war movies can directly bring us a hearty visual impact, and the patriotic enthusiasm among them makes the audience enthusiastic. Recently, an excellent war movie-"Liberation · Final Rescue" was officially set for December 29th. The film takes the Battle of Pingjin as the background and unfolds from a fierce urban war. It depicts the story of the fate of the little people and the feelings of family and country under the era.
This is the first war-themed film shot by Li Shaohong as the director and chief director. Director Shaohong is notoriously strict in art layout, service and performance. In "Liberation · Final Rescue", she put a lot of effort into it. In the shooting scene of the heavy scene, she explained patiently, demonstrated the position of Zhong Chuxi over and over again, and taught Jiang Haowen how to hold the gun. Director Chang Xiaoyang also teaches actors what kind of emotions should be put into acting, and at the same time encourages group performances to be full of emotions.
In order to create the historical sense of the film and restore the war scenes, the crew built the Jiefang Bridge one by one on the shooting site. At the same time, they restored a series of unique buildings in the old Tianjin such as houses and sewers, such as Quanye Bridge, Jiefang Bridge, West Famous buildings such as churches are readily available, making the war scenes of bullets and bullets more chronological and substituting.
In addition to the real scenes, the film used 20,000+ cast and crew for the HTC war scenes. At the same time, it was also a costly basis in terms of service. It used 100,000+ props of the era, 20,000+ pieces of rushing costumes, and real use of popular war scenes. More than 40 guns. Heavy machinery such as
armored vehicles, tanks, and trucks entered the set, drifted under the camera, collided, and exploded. The flying dust seemed to break through the screen. The actors are covered with dust and rain, turning into a puddle of mud on them, which is full of realism! On the set with live ammunition and continuous artillery fire, Zhong Hanliang said: Adrenaline soaring!
This filming also invited South Korea’s Park Joo-chun team to shoot the blasting scene. A blasting lens needs to place 100 blasting points and prepare for half a day, just for the picture in less than half a minute. Director Chang Xiaoyang said: "The theme of war is dangerous and time-consuming. Coordination of various departments is very important." In a scene of shooting an attack on the Jiefang Bridge, tanks rushed into the department store, and the actors were diving on the water at night. The filming and many group performances overturned in exclaim. The film has more than 20,000 cast and crew members, and it is shot for more than 90 days, day and night! Such a waste of manpower and material resources is only to show the audience the most realistic and exciting viewing experience.
In order to make the film better, the actors are all unambiguous. Zhong Chuxi, who plays the mysterious singer Mei Yan, was hung in the air by a steel wire for a long time before she put it down in the air for a good performance of the mysterious singer Mei Yan. The same applies."
In addition to Zhong Chuxi, Zhou Yiwei also paid a lot for this film. It is said that in order to pursue the realistic shooting effect, he did not hesitate to tighten his neck with a rope. He explained: “(This scene) needs to be real, and the actors must be in control.” The artillery he plays needs Shouting loudly and dry mouth became common, so the thermos had to be removed.
When Zhong Hanliang was filming a scene of evading tanks, he either "broke suddenly" and hit him, or he slammed his head on a safety mat, completely without the burden of a male god. In order to shoot the trick well, he "at no cost" and worn out N pairs of gloves. Wang Xun, who hadn't filmed a war scene for a long time, was arranged to shoot in a cement factory. His face and nose were full of smoke and dust. The actors have the courage to try a variety of difficult shooting tasks to ensure the effect of the film. The sincerity of the
crew can be reflected in a set of "war damage" stills released this time. In the stills, the actors have "scars" all over their faces. Wound makeup is an indispensable ingredient in war movies. Wounds and bloodstains can greatly increase the cruelty of war. For a single character, injury makeup can reflect the degree of injury on the one hand, and on the other hand can continue the psychological and physical changes of the character after the injury. Moreover, the wound has more than one shape, and the final state is also different due to different causes. Blasts, scratches, burns, knocks... The production process of these different wounds not only takes a long time, but also makes the performance of the actors more difficult.
This film apart from the hearty warThe scene catches people's attention, and the "human beauty" of the small characters in the film is also enough to sublimate the film. The film will be released nationwide on December 29th. I hope everyone can walk into the theater and experience the audiovisual feast brought by this film! With the dedication of the director and the dedication of the actors, I believe that the film will definitely bring you both visual and spiritual shock!
