10, " Palace scheming "
Many people say that they understand Jin Ling when they grow up, but they don't think the three good ones are so good. In fact, they accept the complexity and evil of human nature when they grow up. But jealousy and selfishness will always push yourself into the abyss. I know all the hundreds of actors in the play. I grew up watching TVB and saw familiar faces fighting each other. Everyone's acting skills are really good.
9, "Storm of the Heart 2: A Full Moon at Home"
When I rewatched it, I found that many people felt that Mother He forgave Jo's fullness. In fact, Mother He hated Jo too, throwing money at him and scolding him in the face. In my opinion, Mother Holland's forgiveness is a trade-off. For her, self, love and money are not as important as her children. Because Jo is willing to compensate her children, she is willing to forgive his infidelity; because her children want a complete family, she is willing to remarry Jo. Therefore, it is not necessary to say the Mother of Mother He, she just made her own choice, and she knows herself.
8, " Boys and Girls Love "
22 years ago, there must be limitations of feudal dross, but the relationship between the characters and them is real, and the reality of shit and shit is also real. Funny golden sentences are frequent, and it is not sloppy at all (except for the last two episodes where the sugar is sprinkled wildly), and the title does not repeat the content of the previous episode very much, and it is very refreshing to watch it in one breath. It turns out that Xiaoqiang can't even be sprayed with perfume, so strong!
7, "Sister Tuogun 2"
wrote the two heroines very badly. In order to create the plot, it should not be like this. The ability of the screenwriter is very questionable. Sister E has become mad for the promotion of Xiaosheng, and Sanyuan has made trouble unreasonably to the point of indignation of people and gods. Fortunately, there were no substitutions in the second part. Confessing to Sister E, I feel that Sanyuan is too impulsive. Sanyuan's character and his approach have been sprayed by countless people.
6, "Moonlight on the Fifth of October"
Every little person can be well portrayed. Happiness does not necessarily have to be rich and glorious, happiness can also be obtained from ordinary life. Happiness does not depend on the external environment, happiness depends entirely on the state of mind. Brother Chu's simplicity and kindness gives people the power of role models and makes people feel that life is still full of hope. "Whether I'm willing or not, it doesn't matter. When a person grows up, he has to bear it. If he promises something, he must do it. No matter how uncomfortable I feel, there is no reason for others to bear it with me.
5 , "Criminal Detective Files 3"
, the quality of the case is not bad, there is no decline in the appearance of the female characters compared with the previous two, and the beauty is different. Li Zhongyi is a scumbag. If you see one and love the other, the three departments will deal with it. I can't count the number of hands I've passed, is it because Zhang Dayong is not so scumbag? The screenwriter is estimated to be an anti-social personality, no character can speak well, and one mouth is afraid that others will not misunderstand. ”
has done a good job in succession and transformation. In the first episode, the background of the story and the character of the characters have been clearly explained. Later, the way of telling ghost stories on the radio is interspersed with the love, hatred and hatred of the first life. The rhythm is fast and attractive. , Zhou Haimei is really beautiful. The point I am not satisfied with is that although Lin Jiadong can play the difference between Lu Yunguang and Xu Daguang, Xu Daguang really has no personality. I just think it's fun. Looking back now, I think the screenwriter of the Hong Kong version is very strong. It is based on the original book and has added a lot of social thinking and philosophical propositions. For example, "Three Beats of White Bone Spirit" proposed why it is reasonable for people to eat everything, and it is reasonable for monsters to eat people. The wrong question, after all, in fairy tales, demons appear in the world earlier than people; for another example, " Red Boy " talks about the family bond between parents and children, and "Pansidong" talks about falling into blindness The wrong love. Compared to the more Facebook-oriented 86 version, this kind of adaptation is really good.
2, "Giant"
I saw a very classic Wan Ziliang when I was a child, its temperament is compelling, Zhang Weijian is also weird, funny, and Wan Ziliang is also a classic cp, and then the Chen Yulian in it is very beautiful and moving, Then the plot is also very ups and downs, fascinating, and it is also the first TVB commercial war drama that I have come into contact with. When I was a child, the TV station broadcasted it on a loop, and I was very fascinated by it. It is a classic memory of TVB.
1, " fool Jackie Chan "
small production, the general script can be completed like this is very good, about half a year ago, I read it again, it feels warm, different from the feeling when I was a child, more I appreciate the value of the characters in the play, and An Zi's character transformation is also very good. The ending of "Jackie Chan" is an ending without an ending. The Ngawang in it told me an important philosophy of life: sometimes, choice is a kind of persistence. When faced with a dilemma in life, we can put it down first. Not choosing is also a choice. It's not things that are complicated, it's people's hearts.
TVB's top 10 classic dramas that year, which one surprised you?
