1, "Border City": The killing movie is interpreted in a political context, the scene is given a richer readable space, and the emotional release of the core characters has almost reached the limit. The overall tone of French neo-extremist horror films is melancholic. "High Voltage", "In It", "Martyred" and even "Border City" are all born of a desolate atmosphere under the genre vision-first tradition. In this weird context, the body has become an experimental device, and bloody slaughter has become a greater salvation than spiritual preaching.
2, "The Red State"; it looks pretty good. Kevin Smith likes to put everything to the lower level. The decision is an emergency response. There is nothing wrong with the explanation, but the explanation is a bit too blunt. It feels like nothing is wrong. Yes, the horn originally thought that it would become magical and explained later. If it really becomes a god, what would it be better? There are two sides that can’t be right or wrong. The police make mistakes and then the scale of punishment. Tilting requires a sense of an absolutely impartial third party, but I want it to do so. In addition, there is a dragon trap called Abigail.
3, "Martyred"; the narrative method makes the film avoid clichés, but the content is still routine, which is still too sloppy and open ending that I don't like. The female elder should have learned from the heroine that there are still endless doubts before and after death, and there is no truth that she is looking for, and her faith collapses and commits suicide. But is this not a truth?
4, "Deadly Love"; the cliché frame of the killing movie is disappointing, and the whole story is almost without suspense. The film’s portrayal of the perverted girl is unexpectedly very good, especially its crazy posture crawling hard and bloody on the road, which is weird as a carnivorous and bloodthirsty zombie. In addition, I am more curious about whether Refn referenced this movie accordingly when making "The Neon Demon".
5, "House of a Thousand Corpses"; a heavy metal copy of "Texas Chainsaw Massacre", the editing is really manic and offensive. There are a lot of tributes to classic horror films, and these tribute films are not even of the same style. Personal favorite ideas are the parody of the ending of "Texas Chainsaw Massacre" and the provocation of the "Magic House" country soundtrack.
6, "My Life Is Like This"; elegant and stable, unique temperament, a remake that surpasses the original. Jim Mikko adapted the original plot rooted in Mexican social reality into an absurdly dark Southern Gothic novel, replacing the critical core of the original society with the setting and growing up story of Kuru, reversing the gender of the family, and the fight between brothers for power Replaced by the conflict between the values of the two generations, the two girls completed the sexual liberation and the return and resistance to tradition and patriarchy in a single bite. But the father's role is too obvious, not like a person who can integrate into the community should be.
recommends 6 unpopular heavy-duty movies, after watching your scalp numb, you may not have seen it!
