"Mobile" satirizes Cui Yongyuan or Dou Wentao, it is more like Feng Xiaogang and Fan Bingbing's self-deprecating

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text/Ma Qingyun

Since this time, Mr. Cui Yongyuan has publicly reprimanded Feng Xiaogang's entertainment news on "Mobile 2" on the social media platform has been overwhelmingly reported by the media. I won't repeat it. The latest development is that Mr. Cui Yongyuan has shown evidence of Fan Bingbing’s large and small contract. This evidence hits the seven inches of "Mobile 2" and even Fan Bingbing’s other movies.

'Mobile' satirizes Cui Yongyuan or Dou Wentao, it is more like Feng Xiaogang and Fan Bingbing's self-deprecating - Lujuba

This matter needs to be described briefly. Xiao Cui broke out two contracts, one for 10 million and the other for 50 million. This is a very fatal problem. If this matter is implemented, Fan Bingbing's team is indeed responsible, and it is bound to be held accountable for "whether tax evasion". When Teacher Liu Xiaoqing was in full swing in the 1980s, such a thing happened suddenly.

Teacher Cui Yongyuan posted an article "Liu Zhenyun's Family Instructions" at the last minute on May 31. The article teased Teacher Liu Zhenyun's shameless family instructions to make money. Old Liu Tou has this kind of self-deprecating humor, and this article by Xiao Cui does not hurt Old Liu much. Teacher Liu Zhenyun was born in a poor peasant in Henan. After being admitted to Peking University, he was also a poor student. He once asked his girlfriend (later daughter-in-law) to help him. The self-deprecating spirit still bears Xiao Cui ridiculed. Because of this, Lao Liu's sentence was shameless, he couldn't listen to it seriously, it was more like a helpless self-deprecation of life.

'Mobile' satirizes Cui Yongyuan or Dou Wentao, it is more like Feng Xiaogang and Fan Bingbing's self-deprecating - Lujuba

The latest dispute on this matter comes from the movie "Mobile". In 2003, director Feng Xiaogang filmed the play written by teacher Liu Zhenyun, and then Liu Tou published the novel "Mobile". In 2010, the TV series "Mobile" in which teacher Liu Zhenyun was the second signature screenwriter was also broadcast on Beijing Satellite TV and Dragon TV. In my personal opinion, the quality of this TV series is much better than Feng Xiaogang's film. The first signature screenwriter of the TV series is the famous Song Fangjin, and the director is Shen Yan. This Shen Yan is the director of "The First Half of My Life".

Feng Xiaogang's movie "Mobile Phone" is too thin, and it is not a masterpiece of director Xiaogang at all. It can even be said to be one of its relatively poor movies, a bit like Guo Jingming's "Little Times". This movie version only revolves around two things, namely, strictly looking for a third party and Fei Mo looking for a third party. The use of mobile phones to expose the target eventually leads to conflict. The movie "Mobile Phone" is not much different from the current drama of catching Xiaosan, and has little connotation.

'Mobile' satirizes Cui Yongyuan or Dou Wentao, it is more like Feng Xiaogang and Fan Bingbing's self-deprecating - Lujuba

Teacher Liu Zhenyun was 45 years old in 2003. At this time, he did not show extraordinary talent in film screenwriting. On the contrary, the script of "Mobile" is very thin, and the characters' personalities and behavior motives are lacking. In terms of the richness of layers, Mr. Liu is also like a novice screenwriter. In the following ten years, the level of teacher Liu Zhenyun's screenwriting, a nuclear fission, finally broke out in "1942". The characters in this movie are full of personality, have a clear historical latitude, and the emotional tension of the story is extremely firm and introverted. 55-year-old Liu Zhenyun is really sophisticated.

This is the script creation aspect. In the novel, Mr. Liu Zhenyun has ample creative ability, and his story line of thought makes the characters much more plump than the movie. Therefore, in the novel "Mobile", it is not just a simple satire of one or two derailed stories, it is more like a philosophical survey of the plight of middle-aged people’s survival, everyone hides grievances, each grievance Do not stretch. Movies are more satirical, while novels are more caring.

'Mobile' satirizes Cui Yongyuan or Dou Wentao, it is more like Feng Xiaogang and Fan Bingbing's self-deprecating - Lujuba

The movie "Mobile Phone" is offensive, precisely because it puts too much the cleverness of a small steel cannon on irony, instead of infusing the care of the thick Liu Zhenyun's hometown of the world. In the TV series version of 2010, it was adapted to a satirical routine, and replaced with a humanistic care that hides grievances for everyone. Teacher Cui Yongyuan didn't speak after watching the TV series.

In the final analysis, director Xiaogang's creative level is still at the level of trousers. The director’s personal artistic comprehension is low, and the screenwriter is powerless. No matter how good the screenwriter is, he can’t lift a trouser leg up to the height of his neck. Director Xiaogang has been making subtractions for the film adapted from the novel by Mr. Liu Zhenyun. Basically every movie is like this, without exception. The most heinous thing is that Feng Xiaogang's near-destructive shooting of the novel "I'm Not Pan Jinlian".

'Mobile' satirizes Cui Yongyuan or Dou Wentao, it is more like Feng Xiaogang and Fan Bingbing's self-deprecating - Lujuba

In terms of irony, there were actually different opinions back then. Feng Xiaogang invited Mr. Cui Yongyuan to eat dumplings at home, let him talk about the inside story, and then made a big cheating story. "Tell the Truth" program was launched in 1996, and the "One Tell One" in the movie "Mobile" does have the shadow of Xiao Cui's program. Of course, when the movie was released that year, some voices thought that it was a mockery of Dou Wentao. Lao Dou's "Qiang Qiang Threesome" was launched in 1998, and it was a big hit program of the year.

In fact, for so many days, public opinion has been around Cui Yongyuan, Feng Xiaogang, Liu Zhenyun and Fan Bingbing, but few people talk about the connotation of the novel "Mobile Phone". What is the irony or concern of this novel? Teacher Liu Zhenyun’s novel "Mobile Phone" writes like this:

According to the author's statistics, people open their eyes in the morning and close them at night, and they have to say more than 3,000 words. If someone talks in sleep at night, more than 30 sentences have to be added. There are many mouths in this novel. Some people don't like to talk, some are telling lies, some are telling silly things, some are telling the truth, and some are talking. The protagonist Yan Shouyi is a person who makes a living by "talking" and hosts programs on TV. His show is known for telling the truth, but in daily life, he can't help but start telling lies. When the lie is connected to the phone, the phone becomes a grenade.

'Mobile' satirizes Cui Yongyuan or Dou Wentao, it is more like Feng Xiaogang and Fan Bingbing's self-deprecating - Lujuba

Someone doesn't like to talk, this is Liu Zhenyun. Someone is telling lies, sorry, there is no way to check in. Someone is telling the truth, this is Cui Yongyuan. Some people have something to say, Fan Bingbing said on the social media platform that she is very happy in the "Mobile 2" crew, that is, there is something to say. Understand these, and then read the novel "Mobile Phone", you will have a kind of humanistic and artistic care for Feng Xiaogang and Fan Bingbing.

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