Why talking about tuberculosis is the basic condition for becoming a master? In fact, you can imagine that many years ago, our film industry was not as developed as it is today, but many people still want to shoot. What should we do? And what should I do if I want to shoot a boutique? That is to carve the script based on the lens. If there are not too many special effects to show us the heart of the characters in the film, then we can only make the language of the lens more meaningful and as saturated as possible for the presentation of the lines.
So whether it is Fellini, Bergman, or Hitchcock, the masters we can know, they all have a deep knowledge of lines. But many directors nowadays don't do this. Because they have richer techniques to show those indescribable parts. The sculpting of lines may be abandoned. Therefore, many times, modern movies rarely have good scripts. This is a pity. The role of the screenwriter and director of the film itself, as well as the role of photography is the foundation, and then other types of work. But most directors nowadays don't think so. The
era is developing and society is progressing, but the threshold of our film industry has been declining. It’s okay to act and guide, but many people are unwilling to spend energy to consolidate their foundation, which is really a pity.
said a lot. The movie recommended to you today is very classic, and it also has the attributes of a master movie. We can see the original source of many imitations by later generations, and we can also see a truly excellent script that has been carved and the most original charm of photography. Today I recommend Bergman's "Mask". A short 85-minute movie will give people the illusion of watching it for two hours. This may be the charm of the master movie itself.
"Mask" is about an actor who was speechless because of a performance, and remained silent for several months. People around her thought she was suffering from a mental illness, so she was sent to a mental hospital. So the story began. A young nurse was ordered to take care of the actor, but was scolded for not taking care of it. I had no choice but to take the actors to a small island. In the meantime, because the actors did not speak, the little nurse started chattering on her own.
But as the little nurse talked to herself, she accidentally found that what she said had been passed on to a third person intact. So the little nurse became angry, but this situation did not last long. Slowly, as the actor made an amazing move, the little nurse began to lose herself. She began to fall into a psychedelic situation.
This is the outline of the story. Seeing this, many friends may have an expectation. This is a simple story, and the same is also a complex story. The simplicity is because everyone understands that such a story is in our audience. There have been several times on the road, such as "The House of No Ma" and "Mulholland Road" all tell such a story, and even niche movies such as "Remember" and "Rivals" will have such a setting. But we use modern eyes to examine, no one would look at such a story from Bergman's perspective. Therefore, Bergman's greatness was immediately apparent.
uses long shots and close-ups of characters, and then uses some of the techniques that looked great at the time, but now it seems to be very small pediatrics. The image of the protagonist with split personality set in the film suddenly feels very clear. Even if you find the film difficult to understand, you can gradually smell a different taste in the second half. Needless to say, the actor's position (in the ward and on vacation) reflects the director's superb shooting skills. The best interpretation of
for a movie similar to schizophrenia is to bring out the most primitive and supreme level of the objects or shooting techniques that we usually seem to be familiar with. Obviously, Bergman did it. No matter how saturated the lines of the film, no matter how unitary the photographic techniques of the film, but these simple elements are piled together to exert different effects. This is the charm of Bergman's film, the same This is also the quality that a master should have.
There is actually one such character in China, that is Jiang Wen. His Beiyang trilogy also used saturated lines to strike the audience round after round. However, everyone is very unacceptable to such a blow. The reason is that the film industry has been developing for many years, and we will not be able to see the solid basic skills.I will be so surprised, indeed, everyone's expectations for Jiang Wen may be more inclined to a strong personal charm. Even if he, as a director, is very qualified for the ability to direct as well as the control of the script and the control of photography, everyone is unwilling to see such a qualification. This has to be said to be a step backwards.
Anyone with good ingredients can make delicious dishes. If you give you the most common ingredients and it will not affect your cooking skills, then the God of Cookery is you.
