more refined and smoother than before, and its emotional appeal and courage are much stronger; but it has a little less charm than the previous works, and the atmosphere is often not well contrasted. The picture of
can only be described as stunning, and this time I feel that the details are richer, and people living in Tokyo will resonate very much. The plot is not detailed, I think there are the shadows of Xin Haicheng before, and there are also places where new attempts are made. But the combination is a story that can feel everyone is cute. I like it very much. Some people think that there are many places that have not been explained clearly, but I feel that immersing in that atmosphere does not need to think about them. Simply following the emotions of the hero and the hostess, laughing and crying with them, it feels very beautiful.
My favorite work has never been a work that tells a story very clearly. I like "The Garden of Words" better than "Your Name" in the fire. I enjoy the atmosphere very much, and this time I also felt an atmosphere in "Children of the Weather" that allowed me to immerse in it, which was enough for me. In short, if you have an opportunity, you should evaluate it after you have read it. Reading other people's comments is always what others feel. When I watched "Big Fish and Begonia", it was already after criticizing the heroine's comments everywhere on the Internet, but after reading it, I still liked the work very much, and also liked Tsubaki very much.
