1905 film network news On November 13, the film "One Second" released a series of film posters of Zhang Jiusheng (translated by Zhang). This group of posters engraved the actor's image in the film frame, and combined the character shape with vivid memories of the times and the texture of the old film, and combined with the modification of light and shadow effects, it deeply showed the complex mood of Zhang Jiusheng in the film.
It is understood that the movie "One Second" tells the indissoluble bond between Zhang Jiusheng (played by Zhang Yi), Liu Guinu (played by Liu Haocun), and Fan Film (played by Fan Wei) who have missed the film. There are three series of film posters released this time, and the whole group of posters presents different personalities under a unified style. In one of the posters, Zhang Yi raised his head slightly, opened his lips slightly, and at the same time leaned forward slightly, his eyes were stubborn and persistent, as if expressing some kind of silent persistence.
Another poster is a screenshot of Zhang Jiusheng scrubbing the film in the film. In the picture, Zhang Yi carefully scrubs the film with both hands, his eyes are both focused and tender. The light from the left is illuminating the side of the character At the same time, it also made the dust on his cheeks clearer, bringing a deeper inner touch to the audience. In the last poster, Zhang Yi is in the tens of thousands of miles of yellow sand, with his eyes looking into the distance. The large sky in the picture is actually a large blank space, which vividly sets off the unique spiritual temperament of the characters.
It is worth noting that the three posters have selected the same sentence: "It's only a second short, but a lifetime long". It not only tells the father's deep concern for his daughter, but also becomes a detail that touches the soft heart of the audience, making the audience more eager to enter the world of light and shadow. At the same time, the entire group of posters are rendered in a deliberately distressed light blue tone, and the characters are full of expressions, giving people a great space for reverie, and the emotions of the characters overflowing the posters make people look forward to the feelings and stories of the film.
The film poster of Zhang Jiusheng released this time also shows the subversive changes in the role setting of actor Zhang Yi. For a long time, most of Zhang Yi's roles are heroic tough guys. From "Soldiers Assault", "Feather Flying to the Sky" to "Operation Red Sea", "My Motherland and Me", from the golden supporting role to the absolute protagonist. In the movie "King Kong River" released not long ago, the platoon leader played by Zhang Yi also perfectly demonstrated the image of the iron-blooded Chinese soldier. However, in this set of film posters, Zhang Yi looks ragged and thin, but it is precisely this subversive change that is able to vividly show the image of a "fugitive" who travels thousands of miles.
related media reports stated that Zhang Yi’s professional performance has injected sufficient nutrients into the film "One Second". In fact, although Zhang Yi has been in film for many years, Zhang Yi's awe for movies has not diminished. In order to portray Zhang Jiusheng's thin but rock-like character, Zhang Yi lost 20 pounds and turned himself into the weak and exhausted father who is determined to look at his daughter.
In order to get closer to the image of the "fugitive", Zhang Yi is still exposed to the 42-degree desert during his break, even tanning his skin to dark, in order to more truly show the extreme water shortage caused by traveling through the desert. This external image change has also been recorded in the poster, and the two words "love" and "awe" are fully interpreted. Many viewers have been stunned by the actors before they understand the plot of the film. Touched by eyes and belief.
Judging from the character posters released this time and the previous trailers, the film is warm and healing, not deliberately sensational, but inadvertently hitting the softness of our hearts through countless small details. The love and nostalgia for movies that it conveyed also hit the hearts of countless filmmakers and sang the deepest hymn for the grand film movie era.
