The great beauty Brigitte Lin collaborated with Qiong Yao for the first time in the movie "I Am a Cloud", which is Qiong Yao's favorite movie. This movie is about a love triangle, starring Qin Han, Qin Xianglin and Brigitte Lin. Qiong Yao later told the media that when she chose

The movie "I Am a Cloud", the first time that the great beauty Brigitte Lin collaborated with Qiong Yao, is Qiong Yao's favorite movie.

This movie is about a love triangle, starring Qin Han, Qin Xianglin and Brigitte Lin. Qiong Yao later told the media that when she chose these three people to star in the movie, she did not know that they were in a triangle relationship in real life.

The gossips of Brigitte Lin, Qin Han, and Qin Xianglin were the highlight of entertainment news in the late 1970s and mid-1980s.

For the author Qiong Yao, from falling in love with the Chinese language teacher who is 25 years older than her, to a third party interfering with Ping Xintao and his wife and successfully becoming the mistress, to Ping Xintao's death, she started to fight against Ping's ex-wife, until "Pianran" went west, and her whole life seemed to be in a play.

She has been "Qiongyao" all her life.

Although the vitality of Qiong Yao's novels is not as good as that of Jin Yong, and the number of remakes of Qiong Yao's dramas is far less than that of Jin Yong, if you want to find someone who can rival Jin Yong in the sales of popular novels and the influence of adapted dramas in the 20th century, it must be Qiong Yao.

Qiong Yao’s mother studied at Liangji Girls’ Middle School in Beijing, where her father was a teacher. The teacher-student love finally came true and gave birth to a pair of twins. In order to commemorate the fate of "Liang Ji Girls' Middle School", my mother named my sister Chen Zhe, who later became Qiong Yao .

So, like mother, like daughter. Qiong Yao also fell in love with her teacher when she was in high school. She wrote all of this first love without modification in her famous work "Outside the Window".

"Outside the Window" is also the debut film of Brigitte Lin . Unfortunately, this film has been banned in Taiwan due to Qiong Yao's interference.

"Outside the Window" was banned, it is said to be related to her mother.

Qiong Yao’s mother, Yuan Xingshu, was from a famous family. Qiong Yao's grandfather Yuan Liheng was one of the founders of Bank of Communications and served as the first president of Bank of Communications.

Qiong Yao’s great-grandfather was Yuan Lizhun, who was a Jinshi in the 34th year of Guangxu’s reign and was Puyi’s teacher. It is said that the plaque on the "Xinhua Gate" in Zhongnanhai was written by him.

Qiong Yao’s mother, Yuan Xingshu, has four sisters, and she is the third. The eldest sister Yuan Xingjie is China’s first female diplomat in modern times.

The second sister is Yuan Xingxun, an underground member of the Communist Party of China and former secretary of the Party Committee of Chengdu University of Traditional Chinese Medicine.

The fourth sister is Yuan Jing, a famous yam egg style writer in mainland China, who wrote "The Legend of New Heroes".

Qiong Yao is also a distant relative of Jin Yong. Jin Yong’s cousin is Qiong Yao’s aunt and the niece of the poet Xu Zhimo.

Qiong Yao’s first love was not as perfect as her mother’s. Qiong Yao had the habit of writing a diary, and Qiong Yao's mother found the diary, so she took the teacher to court, and the teacher was eventually fired.

Therefore, this semi-autobiography of Qiong Yao makes readers and viewers know how much they hate Qiong Yao’s mother.

"Outside the Window" was made into a movie twice. According to Qiong Yao, the 1963 version was very average, and she was not aware of it when Brigitte Lin's version was filmed.However, Qiong Yao's mother became very angry and fell ill and was hospitalized. Qiong Yao apologized in every possible way and promised not to let the movie be released before she got her mother's forgiveness.

So she did not hesitate to pay the price, and finally got the court to rule that "Outside the Window" should not be released in Taiwan.

But Brigitte Lin’s outstanding performance left a deep impression on Qiong Yao, who later approached her to film "I Am a Cloud" (1977).

Lin Qingxia also shot 21 Qiong Yao movies out of control, and is a well-deserved generation of Qiong Yao girl. Qiong Yao's novels and Qiong Yao's movies also made Qiong Yao the highest-paid writer in Taiwan in the 1970s.

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The Chinese language teacher that Qiong Yao indirectly "destroyed" back then never said a word to the outside world when Qiong Yao's novels and film and television dramas became popular in the Chinese world.

Later, his teacher became seriously ill. Qiong Yao, who was a junior at the time, asked someone to send the teacher a little money every month. But it is said that he did not spend the money, but saved it and ordered a high-end shroud.

Qiong Yao’s role as mistress was also a hot topic back then.

Her ex-husband was originally a literary young man who graduated from National Taiwan University. Qiong Yao, who failed the college entrance examination twice, got married seven months after meeting her ex-husband, who "only had one suit and was so poor that his pants were worn out" when she was 21 years old. .

Her ex-husband, who worked as a clerk in a Kaohsiung oil refinery, was lazy by nature, but Qiong Yao, who was eager to prove herself in the literary world, kept writing and became famous with "Outside the Window".

My ex-husband dislikes Qiong Yao’s novels, and as the gap between their worlds becomes wider and wider, my ex-husband gradually becomes addicted to gambling...

The story of Qiong Yao and her ex-husband was also written by her into Qiong Yao's most famous novel "On the Water Side".

In the story, Du Xiaoshuang married young writer Lu Wenyou. After the marriage, her husband became addicted to gambling in pursuit of creative themes, and eventually the two divorced. After the divorce, Xiaoshuang started his composing career with the help of his old friend Shiyao...

Although "On the Water Side" has won the favor of thousands of readers and audiences, the extramarital affair between Qiong Yao and the publisher of the publishing house off-screen has been criticized. The world's criticism.

Since Ping Xintao founded Crown Publishing House, its business has been bleak. Until Qiong Yao started publishing in the seventh year, sales gradually improved. When Qiong Yao signed a contract to join in the ninth year, Crown Publishing became the leader in the industry.

Everyone knows what happened next. In May 1979, 41-year-old Qiong Yao married 52-year-old Ping Xintao.

The two have spent 40 years together. In 2019, Ping Xintao became seriously ill. Qiong Yao took care of him every day and asked him three questions every day: "Are you okay?" Are you feeling uncomfortable? ""Do you still love me?"

Ordinary people's very concrete and unbearable separation of life and death, Qiong Yao handles it like a Qiong Yao drama.

In the 1960s and 1970s, Qiong Yao novels were all the rage, and Qiong Yao movies almost became Taiwanese movies. Synonymous with "Qiong Yao", the stars of Qiong Yao's movies are like crucian carp crossing the river. The most popular ones are Er Qin Erlin (Qin Han, Qin Xianglin , Brigitte Lin, Lin Fengjiao), and even Hong Kong eldest brother Deng Guangrong, who later became unclear about Lan Jieying's problem. , Alan Tam and Zhong Zhentao have also starred in many Qiong Yao movies in Taiwan.

In the mid-1980s, Taiwanese movies gradually withered, and Qiong Yao shifted her focus to TV dramas. She successively filmed "Sunset Red" and "The Dumb Wife" starring Liu Xuehua, Qin Han and others, which once again drove the ratings.

At the same time, with the reform and opening up in mainland China, martial arts novels and romance novels were introduced. Jin Yong, Gu Long, Liang Yu became the golden signature of martial arts novels, Qiong Yao and Cen Kailun successively became the representative figures of romance novels, and Luoyang was expensive for a while.

In the late 1980s and early 1990s, Qiong Yao dramas such as "How Many Times the Sunset Is Red" were introduced to the mainland. The leading heroine Liu Xuehua also became the most popular Hong Kong and Taiwanese actress on the screen, including Weng Meiling, Zhao Yazhi and Michelle. star.

The 1990s became the era when Qiong Yao dramas were killing everyone. The first ones were "Wanjun", "Three Plum Blossom Lanes" and "Green Grass by the River", which became ratings tools every time they were broadcast. Roaring Emperor Ma Jingtao was born at the right time.

Later, Hunan Satellite TV produced "Huan Zhu Ge Ge", which was a phenomenon in the history of Chinese television. Aunt Qiong Yao's reputation in the mainland reached its peak.

"Deep Love in the Rain" adapted from her novel "Misty Rain" at the beginning of this century was directly broadcast on the CCTV platform. Su Youpeng, who had been dormant for many years after the disbandment of the Little Tigers, which was popular across the Taiwan Strait and three places, , improved on the basis of "Huan Zhu Ge Ge" and became Taiwan's most popular actor in the mainland.

Lasted until the early 2010s, the TV series adapted from Qiong Yao's works were still a big killer of ratings.

But since Qiong Yao sued Yu Zheng for plagiarism, Ping Xintao gradually developed dementia, Qiong Yao temporarily stopped writing, and Qiong Yao no longer produced new dramas. Lin Wanzhen, her ex who had always been harmonious with Qiong Yao, published her new book "The Past", and finally declared war with Qiong Yao forty years later: directly exposing all the evil things Qiong Yao did when she robbed her husband.

At the same time, Ping Xintao had previously asked Qiong Yao not to over-treat herself when she was critically ill, but to die with dignity. So Qiong Yao decided to let him "die well" without any further treatment.

But Lin Wanzhen and her three children were unwilling. As a result, the two sides were at loggerheads on social media. Lin Wanzhen scolded Qiong Yao, "We can share joys and sorrows, but we cannot share hardships."

Qiong Yao wrote a "Qiong Yao style" essay in response: "I am completely despairing now, and I no longer believe that there is anything in the world. "I shouldn't know your father, and I shouldn't write words that make you unhappy. I shouldn't, please be kind to me!

As time goes by, Qiong Yao's dramas and works also htm has fallen from the altar in recent years. l3

Nowadays, when the three views are often put in an important position, Qiong Yao has long been abandoned by young people who have seen more and analyzed it more easily: in Qiong Yao dramas, they are full of too many There are many rhetoric and plots that destroy the three views.

The affectionate writing has always been the advantage of Qiong Yao's novels. However, Qiong Yao also said in an interview with reporters that the audience only noticed the plot and ignored what I wanted to do. something expressed through plot.

Nowadays, even a hundred or so words are regarded as compositions, and they are only willing to watch short videos but not read. More and more people do not know that Qiong Yao’s novels also contain her profound traditional cultural accumulation, and Just a simple plot summary is used to represent the literary charm of Qiong Yao's works.

Of course, Qiong Yao herself also bears a lot of responsibility for the dissolution of the charm of her writing. In the film and television works adapted from her novels, women are too severely labeled: they always have a soft and delicate appearance, they always speak softly and hesitantly, their big watery eyes shed tears before they say a word, and they show weakness and are almost every woman's fault. The protagonist's unique weapon.

The characters of Brigitte Lin, Chen Derong, and Liu Xuehua all use the method of "showing weakness" to gain mercy, and then control and conquer men.

The characteristics of men have also evolved from the forbearance and hesitation represented by the Qin and Han Dynasties to Ma Jingtao's often roaring and outrageous performances, and Qiong Yao dramas have gradually been labeled with these simple elements: crying in anger, shouting inexplicably, and making love in a confused way.

lines are a unique Qiong Yao drama paradigm that increasingly deals with spoken language rather than spoken language, and written language rather than written language.

Even the suicide note was handled very beautifully.

Qiong Yao book fans, the girls who came over those years can take this opportunity to recall their youth, the boys who have rejected Qiong Yao novels and Qiong Yao dramas for many years, and the contemporary Most of the boys and girls below can only say: "Hypocritical!"