First of all, the film "Over the Spring" is a relatively real youth film. At the age of fifteen or sixteen, who doesn't have a restless rebellious heart? I especially want to get rid of the introverted and shy self, especially want to be a cool girl who is good at socializing and is loved and loved, especially want to be different, especially energetic and dare! I especially want to integrate into the circle of people who don't belong to me to find a sense of illusory identity. For this reason, bite the bullet and do things you are not good at, such as swimming in the water, such as accidentally liking someone.
Many people said that they liked the clip of their mobile phone tied up in the garage. It was really wonderful. There was a car driving outside, and the two people were close to each other. They could hear each other's breathing. The hair on both sideburns of the girl was stranded from sweat. Sticking to the face, the hands of the clock move around, and the light is dim red, creating an ambiguous atmosphere. What's more, the intimacy scene of the need to lift the clothes to tie the phone tightly? But what I like the most is that Ahao and Pepe watch the night scene on the top of the mountain, shouting "I'm the King of". Ahao's heart is moved. He almost kissed Pepe, but he said "Itchy." ; I also like that he said to Pepe, "That’s it, you can’t agree." What a principled person, by the way, he saved Pepe the first time he entered the water.
However, this ambiguity is most definitely when her good friend is still unaware. Although it is just handing over the goods, it is the silent secret of Ahao and Pepe, and the tacit understanding between the two. When a good friend told Pepe that Ahao didn’t say goodnight to her last night, Pepe realized that the two of them were really going to part ways. How could they say to their good friend, “Your boyfriend didn’t talk to you last night. Good night is because we are transporting goods together and the ship has a problem"? Youth has no end. If it weren’t for the police to appear, Sister Hua might force Pepe to do something. Pepe would never return, but the police showed up and her good friend left the school. Ahao went to jail. New boyfriend cheated away, always imperfect.
But not perfect is the end. I also like the mirrored images, such as the scene of Pepe eating at a restaurant and his father smoking on the road during customs clearance. At that time, I thought it was wonderful! Growth will always come in a spring when catkins arrive unexpectedly. At that time, we were prepared in panic and reached a reconciliation with ourselves and the people around us. 16-year-old Pepe is like many 16-year-old middle school students. There is nothing special. If you want to go to school, go to school; if you are dragged out to play, follow along with it; there is no special ideal, no special background, no special advantages, and There are no particular disadvantages. Nothing, more suitable for rewriting a story than a blank sheet of paper.
Moreover, the soundtrack is also very good. I have a question, why did Pepe open her palms at the top of the mountain and then close them? The plot is still the old fashioned youth movie, tragic native family, rebellious, green hat, but it is handled naturally and comfortable, of course the main highlight of the experience. Use medium shots, close-ups, and shaking shots are like lost and unstable youth. The makeup is very appropriate, and the place where the un-makeup shows the un-makeup. This kind of naturalism is higher than those of Korean-style big flat eyebrows, and the "soft light filter" is so high.
In the end, this film did not deliberately go to sensationalism. Generally speaking, it is quite restrained. Many lyrical moments are explained in one or two sentences and one or two actions. Under the calm surface is the inner turbulence. This kind of restraint is also reflected in the hormones. The hero and the heroine have had many hints of contact, but they have not taken that step, especially the section where the goods are hidden, under the red light full of emotions, the ambiguous body contact. Compared with the kind of movies that applaud as soon as the atmosphere comes, this kind of restraint is still more clever.
