Kurosawa once said to him, "The future of Japanese cinema depends on you."

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In June, the 72-year-old Kitano divorced his wife. The whole network was in an uproar.

Before the divorce, Kitano and his wife hadn't seen each other for more than two years. The last time he met his wife was to negotiate with her. The content of the negotiation was to increase pocket money.

Kurosawa once said to him, 'The future of Japanese cinema depends on you.' - Lujuba

"For a long time, my wife knows all my property well, but I don't know it myself! She is a very capable woman who takes care of everything. Every month she gives me a stack of cash, which is my pocket money "In order to divorce, Kitano once made a statement on the program, saying that Kitano was "the most terrible person in the world." In June this year, Ganzi finally agreed to sign the divorce, but the conditions set a record. Kitano was required to leave the house, except for a house worth 300 million yen (approximately 20 million yuan), which could be owned by the man, and the 20 billion yen property and sports car were all transferred to Kitano Takeshi. Then Kitano Takeshi His 18-year-old lover started a new life.

Kurosawa once said to him, 'The future of Japanese cinema depends on you.' - Lujuba

However, after just three months of singing for love, even though Kitano and Xiaosan had a short and sweet life after leaving the house, because of no money, many friends rarely interact with him, and then "true love" Also ran away. Recently, Takeshi Kitano attended a golf meeting held in Chiba Prefecture, Japan, and he publicly complained about his divorce.

Kurosawa once said to him, 'The future of Japanese cinema depends on you.' - Lujuba

"My money is gone, and my friends can't be contacted after I have no money." "After the exposure, my mistress is gone." "I knew it was so difficult. It's better to be with my ex-wife..." Although it's divorce and money. This incident brought Kitano Takeshi back to Kiyoka’s sight, but Kiyoshi’s impression of Kitano Takeshi was not that of a miserable 72-year-old widow who abandoned his wife.

In Qingjia’s impression, taxi drivers, comic artists, film directors, actors, painters, and writers are all his labels. His "violent aesthetics" and "dark and bloody" are familiar to the whole world through movies. Qing Jia's favorite is "Flower Fire" directed by him in 1998. The original title of

is "HANA-BI", HANA is a Japanese flower. BI is fire. This film uses beautiful and eye-catching flowers and burning fire to symbolize love and violence, to embody the theme of life and death. In English, there is also the meaning of shooting when together, which has the meaning of death. Xi is a police detective. His son died a few years ago, and his wife is now in the terminal stage of leukemia. The doctor advised him to take his wife home to spend the last years peacefully.

seems to be middle-aged, everything is bad. His colleague Horibe was injured by a habitual offender they had tracked for a long time and was seriously injured.

​​Strictly speaking, the Horibe injury was not caused by Nishi, but because the situation was extremely dangerous at the time and they were unable to deal with it. Horibe can only use a wheelchair now. After the injury, he was abandoned by his wife and daughter and lived alone at the beach. In order to treat his wife's illness, Xi borrowed loan sharks, and was constantly forced to repay the debt by loan sharks. At the same time, he also wanted to support Tian Zhong's widow. The young police detective Tanaka died in an ambush, but Nishi always believed that Tanaka was responsible for his death.

All of this makes West overwhelmed. He finally decided to leave everything behind and take his wife for the last trip. He bought a stolen taxi from an old car dealer, converted it into a police car, put on a police uniform, and went to rob the bank. After

succeeded, he paid off the debts owed to the loan sharks, gave a portion of the money to Tanaka's widow, and mailed a pack of paint, brushes, canvas, and an artist's brush to Horibe. Horibe wanted to paint a long time ago, but couldn't afford to buy these tools.

After all this was completed, he and his wife went to the snow country first and then to the seashore under the tracking of the gangster gang and police friends, embarking on a journey with no return. In the movies, there are many bloody scenes of beating, kicking, and killing, and these violence often happen suddenly and carelessly, which is chilling.

But this kind of violence is violence that erupts when the people and things you love are endangered, so that the audience can accept it. This is very different from those films that simply promote violence. Surprising, now that Qing Jia recalled watching this movie, the feeling of watching this movie was the gentleness of still water.

A kind of helpless tenderness to the world, yes, no matter what method is used to keep the person you love still can't survive in the world, you can't help but feel sad.

, director, screenwriter, and starring Takeshi Kitano inserted his own paintings in several places in the film, which are the paintings of Horibe in the movie. These paintings seem to be placed there casually, but infiniteThe meaning. When the wife who was about to die for the rest of her life took photos in the hotel during her last trip, the cherry blossoms on the wall behind her filled the screen.

His wife is weak and weak, with a quietly smiling face, which contrasts with the blooming and vibrant world of the cherry blossoms.

They watched the fireworks bloom in the air, the fireworks turned into a painting, and the figure of Horibe painting this painting appeared on the screen. All this is so gentle. Another feature of

movie is to show the beauty of nature. Horibe in a wheelchair looks up at the cherry blossoms, the snow world of the northern country where Nishi and his wife visited, the white sandy beaches and the blue sea unfolding in the final scene. Sad and beautiful, everything in this world is like this. It seems to be influenced by the thoughts of sorrow in Japanese traditional aesthetics. It is as short and beautiful as waka. All the beautiful things in this world, the tiny things deserve our appreciation, admiration and touch. However, the good things in the world do not last long, and the colored clouds are easily scattered and the glass is broken.

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