Ouhao "Eight Hundred" incarnates "Professional Swordsman" to challenge multi-faceted acting skills

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Ouhao 'Eight Hundred' incarnates 'Professional Swordsman' to challenge multi-faceted acting skills - Lujuba Ouhao sacrificed his life to protect the flag (photographer: Bai Xiaoyan)

Ouhao 'Eight Hundred' incarnates 'Professional Swordsman' to challenge multi-faceted acting skills - Lujuba Ouhao who was ready to charge (photographer: Bai Xiaoyan)

Ouhao 'Eight Hundred' incarnates 'Professional Swordsman' to challenge multi-faceted acting skills - Lujuba Ouhao who sutured the wound (photographer: Bai Xiaoyan) )

reported on September 4 that is directed by Guan Hu, Huang Zhizhong, Zhang Junyi, Ou Hao , Jiang Wu, Zhang Yi, Wang Qianyuan, Zhang Cheng, Lu Siyu, Du Chun, Wei Chen , Zhang Youhao, Tang Yixin, Li Jiuxiao, The movie "Eight Hundred" starring Li Chen , Hou Yong, Xin Baiqing, Liang Jing, Xu Jiawen, Ma Jingwu, Yu Haoming, Liu Xiaoqing, Yao Chen, Yu Ailei, Zheng Kai, and Huang Xiaoming is currently in theaters, and the box office has achieved great success. As of September 3, the film had a box office of nearly 2.2 billion, making it into the top 20 of Chinese film history. As one of the most character-growing characters in "Eight Hundreds", the Dragon Boat Festival played by Ou Hao has grown from a greedy and fearful deserter into a patriotic fighter who rose up to resist. Many netizens said with emotion: I didn’t expect to play the tough guy role played by Ou Hao, but I didn’t expect that it would be so suitable to play a bullshit!” Looking back at Ou Hao’s past works, there are villains who are “not so cruel” and civilian heroes such as firefighters and co-pilots who are brave and good at fighting. As an actor, Ou Hao has also been trying different types of role conversions. Some media also praised: “Ou Hao’s Wen Opera is becoming more stable, and the martial arts opera is also dedicated and desperate, as a young actor. He grows up very quickly.”

Ouhao's contrast interpretation counsels the naive little character to show tenderness in the battlefield under the rain of bullets

is different from the previous roles of Ouhao, tough guy, or fierce. The Dragon Boat Festival played by Ouhao was initially ignorant and fearful, and faced the bullet rain. , He instinctively counseled, trying his best to escape. When the poisonous gas was overwhelming, he was shuddering to hide in the corner and was unable to save himself; when asked to fight the enemy, he trembled and did not dare to carry the gun, enough to see him timid... Many viewers commented after reading: "Ouhao The contrast is so big, it seems like a different person. I didn’t expect him to play a silly miscellaneous army this time, and it was unexpectedly suitable.” Ou Hao described the Dragon Boat Festival that hurriedly entered the battlefield: “He entered a strange environment at first. I am not used to it. I am very scared and unfamiliar to see war, but full of curiosity. From timidity to a more courageous person." Director Guan Hu poetically referred to his understanding of human nature and hope for the future as a "white horse." Images such as "Zhao Zilong" and "Changbanpo" are placed on the "Dragon Boat Festival". He is timid, kind, and brave...fictional characters have the most real humanity. The Dragon Boat Festival played by Ou Hao

enters the four-line warehouse and meets people with different identities and status. Different relationships between characters show different aspects of war, which are cruel and cold, but also tender and romantic. The passing away of relatives and the sacrifice of colleagues made the Dragon Boat Festival gradually recognize the cruelty of the battlefield, and the friendship between the Dragon Boat Festival and the Shandong soldiers together formed the soft part of the film. When they first entered the battlefield, Shandong soldiers were the protectors of the Dragon Boat Festival; when they sacrificed themselves to protect the flag, they were the inheritors of the spirit of Shandong soldiers protecting the country. Talking about the influence of Shandong soldiers on the Dragon Boat Festival, Ou Hao expressed Li Chen through Weibo: "Brother, thank you for teaching me how to pick up the gun." Li Chen also forwarded his response: "My child, thank you for teaching me how to put down the gun. "In and out of the play, the emotional exchange and co-construction between recruits and veterans on the battlefield is also the learning and inheritance between young actors and seniors on the set. Wang Qianyuan also commentedHe said: "Ou Hao is a smart, acting and talented actor. With these actors who have more work experience, he can't see his jerky at all."

Ou Hao exquisitely interprets the growth and transformation of the characters "White Horse Yong" Youth" has accumulated a lot of self-advancement

Uncle's grief when he was killed, the fear when he thought he was about to die, the excitement when seeing the flag rise, the unbearable heart when letting go of the old abacus, and even the reluctance to give up at the final farewell The Dragon Boat Festival played by Ou Hao was fresh and full, with constant highlights, which resonated with the audience: "The sense of substitution is too strong, and I stepped on my tears!" As a non-disciplinary actor, Ou Hao has always adopted substituting and immersive acting skills. He quickly entered the role and experienced the joys, sorrows, sorrows and joys following the changes of the characters' fate. In order to restore the character's heart and sense of reality, he personally took part in car accidents, drowning, and parkour scenes with extremely high risk factors. During the filming of "Ya Hundred", Ou Hao went to the hospital three times, and suffered a pain when he lost a piece of meat on his knee. Recalling the shooting scene, the chief producer Liang Jing said: “In order to be extremely exhausted in the scene, Ou Hao really shut himself in the room without eating or drinking. He was under a lot of pressure, but his ability to relieve pressure It’s also very strong.” Ou Hao said with emotion: “I died after the Dragon Boat Festival in the scene, but the process of filming made me live and burn again.”

"This is a very important performance attempt by Ou Hao. Not only does the play make people immersive, it also conveys the psychological changes of the little people at the moment of life and death from fear, struggle to desperation, through the handling of the subtle aspects of the eyes and expressions. Precise. Many viewers said: "I was amazed by Ou Hao, the action scene was enjoyable, and the crying scene was moving. His acting skills made me completely forget that he is Ou Hao and he can be alone!" From "White Crane Boy" to "White Horse Boy" all the way After coming, Ouhao always accumulates in different works, most of which is the courage to constantly challenge himself and continue to advance. Xu Xiaobin in ``Heroes of Fire'' is both a superhero and an ordinary husband, Xia Xi in ``Fighting Risks'' is both a villain and a pet brother, and the Dragon Boat Festival in ``Yai Bai'' is both an ordinary farmer and an ordinary farmer. It's a patriotic soldier... Under Ouhao's interpretation, each character has flesh and blood, and it hits the audience's heart directly, which is "difficult to calm". Some netizens counted Ou Hao’s past screen images: “Others pay attention to the orphan, while Ou Hao acted at the sacrifice. As soon as I saw Ou Hao, a professional operator, I knew I was going to cry again.” For each character Behind it is Ouhao silently growing up, constantly enriching his firm footsteps. Talking about the career planning of actors, Ou Hao said frankly: "Don't set limits on yourself, and have the courage to try a variety of diversified roles. This is my little'ambition' for the career of actors."

(responsible editor: Du Jiayue_ NK6020)

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