Wen丨Ge Yiran and Uncle Qian Figure丨From the network
Just after the Spring Festival, Chen Kexin’s short film "Three Minutes" became popular online.
A mother of a conductor who cannot go home for the New Year, a child who has not seen her for a long time, can only buy time to meet within three minutes of the train stopping.
"I have not gotten together yet, I will parte in a blink of an eye" is the doomed ending. The shot starts, time counts down, and tension begins. The
conductor has to serve passengers, and children have to cross the sea of people. Time is limited and numerous obstacles are all factors that arrest people.
netizens were moved, and even burst into tears. It came from a detail:
children memorized a multiplication formula table for their mothers in order to prove that they had studied hard.
He tried his best to recite the table of multiplication formulas because the thinking behind it was: learn multiplication formulas → enter a good school → live with his mother.
Mom wants to hurry up and reunite, and the child also wants to, but time does not allow.
finally came back to "Nine Nine Eighty One" and the train was about to leave. The atmosphere is well laid out, and the tears are released instantly.
Even if it only takes three minutes to shoot with a mobile phone, Chen Kexin can still hit the audience. This is because
family affection, wandering, and reunion have always been Chen Kexin's best elements.
is also because Chen Kexin's other good trick is to make actors shine in front of the camera.
Many people say "Sweet Honey" is Liming's best work, and the industry owes Liming a actor. This really depends on Chen Kexin's insight.
When Chen Kexin was looking for an actor, the first thing he thought of was Liming.
Liming, an artist, has a mysterious and contradictory temperament. He is very handsome, but he is concealed between his eyebrows and eyes. Most of the performances are hard to say, especially afterwards, he ran all the way towards the strange power...
only met Chen Kexin, he seemed to be enlightened, regardless of his appearance. Or acting skills are the highest in life. Li Xiaojun, played by
Liming, is rustic and excited since he first arrived in Hong Kong. The entanglement between
and Li Qiao is both true and sincere at the same time.
Dawn’s eyes in the film are unforgettable to this day, and this film has become a classic in Chinese films.
's rivalry with Maggie Cheung was completely unrelenting. Another work of
Liming, "Three Watches", also makes people see another layer of gloom in addition to handsome, extravagant, and indecisive, which was also created by Chen Kexin.
met Chen Kexin, the pinnacle of Liming's acting.
If Liming's acting skills are highlighted in Chen Kexin's hands, then Zhou Xun, who has always been very aura, has been polished by Chen Kexin.
is right, it is Chen Kexin's "If Love".
Before this, Zhou Xun's acting skills were nothing to say. But the play road is also limited to just aura, much like today's Zhou Dongyu.
but "If Love" makes Zhou Xun show a kind of heroine atmosphere.
will train the director and the natural actor, so that Zhou Xun can get the actress.
After Zhang Ziyi won a Chinese film with "The Great Master", Zhou Xun of "If Love" also achieved the best result of a mainland actress.
And the person more fortunate than Zhou Xun is Zhao Wei. After
"Returning the Pearl", Zhao Wei has been looking for transformation.
can see from her own literary film "Green Tea" and her own director "To Youth": she has long wanted to get rid of the height of the little swallow, and she needs a shadow queen.
But many times of transformation, nothing was left, until Chen Kexin asked her to shoot "Dear". The movie
was completely stunned: I never thought that Zhao Wei could be so subverted and could play a rural woman who lost her child. With a dialect and helpless eyes, she could still act so well.
Zhao Wei, with this Li Hongqin, raised her eyebrows and won her belated queen crown.
Shen Congwen once taught his disciple Wang Zengqi: To write a novel, you must write it against the characters. The same principle of
applies to filmmaking: when filming a film, you must shoot it next to the character.
Who is shaping the characters? actor.
Chen Kexin was very self-aware from the beginning: he is a director who shoots characters and emotions.
out of business considerations,He has always been inclined to choose stars to make his own movies, because: director
attracts stars, and stars attract audiences.
Choosing a star suitable for a role is the first step. To be good at digging out the characteristics of a star, and amplifying it to light up the screen, is Chen Kexin's unique skill for both commercial and artistic films.
Therefore, the audience will find that Huang Xiaoming in Chen Kexin's "Chinese Partner" and Zhao Wei in "Dear" are both actresses and actresses, but the performance of "Race into Hollywood" immediately failed. After
90, Zhou Dongyu and Ma Sichun arrived in Chen Kexin's hands, and they also performed amazingly, winning the rare "double yolk" queen in the history of the Golden Horse Award.
Chen Kexin said more than once: when other directors make films, they are director-centered and script-centered. Maybe he is actor-centered.
knows what is good about actors and how to combine them to look good, instead of blindly pulling the CP of the golden girl group.
uses drama to match actors instead of actors to match the drama, making it easier for actors to burst into the small universe.
In "July and Ansheng", he can even do: Dongyu Zhou is in front, and he takes the screenwriter to change the script on the spot, until it is suitable for Dongyu Zhou.
is not only that, but also does not restrict her, she can act as she likes, and do whatever she wants. After that,
produced "I like you" and directly "sent" Takeshi Kaneshiro to Dongyu Zhou...
takes the actors as the center and fully stimulates the actors' confidence and creativity. Can the play be unsightly? The starting point of
is so simple, because Chen Kexin is very simple, so he has good works.
