Recently, Liu Yuling, a generation of famous Chinese actresses from Hollywood, brought her new drama "Why Women Kill" back to the Chinese people's vision.
, who used famous dramas such as "The Charlie" and "Kill Bill" The true oriental mysterious woman who has occupied the memory of a generation, with her famous "Mulan" animation prototype Oriental face, with her "advanced age" over half a hundred years old, let the world once again "learn" her ultimate temptation and ultimate beauty
In the drama, the upper-class celebrities are full of aura
have the temptation to tease the little wolfdog, Mingyan and the control of the field are all in control
also face the fierce, undercurrents of cheating husbands
where is she the center of the universe , The focus of the audience-Liu Yuling's vivid beauty has nothing to do with age, appearance, skin color, race, she just has 100% ability to make you believe: she is omnipotent, and she looks up to them all.
outside the scene, she took her "F**k you money" to become the annual independent cool female representative and timely agent of Caixin template
on the Hollywood Walk of Fame about "If my life’s hard work can change the public’s attitude towards Asians Stereotyped cognition, then I am very happy, I am a member of the change" speech, still by many people as a "sentence of the day"
after watching her, after watching her self-directed and self-acted "Deadly Woman", countless viewers on various social media platforms kept feeling: "Why can't there be such a big heroine in China?"
"Why is there no such a charming 50-year-old actress in China?"
"Why didn't anyone save us the film and television market dominated by silly Baitian, Bai Youmei, and youth painful literature?" Is
really "not available in China", or does the market refuse to find out, refuse to hire, refuse to give them opportunities? After seeing the three actresses Liu Tao, Wan Qian, and Huang Lu in the first half of this year, Sister Ba has been struggling with this question: those textures learned through time and stories exchanged for experience are thriving in such women. The most absurd thing is that our market is wasting them while clamoring "we don't have" on the other hand.
In order to maintain a girl who dare not marry and have children, dare not tired and aging?
Why are Chinese actresses trapped in the "girl" pseudo-proposition?
This summer, after meeting Liu Tao in Cannes, I have never been confused about the "unspoken rules" of the industry about "the career life of an actress is only golden ten years"
I have seen the fiery princess Musha
many years ago A Zhu, who has seen "Countries in the Four Seas, there is only one in all generations" many years ago, has seen Bai Sangzi, Jiang Mulan, and even earlier "Foreign Daughter-in-law and Local Lang".··
When I saw her again this time It’s still amazing: it’s not the aura of princess Musha, but there is a kind of aura that resembles Mu Nihuangrou’s sturdy
. He speaks softly, but he has a sonorous voice. When he talks about his work, he is fascinating and he is talking about his family and children. One second is soft as a cotton candy
Liu Tao in real life is not Andy, nor is she a "good wife", she is more of a kind of both the rigidity of a professional woman and being a wife and a mother. A soft, contradictory and unexpectedly harmonious temperament
What she left from her youth in the military career is still clear: the always straight waist and the habit of doing as many things as possible around her
debut for more than ten years The professional habits engraved in her bones always reveal traces inadvertently: the sense of drama in the flat blockbuster, the eyes always carry the story
to chat with Liu Tao, and it is really hard enough to talk about the career of an actress. She has thoughts about her life and work, and she never regards "balanced life and career" as a proposition:
is a part of her life, hardships and pleasures are all necessary for life, she does not regard "female "Identity is a label, and "actor" is not a prison for enclosure. She understands what she should do, and can bear what is swept in the face, she has her own stiffness and flexibility.
Speaking of it, Liu Tao is really an actress who has always lived sober and clear.
When she was young, she playedThe characters of Zhuang also have their own breadth and thickness: beauty is a plus, but her sense of story has never been better than her beauty itself
Azhu’s pretty and foolish, Bai Suzhen’s dignity and seductive, and Princess Musha’s persistence and chic ——She has not been delayed in the silly way, and she also values the quality of the role far more than the number of the scenes.
After 30 years of age, not only did she not stand still, but she continued to discover new possibilities in life through her role: 芈姝Her life is reversed, Andy’s calm and crazy, Nihuang’s soldiers are iron-blooded, the story casts a stone in her eyes, and the lake is full of blue waves, layer upon layer, and she has the ability to prove her
Beauty has enough power to resist the so-called time lapse and life loss-this is a kind of self-confidence that is truly from the inside out, given by the common experience of strength and experience.
Speaking of, Chinese men’s persistence in the aesthetics of “white and young beauty” for nearly three thousand years has led Chinese women to “female as the one who pleases themselves” for a long time to keep themselves close to these aesthetic benchmarks.
Even today, the market is still They belong to those actresses who have the face of a girl and can play the same table, school flower, and the next white moonlight in various film and television dramas at any time. The audience always seems to have "special immunity" to them: as long as you are young enough, you can pouting Staring lines are not going well-just some small youth problems
in contrast, "30-year-old anxiety" has become a social topic in the circle repeatedly mentioned by many actresses on various occasions
No matter how elegant you are, Shan Lai Ming Miao has become a child's mother. After thirty years old, fairies also have a point of ridicule, and the market will only become less and less gentle with you.
The "30-year-old problem" of Chinese actresses is like a "Kaner" with a clear boundary. Outside the Kaner, Liu Tao-like actresses are trying to use their skills and strength to answer this era of wasting actresses. .
"explosive" is red? How come
actresses can't wait for another kind of thick and thin hair
is also this summer. Sister Ba also interviewed "Yang Shujun" Wan Qian because of "The Party at Southern Station".
When she saw her, she was in a castle in Grasse. She was sitting upright in a chair at three o'clock in the afternoon. Let’s talk to you about the drama, her role and the life she likes.
Sister Ba has been very impressed with Wan Qian many years ago because of "Liu Rushi" and "Military Paradise": the surface is clear and cold. , But the eyebrows hung in the corners of the eyes and looked carefully, I only feel the thrilling and fierce style
You rarely see such a woman, like an active volcano covered by thousands of years of heavy snow, forcing the eruption accumulated over the years Deep in the heart of the earth, I always feel that just waiting for an opportunity, she can stand across the world and set off a raging fire
so she is always staunch and hard in every story, which is confusing but touching Unattainable-very different from her in reality. In reality, she is peaceful and soft. She doesn't have too much desire for the world, and she doesn't demand rewards for giving.
She loves stories and characters more than "getting" itself.
Before "The Gathering at Southern Station", we talked for a long time about "The Secret of the Three Kingdoms: Hidden Dragon in the Abyss", and talked about her role in the play, in the era of the Three Kingdoms, the Queen of Han Xian, who survived in the middle of life, lived in the mountains. Broken, help the building to be tilted. In the story of a legendary growth of the male protagonist, Wan Qian’s Queen Fu is a very contradictory, heavy, and complicated character
. History records her blood, her stamina, and hastily, remembering her and her Her husband’s struggles and failures-she is a part of the blood-stained background of the Three Kingdoms, and a hidden corner that is not humane.
But in the story, Wan Qian has deeply experienced the pain and regret of Fushou as a woman , Ruthless and determined. After 1800 years, she experienced a world completely irrelevant to life. Her children were heartbroken, and the effort was exhausted. From beginning to end, only she knew, and only she suffered
-but she enjoyed it. This kind of self-torture from the story
is like in "Kyushu·Sea Shepherd Clouds", she does not need everyone to understand Nan Kuyueli’s ambition and madness, she just needs to convince herself why this woman did this And why it must be done like this
, she must first believe, then shape it, and then let others believe——This is her sense of faith as an actor.
Apart from filming, she still loves her drama, and is still willing to "consume" time and energy to go to the drama stage to absorb the nutrients she needs as an actor.
sound table, really listen, really look and feel - Wan Qian doesn't care Does more people know her? What she cares more about is whether she knows more about the world.
all say that the career life of an actress is only golden ten years, and the sign that proves that an actor is "red" is whether you have "popular style".
is like the question that Wan Qian once answered on Zhihu about "What is it like to be an unpopular actress?"
is not a fish, the joy of Anzhiyu
has accumulated stories with time, and used stories for thick accumulation. A blowout-the professional life of an actor is growing, and it is still too early for Wan Qian to judge success or failure by "explosive style". Is
a niche restriction for actresses?
The real actor should not only be adapted to exclusive customization.
is also this year, traversing the world in May and June, from Cannes to Shanghai. Sister Ba was also pleasantly surprised to reunite with my old friend-actor Huang Lu
all the way from "Blind Mountain" Come over, she used to be the biggest psychological shadow for many people, including me, when they were young, and later, the source of our deepest understanding and appreciation of the word "actor"
Enter the story, she can be anyone, out The story, she just needs to be an ordinary person
Sister Ba can sometimes remember how I felt when I saw her for the first time
used to be separated from the screen and the story, you see Bai Xuemei in "Blind Mountain", watch "Tuina" Xiaoman, look at Li Ling in "The Appearance of the Clouds" and so on. In her story home, beauty is not the most important thing.
No matter what she looks like, what her role is, and the story goes How many twists and turns, after all, her eyes will always reflect different beautiful hopes, survival, broken, and annihilated according to different stories.
I always remember the first time I watched "Blind Mountain". Point, followed by the female college student Bai Xue who was sold into the deep mountains sank into the bottomless and dirty deep sea, seeing hope a little bit of time and reality grind to nothing left
begging no, no escape, no help
no knowledge Use, skills are useless, you have a lot of knowledge, and you have nothing to do with your youth. Use
, a fresh and brilliant female college student, so she was ground into a fertility machine with dull eyes
You are depressed and frightened : If you change your status, it seems the same if you put you in her position. There is no other way except despair-that kind of darkness has become a huge psychological shadow for everyone who has watched "Blind Mountain". Now, how do you watch the light in her eyes become desolate and cold
——Speaking of which, Huang Lu’s eyes are very bizarre, with a little bit of vicissitudes, a little charming, a little smoky and flirty, A little bit of unforgettable depth, she seems to belong to the movie by nature, so she is always remembered one by one the roles in the play, and after a play, she returns herself to the crowd, and the crowd is always fast Hidden her, so when Sister Ba saw her for the first time, she was only surprised: It was also on the coast of South France, in the early summer of Cannes, she wore a long skirt and brought the warm smell of the sun to your eyes, with a soft voice and a crisp personality. Be a little boyish, a little silly
speaks quack quack, neat and hearty
-her flamboyant look can always quickly free you from the huge psychological shadow left by "Bai Xuemei", She herself is in the scorching sun, the roses are brilliant, not so secular, not so literary, not a little gloomy, not a trace of hypocrisy, you only feel that when you look at her-it turns out that this is an actor
is coming with stories full of wind and rain, but finally I was embraced into the warmth In fact, her beauty lies in her bones. In the story, she must be careful to read
slowly. After all, she is never a thin piece of paper, but a thick book
. So look, with Huang Lu Compared with this person, fame, fame and fortune, popularity and not popularity are not important things, she has her own happiness, and as an actress, she is very happy.
Career and family are not multiple-choice questions, red and not red is not a limitation theory, and there is also a parallel between the public and the minorityThere is no difference between the moats. You are an actor, you are a woman, you are a mother, wife, daughter-before you are everything, you must first be yourself.
China has never been without great heroines and good stories. The lives of these women are more exciting than countless scripts.
