Taxi driver, different from classic Hollywood movies

movie 343℃
: close-up + light and shadow. The extremely violent blood in the 1970s was very scary with the addition of red paint, and it was not like aesthetics. Obviously, Travis wanted to die at the time. The final overhead shot gives the audience a complete picture of the entire room, returning to reality.

5. In the end, I returned to the life of a taxi driver and recovered. See Beth again. Warm soundtrack. Saying that "Palandin was elected" calmed down his mood. Beth's face only appeared in the rearview mirror, blurred. Close-up of Travis' eyes. The final shot: Travis's eyes in the rearview mirror are close-up, the light is normal, quickly adjust the mirror to see what is seen, red appears again.

[With feelings] Perhaps what this movie is about is the lingering redness in the lights, the most shocking redness through the water mist on the car windows and the corner of the hero's eyes. The protagonist's humble life and low-speed enjoyment aptly constitute a part of the bottom society of New York, making him astonishingly disgusted and stripped of the outside. The decay of garbage made him suffocate, and this little character could only use blood to speak for himself. The climax of the film ends in the blood light, and the blood light is only a moment of hustle and bustle, leaving behind the dirt in the calm of New York and the redness of the corners of men's eyes. A brave or timid challenge is like the Don Quixote of this era. New York does not change, so does he.

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