The hit drama "Dear Myself" officially ends, and the open ending is hotly debated

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The hit drama 'Dear Myself' officially ends, and the open ending is hotly debated - Lujuba

reported on October 13 October 11, co-directed by Ding Hei, Fu Cexin, and Ren Zhong, written by Su Xiaoyuan and Yan Lin, starring by Liu Shishi , Zhu Yilong, Kan Qingzi, Peng Guanying, Li Zefeng, Chen Miqi, Zhang Yao , Zhai Zilu starring, Yao Lu, Che Xiao, Yu Xiaowei special starring, Yue Hong, Yao Anlian, Wang Yang, Tian Xiaojie, Liu Jie, Gao Ziqi, Chen Weidong's friendly urban inspirational emotional drama "Dear Myself" ushered in a successful ending.

According to statistics, the TV series "Dear Myself" four networks average ratings C33 ranked first in provincial satellite TV, CSM national network ratings 26 provincial satellite TVs ranked first, CSN 59 cities nationwide ratings 19 provincial satellite TVs ranked first, Kuyun's real-time ratings have repeatedly broken 1; Mango TV has a total broadcast volume of over 3 billion . Since its launch, the plot, characters, and leading actors of "Dear You" have spawned multiple rounds of topic discussions, with a total of 232 hot searches on the entire network, 138 hot searches on Weibo, and a total of more than 9.1 billion views on the topic Dear You. The total reading volume of derivative topics exceeded 150 billion . By the end of the evening, the heated discussion triggered by the "open ending" of continued. Characters in

break through difficulties in the play. Reconciling

in the experience. As the hottest drama of the golden autumn, "Dear Myself" strives to present the audience with true, appropriate and distinctive urban youth struggle groups. From the many hot topics during the broadcast, it is not difficult to see that while the audience is discussing the plot and role changes, they also have emotional resonance with their own life status. As the same director Ding Hei expressed in an interview: "Dear Myself" is not so much a life drama, but rather a "survival drama" full of life-climbing sense. In the creation of

, "Dear Myself" discarded the "cool play filter", and used a return to the simple way to create ordinary but full characters, and used an attitude of restoring the truth to tell the difficulties and breakthroughs in life. The growth of each character in the play is not smooth sailing, which may seem cruel, but it is also the place that strikes the audience's heart the most. "Career Inspiring Youth" Li Siyu (played by Liu Shishi) still sticks to her heart after struggling between career and emotion. She does not compromise and does not give up. She is brave to start a business and wins her dream after repeated failures. Chen Yiming has great ups and downs in career and emotion, but regardless of body Whatever the situation, he always has good intentions and shows the best to others. His personality full of kindness and responsibility is impressive. Zhang Zhizhi (played by Kan Qingzi) and Liu Yang (played by Peng Guanying) are a vivid interpretation of the family problems faced by many young people. The plots of second child, mortgage, parenting, and emotional management have resonated with a large number of audiences. "Housewives" eventually grew into "professional independent women", which has also become the focus of heated discussion outside. Lei Haowen (played by Li Zefeng) and Gu Xiaoling (played by Chen Miqi) two urban personality youths have completed their own reconciliation and growth in the process of pursuing their respective love.

Under these real and vivid characters and the relationship between the characters full of "dislocation", the development of the story has also got rid of the routine of "protagonist halo", showing a real "life climbing sense".

Seeing the basics in the details, the real sense of the audience resonates with the audience

Exquisite and life-like makeup, clothing matching that reflects the different styles of the characters, the family furnishings that match the income of the characters, and the different life atmosphere of each family. 》Adhering to the production concept of “resonating in the details, resonating in the silent place”, we strive to achieve the ultimate in handling every detail, which also creates a better sense of substitution for the audience, and then achieves the plot and character experience Resonate.

When "Dear Myself" was broadcast, some viewers said that Li Siyu wears flat sneakers during business trips, high heels for daily work in the office, and puts on the flat shoes prepared in the car when driving. In-depth observationAnd studying the state of each character in a specific scene, we can see how harsh the crew is in the production details. During the hot broadcast, some careful netizens found out that after Zhang Zhizhi decided to divorce and took the steps to explore herself, she had a very delicate change in clothing and style. Saying goodbye to cute hairpins, followed by sassy and capable business women modeling. This kind of control and design in small details is much more advanced and real than using gorgeous clothing and heavy makeup.

It is worth mentioning that, in terms of creation, the TV series "Dear Myself" adopts the "anti-routine" plot design of . This is particularly evident in the open ending of the play. The final finale did not clearly explain the emotional fate of Li Siyu, Chen Yiming, Zhang Zhizhi, Liu Yang and other characters. In fact, it left more imagination space for the audience, allowing the audience to spontaneously derive the story logic and retrospect the character transformation, and further strengthen the audience The sense of resonance with the real issues reflected in the drama has triggered deeper thinking. The

TV series "Dear Myself" is produced by Sichuan Radio and Television Station, China TV Entertainment Investment Group Co., Ltd., Sichuan Xingkong Film and Television Culture Media Co., Ltd., Sichuan Cultural Industry Equity Investment Fund, Jiangsu Wen Investment Management Co., Ltd., Shaanxi Baifanyi Film and Television Produced jointly by Cultural Media Co., Ltd. and produced by China Vision Entertainment Investment Group Co., Ltd. and Sichuan Xingkong Film and Television Culture Media Co., Ltd.

(responsible editor: Du Jiayue_NK6020)

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