talked about the gap between Chinese and Korean films ten years ago, the creative power of Ouba’s genre films is obviously better than ours, and the sophisticated production and rigorous attitude made Korean films go international for a time. What is gratifying is that our filmmakers are not willing to lag behind. After a long period of learning and improvement, there has been a trend of being blue. At least directed by Wang Yu, starring Wang Qianyuan, Song Jia, Feng Yuanzheng, and adapted from South Korea’s 2013 high-scoring movie "Catch That Guy", "You Are a Murderer", has its own merits from the original, without humility.
"You Are the Murderer" talks about a kidnapping case ten years ago and a kidnapping case ten years later with surprisingly similar modus operandi. The kidnapped girls were all cute. Ten years ago, the detective Chen Hao, played by Wang Qianyuan, failed to rescue the hostages. After leaving the police force, he has been working hard to find the suspect. Ten years later, in order to prevent the tragedy from repeating, he returned to the police force to assist in the investigation and raced against the kidnappers to show off. When he got closer and closer to the truth, he was horrified to discover that the kidnapper Bell’s mother, Bai Lan played by Song Jia, and the kidnapper’s grandfather, Feng Yuanzheng Li Aijun, were both irrelevant. Tell the secret.
is a rare genre film known for its clever ideas and suspense, "You Are a Murderer" does not ignore the portrayal of the characters. The several main characters all have a delicate and full emotional world, and the police pursue justice. Suo, the victim's misunderstanding of justice and the suspect's complex personality are all vividly displayed in the confusing plot, and several drama stars collide with many sparks. In the first half of
, the most noteworthy is the rivalry between Song Jia and Wang Qianyuan. One is a terminally ill patient who has lost a child and has no love but vengeance. The other is a private police detective who is guilty of pursuing old cases, Song Jia. I smoked while smoking a needle in the ward. I was so haggard that the boring makeup was distressing. Then he raised his hand and overturned Wang Qianyuan and sent it to the case, trembling one by one and throwing it all over the floor, as if tearing deep inside. That wound that can never be put down, cannot be cured, and cannot be forgotten.
This is a kind of pain that originates from motherhood, intertwined with sadness, despair, regret, anger and other multiple extreme emotions. Imagine an angel-like daughter dying in front of you. How can such a pain be interpreted? It has detonated the audience's expectations before. In the Korean version, with a heart-piercing wailing and neurotic performance in the later stage, Yan Zhenghua won the Golden Bell Award winner of the year and the nomination for the Blue Dragon Award. The degree of excitement is obvious to all.
Beads and jade are in front, but Bai Lan created by Song Jia did not blindly imitate and imitate, but used a more in-depth performance to portray a Chinese-style mother's true response to an emergency. In the first act, when the kidnappers call The crying scene of Wang, the eagerness, fear and expectation when he was carrying money alone in the transaction, the chaos of running into the garbage truck and turning wildly, all interpreted to the state of forgetfulness, and the seemingly bored tossing and turning on the hospital bed, but the brain is in fact Carrying out precise planning, echoing the meticulous words and deeds of investigating umbrellas, people can't help but sigh that it is really maternity that makes a woman omnipotent.
Looking at the whole film, the most impressive thing is the rivalry between Song Jia and Feng Yuanzheng. After Li Aijun said the key line that can be called the answer, the kind face showed the alternation of good and evil, crime and punishment. . Bai Lan had a cold face at this moment, and she had been groping with a small but sharp knife in her hand. When she heard the voice of Zhuzhu calling grandpa outside the door, she showed a subtle and complicated expression, and finally evolved A faint and paradoxical smile, which seemed to exist or not, made many viewers involuntarily fight a cold war.
That is the charm of performance. Even if we all know the general trend of the plot, we have been prepared for it, but at that moment, we still will inevitably be scared and moved. Song Jia proved herself with such a suddenly blackened mother image. The ability and concentration in acting, as she herself said, was too depressing during the filming, and she couldn't get out of hiding in the room. She was really blackened and even scared of herself.
In my impression, this should be Song Jia’s first blackening on the big screen. In the eleventh championship movie "My Motherland and Me", she is a heroic female pilot Lu Xiaoran. In "Clouds Made by the Rain", she is the broad wife Lin Hui, whose life is like duckweed. In "The Poet", she is the warm and simple Chen Hui who writes poems with firewood, rice, oil and salt and loves to write poems, and the talented "Xiao Hong" is the literary world The passionate female writer of "Lu Yao Knows Ma Li", the hot and bold Ma Li, Song Jia onceOnce again, he has changed the way of acting on the big screen, driving different types and styles of works, and has become a colorful flower on the domestic screen with wonderful and continuous roles.
