1, Zhang Yimou's "Three Shots Surprise"; Is Zhang Yimou acting stupid or really stupid? Calm down and think about it. The script adaptation is actually fine, but it doesn't look like a movie anymore. This time it was really bad from start to finish. The Coen brothers made their debut, and the language of this remake of the movie is gone. It's not bad for Lao Mouzi to take Zhao Jiaban to play the sketch. As long as it can make the audience laugh, I seem to laugh once.
2, Chen Kaige's "Promise"; Chen Kaige tried to elevate his narrative context to a height beyond history, but his unavoidable execution effect completely stifled this ambition. Therefore, I don’t think there are many mysteries in the movie itself worth exploring. Just want to talk about the embarrassing marketing positioning of the film: these seemingly international actors are actually more suitable for a popular script, and there are actually many more suitable actors in China to achieve the performance level expected by the director.
3, Feng Xiaogang, "The Banquet"; recently re-watched the Banquet. I feel that the shortcomings of the movies of that era are common. They are obsessed with meaningless choreography effects and abandoned normal dialogue. The actions of the characters in the play are unconvincing. There is no life but concept, which is not art. Ge You's last line can add points, but it is a waste to put it in such a movie.
4, Lu Chuan "The King's Feast"; I want to make "Macbeth" a failed case, the film's overall style of "Chaos" is really "chaotic", the monologue is hypocritical, and the "Mao XX Biography" that I want to make a metaphor is actually used "Heaven Mouth" lineup re-creation of the base film: he relieved him, he fell in love with him, he loved the other him, he killed him for him, but they were not together, he killed him, and there was also a pimp in the middle I loved him and was killed in the end. It was always a silly and he couldn't tell.
5, Du Qifeng "Three in a Row"; Zhao Wei started acting as an idiot again, and the whole story of the script also began a series of collapses from her. Whether the question Du Qifeng wanted to explore is hidden in Zhao Wei or Zhong Hanliang is no longer important, because the details are Dilapidated and unable to support the frame of the narrative, you feel that you are still holding a breath, not spit it out, and finally let out a fart lightly, which can be considered as holding back.
6, Yuan Heping, "Qimen Dunjia"; this estimate is purely nominal, more perfunctory than Journey to the West. And Mr. Xu’s art team basically did not follow. The boss set a copy of Megatron, and the necromancer used the shell of a ghost nun, and the so-called five masters' ability settings were nothing more than those of the Western Super League. Bai is blind with such a classic subject matter. The laugh is super awkward, the performances are all plastic flowers. Ni Ni's shape is not pretty.
7, Zhu Yanping, "New Oolong Yard": "New Oolong Yard" has been selling for more than two decades, but under the old and boring plot, a group of comedians staged an old comedy, the villain will always Stupid and stupid, the protagonist who steals something undercover will always be probated. The sentimental scenes and family scenes are too sensational and exaggerated. The oolong courtyard of Crouching Tiger, Hidden Dragon turns out to be vulnerable. Hao Shaowen’s appearance is powerless, and three children are caught to imitate As a result, a child was lost in the poster. unfortunately.
8, Wang Jing's "Fight of Macau 3"; "Fight of Macau 3" is not as good as one year. The correct way to watch this film is to complain. The slots are really countless. Dare to not be so stiff when ad placement, and still sing and dance at every turn. Are you really not an Indian movie? Special effects can only be given to Sanmao. Are the lines bullying the audience mentally retarded? The most important thing is that the plot is messy.
9, Liu Zhenwei, "Journey to the West 3"; the director who should take medicine most. The magic is that no matter whether you have the knowledge of the first two "Western Journey", you will be confused after reading it. Thinking of the husband and wife of the king of grapes and sunglasses, I only feel that the time has passed. Embarrassment in capitals, awkward jokes, awkward acting, awkward special effects, awkward love. Liu Zhenwei is on the way to become the next Wang Jing.
10, Wu Yusen "The Hunt"; disaster-level editing is the fatal weakness of the film. From the first five minutes of editing, problems began to occur, and it shouldn't be Wu Yusen's style to find a bad editing point and use freeze frame. In the play, the characterization is not complete, and the rhythm is eager to jump from time to time. In fact, this film is just like what Wu Yusen's daughter said in the film: My father has increased the dose too much, and I am completely unconscious. In fact, Wu Yusen has not changed, what has changed is the market and capital.
The rollover works of ten Chinese directors. Each is a disaster. How many have you seen?
