South Korea is particularly famous for a category of movies. That category of movies is called-based on real events. From "Suyuan", "The Melting Pot" to "Little Client", whether it is a film about this kind of child abuse, or a film about history such as "Taxi Driver", what they have in common is the adaptation of real events. In
, events of various shapes occur every day in the world. Different events appear in hot searches and news, and are briefly followed by people. Just like a sentence circulated on the Internet some time ago: "He seems to have loved me only briefly", these events were only briefly remembered by the public. The criminal in the
case of Suyuan is about to be released, once again aroused public debate. Should I be released from prison? What are the hidden dangers after being released from prison? Will the victim live in fear for the rest of his life? And so on, a series of questions surfaced.
Is there only one case like Suyuan? of course not. Why does it become the focus of the public? Which can not do without the promotion of film and television. The appearance of the film expanded the influence of the event to a certain extent, while retaining the event under the torrent of history, and even had a large or small impact on society. One of the most famous is the establishment of the furnace law.
"Little Client" is a story about children who encounter domestic violence, from being wronged to criminals brought to justice. The original sister of the film was tortured to death, but her sister turned herself in and became the murderer. The truth gradually surfaced after in-depth understanding time and time again. The parents in the real event are far more terrifying than the film. They are like demons living in the world, cruel and ugly. In the movie
, the siblings lost their mothers, and the two children depended on each other. Their attitude towards the father was also respectful, and there was a hint of fear in their behavior. Looking at the father's treatment of the child, he did not treat the child's tender side, but always makes people feel that there is an invisible wall in the family for gambling. Until the arrival of the stepmother, his father gradually revealed his true colors. The arrival of the
stepmother made the siblings seem to see the dawn. After all, she has long hair like her mother, but her younger brother doesn’t know how to use chopsticks. When he dropped the chopsticks twice, she stood up and tied up her hair. Then came the first beating, the second, the third. Second... the true face of the stepmother gradually revealed.
On the matter of domestic violence, my father's attitude is that silence is golden, and he didn't show any pain, but said that there is a lot of money tied up in their name. On the one hand,
is a child who is suffering from domestic violence and is waiting for salvation, and on the other is a male owner who just wants to leave the children's orphanage. The male protagonist here is the baby fish in 1988. In this film, he changed his pedantry and chose to stand up in the matter of domestic violence.
He didn't choose to come forward from the beginning.
When the girl called the police for the first time, the spearhead of the matter turned to the orphanage. After the visit, the female colleague who wanted to leave the orphanage explained the bitterness of the industry. When the male lead was busy trying to find a way to leave the orphanage, the siblings took the only photo, hoping that the good uncle would help them find their mother.
At this time, the hero is only impatient with the two children.
took them to amusement parks and hamburgers, just because of their inner goodness.
even gave them 50,000 won, just to get rid of their entanglement.
He couldn't think of it anyway, the 50,000 yuan became a fatal point.
After the younger brother was beaten to death, the older sister became the suicide, and the real culprit was unscathed in the dark.
If the neighbors extended a helping hand when they heard the shouts, and if the police intervened early, it might not be the case in the end. The
male protagonist finally decided to help the girl, part of the reason is in common. In the early part of the film, the director had laid the groundwork, and the male lead lost his mother as early as the siblings. The difference is that he was brought up by his sister, and was forced to go to the orphanage because of his inaction. But in the end, he decided to help his sister except for the relationship between him and the child, and a bigger part of the reason was guilt. Director
used a lengthy approach to the film, and audiences accustomed to Hollywood blockbusters may feel a little boring. But if you have the patience to see the end, you will find that there are reasons for the foreshadowing in front. The reason why
's score of the film can reach 8.0 is precisely that it hits the most vulnerable part of the hearts of some people. Hollywood blockbusters should continue to appear on the TVIn the movie market, but there are no exciting scenes like this, no cool special effects, and movies that only start from humanistic care are also worthy of attention.
There are not a few domestic and foreign adapted films. In recent years, humanistic care films are no longer the mainstream in theaters. Under the impact of blockbuster films, fewer and fewer film output has narrowed the way out for such films. However, these types of films are particularly outstanding in the Japanese and Korean film markets. If the market for such films gradually expands, it is believed that more "melting pots" will appear, and the impact of such films on the audience may induce more small clients. .
