"Rather than a wife who is not loved, I would rather be a lover who has always been loved."-The movie "Disqualification on Earth: Osamu Dazai and Three Women"
What a subverting moral view of love!
The movie "Disqualification: Dazai and the Three Women" is a film adapted by Mika Ninagawa based on the island country's talented writer Osamu Dazai's "Disqualification". The beautiful tone is full of sadness.
"Disqualification in the World: Osamu Dazai and the Three Women" is the latest film by Mika Ninagawa, an island photographer/director. She collaborated with Shun Oguri, the "Little Prince Mangai" for the first time, but chose to adapt a highly controversial novel.
Before introducing this movie, one must first understand Osamu Dazai, the "island country genius writer", and the "Disqualification in the World" known as the "Non-Fiction Novel".
presents three "death-like loves" in the life of Osamu Dazai in the beautiful tones of Ninagawa Mika!
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about Osamu Dazai and his "Disqualification in the World".
The title of "Disqualification in the World" means "disqualification of life". It seems to be an overhead novel written by Osamu Dazai, but it is actually a "private novel".
Dazai Osamu uses "Disqualification in the World" to present his short life and those untimely thoughts in delicate words; the lines are full of "genius depression", but he is constantly challenging the value of being a human being.
Osamu Dazai once said, "My life is a shameful thing."
, a bohemian, had an affair when his wife was pregnant, and the woman outside treated her and her daughter coldly after she became pregnant... but he knew all this. It is shameful that he has "lost his qualifications to be a human being." What is the purpose of such an unbearable life?
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This novel is the posthumous work of Osamu Dazai before he committed suicide.
When Osamu Dazai was 38 years old, he and his outside lover, Yamazaki Tomiei jumped into the water of the Tamagawa River and committed suicide...
and the two left behind the creation of "The Rain of Tamagawa Love Death", but if you carefully calculate the creation of Osamu Dazai Time will discover that "Disqualification in the World" is his real posthumous work.
Islanders have tried to pry into the complicated heart of this genius writer more than once, and "Disqualification in the World" is the only answer.
Horror cartoonist Junji Ito once changed the "Tamagawa Love Death Incident" under the name "Disqualification in the World", giving the originally sad story a layer of loneliness and weirdness.
In 2010, the late senior film director Genjiro Arato shot a work of the same name on the 100th anniversary of Osamu Dazai.
But Ninagawa’s "Disqualification in the World: Osamu Dazai and Three Women" is different in that she did not create the story of the original role of "Disqualification in the World", but instead focused on the life and love of Osamu Dazai.
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subverts the moral view of love.
This movie is both love and hate. It is Ota Shizuko, the first lover of Osamu Dazai. She once left this sentence: "People are born for love and revolution." Osamu Dazai wrote this sentence , Written in his diary.
During his fall in love with Shizuko Ota, he wrote "The Setting Sun" which was rated as "a work that can hollow out the soul", which is as stoic and stubborn as Shizuko Ota's beliefs.
Shizuko Ota is a woman of the new era. She aspires to become a writer, but she doesn't think there is anything wrong with being the lover of Osamu Dazai?
" I would rather be a lover who has always been loved than an unloved wife. "
is a bit sick, but it is a pitiful mood that can only be possessed by a woman as Osamu Dazai.
She admires him and is obsessed with him, perhaps because of his people, or his talent.
subverts the moral view of love, and is still the most private yearning of island girls.
But it is not just a lover's view of love that subverts morals.
After Osamu Dazai’s wife "Michiko Tsushima" discovered his infidelity, she decided to stay with her husband for the family and for the children.
But in the final analysis, perhaps it is just the mentality of "he is scumbag, but I still love him"... The heart of women in the era of
may be more subtle and complicated than the "depression of a genius writer".
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Osamu Dazai "The Last Woman" and a horror legend.
In the past film and television works, few people are willing to portray this woman who jumped into Tamagawa with Osamu Dazai.
But this movie exaggerates the exclusive desire of "Yamazaki Fuei" after falling in love with Osamu Dazai.
In fact, the historical fact is this: Yamazaki Fuei is a helpless widow, and Osamu Dazai becomes her only spiritual pillar. At this time, Dazai Haru happened to be suffering from tuberculosis, so when he was determined to die, Yamazaki Fuei just wanted to die with him.
Of course, it has been said that Osamu Dazai’s death was not voluntary, but that Yamazaki Fumi forced himself to commit suicide together for many years... The dialogue in the movie trailer of
: " I want to commit suicide with you... together. " Yamazaki Fuei's sick desires.
Osamu Dazai's "Last Woman" will turn into a woman under the lens of Mika Ninagawa, which is very curious.
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Mika Ninagawa's beautiful and intoxicating hue.
You who have seen "Oiran", "Embarrassed", or Ninagawa Mika's solo photography exhibition, you must all know that the world in her eyes can be interpreted and understood with gorgeous flowers. And this movie also has such a romantic perspective.
The three women who are in love with Osamu Dazai all have their own flower language ▼ The background of the wife "Michiko Tsushima" (played by Rie Miyazawa) in the movie poster of
is the backyard planted with purple irises; around the lover " "Ota Shizuko" (Sawajiri Hiderika) has pink plum blossoms, pink is shy, but plum blossoms are firm; the last woman of Osamu Dazai, "Yamazaki Fumiei" (Nikaido Fumi) is followed by red camellia, a passion , A bright red like blood.
The flowers interspersed in the screen of this movie are all flower words deliberately left by Mika Ninagawa.
Regarding Osamu Dazai’s love, she can also turn a period of love that challenged the moral bottom line into the most beautiful mistake.
