"Song of Youth" manuscript
▌Hua Jing
"Red Flag Spectrum", "Defend Yan'an", "The New Heroines", "Little Soldier Zhang Ga", "Little Hero Rain", "Plain Guerrilla", "Shanghai Morning", "Li Shuangshuang Biography" "Hongyan", "Wildfire Spring Wind Fighting Ancient City", "Shangganling", "Song of Youth", "History of Entrepreneurship", "Li Zicheng" and 21 well-known red classic manuscripts-"The Original Heart and Handwriting" exhibition is on display at the Museum of Modern Chinese Literature. When I saw the original manuscripts of writers of the older generation, nostalgia suddenly spread.
is like me, a person born in the 1960s, from elementary school to university, isn't it because of the influence of these red classic works that established his own outlook on life and values? In every step we take, it is also because of the role model influence of the characters portrayed in these works that our generation will “noble”, “great”, “sacrifice”, “glorious” and “dedication” for a certain period of time. Such vocabulary is engraved in the heart and runs through the correction of one's own words and deeds.
writer Liang Bin’s novel "Red Flag Spectrum" reflects the epic work of the revolutionary struggle of the peasants under the leadership of the Communist Party of China. After the novel was published in 1957, the film of the same name "Red Flag Pu" was released in 1960. The protagonist Zhu Laozhong's transformation from an ordinary peasant to a proletarian vanguard is the peasant's awakening. The original "Red Flag Spectrum" on the
booth has numerous creases and even a torn corner on the cover, but it does not affect the light of this work.
"He is only 13 years old, he is good at swimming, can climb trees, can wrestle, love to bite. Clever and ghostly, brutal" "Gazi" image is rooted in the hearts of the people. The novella "Little Soldier Zhang Ga" was published in 1961 by the old writer Xu Guangyao. After the anti-Japanese hero Zhang Ga's story film "Little Soldier Zhang Ga" was released in 1963 based on Yan Xiufeng, the first-class combat hero, the image of Gazi is well-known.
saw "Little Hero Rain Come" again. The famous writer Guan Hua told several stories about the anti-Japanese struggle between Yulai and children in the base area living in Luhua Village in the Jinchaji area. When we were young, many of us “knowed” Yulai from Chinese textbooks and comic strips, and they were all readers of Guan Hua.
saw the manuscript for the first time and it was written in vertical version. Above, two lines of words are introduced: We are Chinese. We love our motherland.
"Everyone will follow the female teacher's fingers, and read them in unison." It describes the scene when Xiao Yu came to learn culture. In that difficult and difficult war era, under the oil lamp, the teenagers cherished the rare learning opportunities. The fragments written word by word on the grid paper, people can't help but imagine the state and environment of Mr. Guan Hua's writing back then, what should it be like? This little rain that he came out of virtual is the epitome of how many heroic children. Today, the children living in the peaceful age are happy and peaceful. The Xiao Yulai people of the year grew up listening to gunshots. Under the leadership of their predecessors, in order to protect their homes, they took up guns and participated in the anti-Japanese struggle early in order to protect their homeland. Unforgetting a plot, the Guizi officer twisted Xiaoyu's face vigorously, grabbed a piece, and gritted his teeth. The stubborn Xiao Yulai was bluish and purple, and his nose was bleeding, but he did not say where the traffic officer Uncle Li was going.
"We are Chinese, we love our motherland." This is the source of Xiao Yulai's strength not to yield to the enemy.
writer Ouyang Shan's "Sanjiaxiang", published in 1959, was set against the background of the revolutionary struggles in Guangzhou in the 1920s, showing the growth of revolutionaries. Although there are some alterations and modifications on the manuscript, the paper is not messy due to the neat handwriting. What
attracts most viewers is the interleaf paper of Mr. Ouyang Shan in the process of revising. In the reasoning of the before and after story, he may feel that he is not quite in place, so he handwritten a piece of plot separately, in the proofreading of the sample book, or supplemented and perfected on the basis of the later reprint. For example, the page on display has the words "insert page 1311" at the beginning.
is like yesterday. When I look back, it is destined to be a legend that makes future generations dream about. The true reproduction of the writer's manuscripts is close to the viewer. While the viewer is "watching", this classic has made a big mark in his mind.
"Qingjiang Zhuangge", which shows the thrilling revolutionary struggle scenes of the underground parties in Qingjiang area in the 1940s, is a novel serially published by writer Ma Shitu from 1961 to 1962. It was officially published in 1966. The old man wrote based on the martyrs He Gongwei and Liu Huixin as the prototype, andLiu Huixin is his wife. The two martyrs were both intellectuals who moved towards revolution in the 1930s. With the ideals of overthrowing the old China and establishing a new society, they went to the Enshi area on the Qingjiang River to carry out underground work. They were later arrested and imprisoned for betrayal by traitors. To the enemy to kill. Liu Huixin had just given birth to a child when she was arrested. In a very environment, she showed her greatest maternal love. When walking to the execution ground, he was even more in a hurry, and the baby was cleverly placed in the grass on the side of the road to make the child escape. It was a kind-hearted couple who adopted the child, and his biological father Ren Yuan (also known as Ma Shitu) finally found the child more than 20 years later. It is a novel, but also a true story, which moved Chinese readers in the 1960s.
"A big river, wide waves, and the wind blowing on both sides of the rice flower fragrance. My family lives on the bank. I am accustomed to the chants of the father and the white sails on the ship..." "Connected together. The author of "Shangganling" Lu Zhuguo published a novella in 1953, and the movie "Shangganling" was released in 1956. In 1960, Lin Bin, Cao Xin, Sha Meng, and Xiao Yu published the film literary script of "Shangganling". The lyrics writer of the movie theme song is the famous lyrics writer Mr. Qiao Yu. This classic song showing the heroic achievements of the Chinese People's Volunteers in Shangganling has been sung for decades by the original singer Guo Lanying.
The five-volume novel "Li Zicheng" is a picture of the late Ming Dynasty history developed by the writer Yao Xueyin using the peasant uprising led by Li Zicheng as the main clue. The first three volumes were published in 1963, 1976, and 1981 respectively, and the fourth and fifth volumes were published in 1999. In the
showcase, different versions of "Li Zicheng" are displayed in front of the viewers. The manuscripts are clearly dotted and the paragraphs are clearly structured. The page we see has traces of binding, which may be withdrawn from the bound text. There are many handwriting changes, but they are not messy. Although every character written by Yao Xueyin himself has a continuous stroke, the coherent writing of the masterpiece is accomplished in one go along with the creative ideas, which shows that his writing skills are good.
The last thing I saw was the long narrative poem "Ashima" from the Sani tribe in Guishan, Yunnan. Organized by Huang Tie, Yang Zhiyong, Liu Qi, and Gong Liu, it was published in 1954 and the movie of the same name was released in 1964. This work shows that the ethnic minority people in the southwest frontier resist class oppression and pursue freedom and happiness. Because of the spread of the film format, people can remember the actor Yang Likun while also understanding the Sani culture. In front of the
booth, every writer's manuscript hanging above the original works seemed to restore a piece of history. Make a little circle and change the painting. It turns out that those familiar storylines are "written" like this.
"How long ago was that..." The young audience beside him sighed heartily. In their eyes, these handwritings have the same influence as the original works, confirming a belief. The manuscripts of
confirm the process of thinking, refining, perfecting and sublimating the writers in their creation, and they are infinitely appealing. Today, the omnipresent lens close-up actually captures the attitude of young people today who are trying to approach the red classics and eager to read the red past. Walking into the Progress Hall itself is their positive attitude towards literary history. It is not expected that the current young generation will collide with the characters in each work and blend their thoughts, but it can be expected that the exhibition of 21 red classics will give them more room for imagination. The manuscripts are precious cultural relics and historical materials, and they should indeed be seen by more people.
records, collects, exhibits, revisits and archives.
Thousands of words, tens of thousands of words, hundreds of thousands of words, millions of words... These 21 red classics, each passionate work has inspired the growth of a generation. Being pulled back into the story again and encountering the work for the first time, the mood and state of mind are different. When faced with the manuscripts that have not been discarded by time, I deeply feel that: thickly planting literary fields and inheriting the spirit of literary creation, this method of collecting, organizing, properly preserving, and exhibiting is an education to guard the memory of Chinese literature. . Isn't it? Isn't it also a dialogue between the viewer and the author that travels through time to attract many literary lovers to visit and learn?
