First of all, this is a film that is good at telling. I have to admire the skillful use of various lens languages in the film. The long lens is used to tell the unforgettable fragments of the hero and heroine in the story. For example, the heroine who comes with the sound of the piano meets the restaurant where the protagonist is fired, the protagonist walks between the mountain roads, the talk about musical dreams and love when visiting the studio, the lively interaction between the protagonist and the heroine in the bar They are all excellent representatives. It's just like when we recall the scenes of those hard-to-discard fragments in our lives, clear and delicate, continuous and complete.
Secondly, the whole plot of the movie is actually very structured. The director marked the four chapters of spring, summer, autumn and winter. Spring is the discovery and sprouting of love, and they love ardently in summer. What a wonderful love here. Mia and Sebastian found each other in the crowd, and they found different characteristics in each other. They came together because of mutual appreciation of each other's talent, passion for art and life, and cherished each other.
Mia and Sebastian held hands secretly for the first time in the theater. It really made my heart beat. It was the sudden encounter of two beautiful hearts, like two stars falling from the sky. In the crowd, only they two can understand The mutual understanding and brilliance. Montage is used to tell the time passing by, to describe the fast-changing facts in the story, the gradual warming of the relationship between the hero and the hero, the rapid warming of the hero's career, and the final part to present the possible happiness process of a fairy tale. Just like the hurried but constantly changing times in our life journey.
In addition, the dynamic rhythm of the lens is just right. When it is warm, the lens slowly reveals a hint of warmth; when it is warm, the lens seems to jump with joy; when it is sad, the lens changes from high to low, from fast to slow , Just like the slower and slower pace; when he decides, the camera also cuts gold and iron, and then drifts away. The script of the movie is also at the textbook level. The whole story is so close to life and ordinary, as if it is in the city we live in, but the beats are changed appropriately. Although the story is not turbulent, it is still fascinating. Cents. In addition, the whole movie, what touches me is the love between them, the frustrated keyboard player, and the young actors who are also frustrated and have dreams of actors. They sympathize with each other and encourage each other. It sounds very clichéd, but I am envious of it. feeling.
is even more envious that even if you are too poor, you can feel infinite happiness. Talking about the two scenes, the first is the first time watching a movie together. The two people carefully tentatively hold hands, touch their fingertips, and love each other. Sparks flew everywhere, very young, two adults, but like junior high school students, in order to hold hands, the deer bumped into each other. The second is that when Mia answered the phone, Commander Gao looked at the shabby ceiling and silently this was me. Two memorable scenes, in my opinion, the first scene represents following, and the second one represents compromise.
is not so much a love movie, but in fact it is a dream march about dreams. The story told by the film can be summed up clearly in one sentence: two dreamers with the same passion fell in love and couldn't love it, but the dream came true. Every one of us has had dreams of great and small. Being an astronaut is a childhood dream, because the fantasy of space and the mighty galaxy are so fascinating. The 20-year-old ideal is to be a pilot, because it is realized on the one hand. With the desire to fly, it can give me a considerable salary. The dream about the Milky Way and the miracle of traveling to the sky have become more and more numbers and tailored tailored suits in the bank. This is the most enviable ending of dreams come true.
