is really a bit fascinating in November this year. Zero official announced several dramas, and the word-of-mouth is polarized. Except for "Secret and Great", other well-known dramas were all criticized miserably.
originally removed a "Warlord of Thunder", everyone felt that they had seen a loss of hope. Unexpectedly, "The Legend of the Deer" was 0.1 points lower than "Thunder".
Look at this overwhelming one star, with the denials of nearly 100,000 people, coupled with all the negative reviews from other platform netizens, the rhythm of this drama seems to be set.
However, what I never expected is that the real situation is just the opposite. Not only did "The Deer and the Ding Tale" not catch up, the ratings have been extremely high since it was broadcast, and even the more frustrated it became, it directly rushed to the top of the entire network.
Good guy, what's the situation? At the beginning, it can be said that the audience ran out of curiosity to see how bad it was. Now the show has been updated with 44 episodes, and it seems to be the finale. The popularity is still so high. Is the whole network of rhetoric and writing fake? Talking about boycott, but the body is very honest, can't stop seeing it?
got the best score with the lowest score. This sounded too bizarre, so out of curiosity, I also went to watch "The Deer Tripod", and by the way, I also consulted audiences of different ages to watch the show True feelings. The first few episodes of
are really true. I didn't watch it at all. Maybe I have seen too many versions and preconceived. I think the gap between Wei Xiaobao of Zhang Yishan and is too big. The form of performance is exaggerated, and the lines of the plot look like a comedy. So I can only start from the perspective of other people. (The following views are only individual phenomena and do not represent the entire audience)
First of all, parents and grandparents have nothing to say. They watch TV and have fun. The people who gave low scores are basically people in the 80/90/00 age group. Most of the 8090 people are preconceived. They appreciate the version of Chen Xiaochun and Stephen Chow, and feel that the new version's performance has changed its taste. After 00, I have almost never seen a drama older than my own age. The reason I don't like this version is that the style of painting is really exaggerated and like a comedy.
However, people who like to watch it just like the comedy presentation of the show, which is interesting and entertaining. Many of them watch it out of curiosity., As a result, those who are in the pit recommend me to start from 7 episodes, and the plot will be coherent and interesting.
From this point of view, Zhang Yishan's version of "The Deer and Ding Ji" is not bad, and even considered a successful innovation. After all, there are classic remakes in any era. 90 was badly rated by 80, and 00 was badly rated by 90. As time goes by, not many have become classics of that era. Li Ruotong's Little Dragon Girl is a classic, and Liu Yifei's Little Dragon Girl is also a classic for the post-90s generation.
After a long time, there will always be a few dramas that will come back against the wind. This time, Zhang Yishan's version of "The Deer and Ding Ji" is no different from the previous remakes. It is a big gamble. It caters to the new market in a new form. A few years later, as the director expected, the version of Wei Xiaobao in the memory of people in the 00s and 10s is Zhang Yishan's version.
Now we feel that "The Deer and Ding Ji" is ostentatious and not good-looking, and maybe some young people think that the quality of the old drama is not good and the props are bad. In the eyes of audiences who like to watch this play, Zhang Yishan's acting skills are OK, because he played Wei Xiaobao in their hearts.
Judging from the contrast between ratings and ratings, Zhang Yishan's version of Wei Xiaobao is really hard to tell whether it is good or bad. Anyway, time will tell the truth, and I can only look at his evaluation in 10 years.
Special statement: The above content (including pictures or videos if included) is uploaded and published by users of the self-media platform "number". This platform only provides information storage services.