Recently, the Propaganda Department of the Central Committee of the Communist Party of China issued a commendation decision to commend advanced units and outstanding works in the organization of the 17th "Five One Project" for spiritual civilization construction. Among them, 4 works selected by Guangdong won awards, including the dance drama "Wing Chun", the radio drama "I Come to See You from the Bay Area", the song "Flowers Along the Road" (2024 Special Edition), and the online literature and art " Bloody No Name·Running " .
Among them, the Cultural Affairs Bureau of the Macao Special Administrative Region Government and the Publicity and Culture Department of the Liaison Office of the Central People's Government in the Macao Special Administrative Region serve as consultant units. Well-known voice actors Ji Guanlin and Zhao Ling, national first-class actor Han Tongsheng, Macao, China actor Wu Xinfang and Xinjiang actors Dili The radio drama "I Come to See You from the Bay Area", a collaboration between Shah Tayir and many other outstanding actors, tells a unique and attractive story with its novel and original charm of a new radio drama that can be heard and seen. The story of the new era of "connection between Guangdong and Xinjiang" and "cultural inheritance" has attracted the attention and love of a broad audience, especially young audiences.
"I Come to See You from the Bay Area" tells the story of a Macau girl, Li Xinyan, who completed her spiritual salvation in Kashgar, Xinjiang after failing to start a business in the Guangdong-Hong Kong-Macao Greater Bay Area. After returning to the Greater Bay Area, she combined traditional crafts, regional culture and avant-garde design. Together with Amina, a girl from Kashgar, they designed excellent jewelry works with rich cultural connotations. The play takes young people from the Greater Bay Area as the protagonists and skillfully combines the plot of young people in the Greater Bay Area pursuing their dreams with the Xinjiang ethnic customs. Through vivid plots and vivid characters, it shows a moving chapter of contemporary youth's struggle and pursuit of dreams. , recreating the "story of mountains and seas" where national cultures blend and East and West collaborate.
Nandu reporter recently conducted an exclusive interview with Ding Ziyan, the director and screenwriter of the play. On behalf of the creative team, she was delighted and encouraged to receive this honor. She also told us the story behind the birth of "I Come to See You from the Bay Area" and the broadcast The gratifying results obtained after the harvest. As the first drama about the cultural inheritance of the ethnic characteristics of the Greater Bay Area and border areas, and a tribute work to celebrate the 25th anniversary of Macao's return to the motherland, "I Come to See You from the Bay Area" has created more works for the continuous exploration and innovation of Guangdong literary and art workers. Works with depth, height and warmth provide many inspirations.
Open the border
Connect young people from Guangdong and Xinjiang with touching stories
The team led by director Ding Ziyi has always been They are committed to creating film and television dramas with the theme of the development of the Greater Bay Area and youth entrepreneurship. When they received the project of the radio drama "I Come to See You from the Bay Area", it was the first time that they broke through the limitations of previous local-focused creations and developed a brand-new creative idea - to The idea of connecting the Guangdong-Hong Kong-Macao Greater Bay Area and the regional background of Xinjiang has broadened the "boundaries" of their creation, provided them with rich creative materials, and also opened up deeper themes that can be explored.
“We realized that combining youth entrepreneurship in the Greater Bay Area with the cultural inheritance of border ethnic characteristics can present a story that is both contemporary and culturally rich. It can not only create novel and unique plots and characters, but also promote Understanding and respect between different cultures enhances national unity and social cohesion," Ding Ziyan said.
The protagonist of this drama is Li Xinyan, a Macau girl. Her entrepreneurial journey was full of ups and downs at first. When she encountered setbacks, she chose to go to Kashgar, Xinjiang to find inner peace and new entrepreneurial inspiration. Kashgar's peaceful and simple life and profound cultural heritage provide Li Xinyan with a new perspective and a broad stage. In the beautiful Xinjiang, she formed an indissoluble bond with local craftsmen, found a new entrepreneurial direction, and achieved spiritual growth.
Li Xinyan does not have a specific prototype character. As a screenwriter, Ding Ziyi wanted to condense an image of the tens of thousands of young strivers in the Bay Area to present a young man who traveled thousands of miles away to pursue his dream. After unremitting efforts , a touching story of finally gaining friendship, transcending oneself, and realizing dreams.When the entire team was conceiving this radio drama, they were constantly discussing how to write a theme that could not only reflect the spirit of the times but also transcend regional boundaries. They found an entry point - the jewelry design industry, which can become a link between entrepreneurial youth in Macau, Shenzhen and Xinjiang. "Jewelry design, as an industry that is both traditional and modern, not only carries rich cultural connotations, but also has high artistic and commercial value. Through jewelry design, we can combine Macao's multiculturalism, Shenzhen's innovative spirit and Xinjiang's The perfect fusion of national characteristics formed a unique and attractive story theme. "When they found this unique starting point, Ding Ziyi and his team colleagues were excited, and the story, characters, and plots spewed out like spring water.
Li Xinyan, as a Bay Area youth with an overseas study background, has an open, cutting-edge and cosmopolitan creative concept. The craftsmanship of Amina, a girl from Kashgar, Xinjiang, represents a kind of China that is rich in connotation, precious and unique, but is facing loss due to various reasons. Traditional culture, the cooperation between the two combines traditional craftsmanship with modern design, creating a series of jewelry works rich in cultural connotations, and reviving traditional crafts that are about to be lost. "This story expresses a beautiful expectation and vision of our team. We hope that more young people from Guangdong and Xinjiang can work together with sincerity and sincerity to jointly create a beautiful youth and build a tomorrow for the motherland." Ding Ziyao said.
Ingeniously produced
uses innovative techniques to bring the audience a novel and immersive radio drama experience
In the current entertainment market, film, television, audio and variety works occupy the mainstream position, while radio dramas are relatively niche. How to create a radio drama that is popular with a broad audience, especially young people? The creators of "I Came to See You from the Bay Area" obviously don't want to take the usual path. They made a bold attempt and can be described as the "first crab-eater" in the field of radio dramas. One of the characteristics of
radio dramas is that the story is told through delicate and moving voices, making the audience feel as if they are in the story scene, and can experience the resonance of emotions and concepts along with the characters' joys and sorrows. Traditional radio dramas mainly rely on the expressive power of sound, and the audience "listens" to the story through their ears. However, "I Come to See You from the Bay Area" breaks this boundary and achieves the leap from "audible" to "visible". Director Ding Ziyan told us that in order to achieve this innovation, the crew used new technical means during the recording process, using high-definition video recording and multi-angle shooting to record the entire performance of the actors. "Listening to a drama" is like "watching a drama", giving people an immersive feeling.
Voice actor Ji Guanlin has voiced classic characters such as Sun Li , Yang Mi , Liu Yifei , Ruby Lin , etc.
Nandu reporters discovered that in addition to being online on multiple broadcast channels, the play has also logged into the Bilibili platform. On station b, listeners can not only feast their ears on it, but also see the voice actors' performance records and interludes. scenery of Xinjiang. Ji Guanlin, a well-known voice actor who has voiced classic characters such as Sun Li, Yang Mi, Liu Yifei, Ruby Lin, etc., voices the protagonist of this drama, a Macau girl Li Xinyan. Her delicate and changeable voice is sometimes clear and sweet, sometimes handsome and capable, and she has solid lines. With her strong skills, the image of Li Xinyan, a girl from the Greater Bay Area who is full of passion and vitality and constantly rises from setbacks, emerges vividly on the page. There are also other well-known actors Zhao Ling , Han Tongsheng , Wu Xinfang, Dilisa Thayer, etc. who performed vividly at the dubbing scene. Their rich expressions and body movements are presented to the audience, providing the audience with a A novel "watching and listening experience".
Ding Ziyan also revealed that the creation of this radio drama was supported by the DMS dynamic sound system technology provided by the Key Laboratory of Media Audio and Video of the Ministry of Education of Communication University of China. The sound transmission in the recording studio has clearer and more flexible spatial dynamic characteristics. These Undoubtedly, it adds more vitality to radio dramas, brings a more immersive and delicate experience to the audience, and also allows this relatively niche form of artistic expression to attract the attention and love of more young listeners.
The beauty of cultural inheritance
Showing the beauty of Xinjiang’s traditional crafts and intangible cultural heritage to contemporary youth
The radio drama "I Come to See You from the Bay Area" is undoubtedly a work with a main theme. As literary and artistic workers, we have the responsibility to reflect the changes of the times and promote the excellent traditional Chinese culture through our works, but how does the creative team find a way to What is the path that not only takes into account the artistic value and ideological connotation of the work, but also leads to the audience's heart? How can the traditional handicrafts and intangible cultural heritage of Xinjiang displayed in the play naturally attract young audiences?
Director Ding Ziyan also gave the team’s in-depth thoughts during the creation process. "When we present the protagonist Li Xinyan's personal growth and spiritual redemption journey, we closely connect traditional jewelry crafts with her personal emotions. The traditional Xinjiang crafts in the play, especially the ancestral craft of Amina and her father's gold thread sewing The residual jade' craft symbolizes Nowadays, traditional culture is in trouble. This kind of fine craftsmanship seems to be gradually abandoned by the times in the current era of traffic first and the pursuit of large-scale and fast-paced machine production. However, it serves as a guide and inspiration for Bay Area girls to regain their entrepreneurial dream. Things, traditional handicrafts of Xinjiang It contains huge inner power, and once discovered, it can show fresh vitality and even have a certain sense of redemption. In the play, we show in detail the mental journey and emotions of the craftsmen and designers in creating this traditional craft. The change is to allow more people to feel the inherent preciousness and beauty of this traditional art form."
The vivid performances of well-known actors Zhao Ling and Ji Guanlin at the dubbing site provided the audience with a novel "watching and listening experience." .
The radio drama "I Come to See You from the Bay Area" has been launched on multiple platforms. In addition to being broadcast on the "Recording China" column of the Voice of China of the Central People's Broadcasting Station, it has also been broadcast in Guangdong, Xinjiang, Macau, Shanxi, Heilongjiang, Jilin, Ningxia, It is broadcast on radio stations in Henan, Jiangxi, Guizhou, Shandong and cities in the Greater Bay Area, and is also broadcast simultaneously on new media platforms such as Yunting and Bilibili. Data from the platform shows that with the traffic attraction of dubbing celebrities, the audience expressed enthusiastic concern and enthusiasm for the dream-seeking plot of the youth in the Greater Bay Area and Xinjiang’s ethnic customs, traditional handicrafts and intangible cultural heritage. Strong interest. The comment area of the show has accumulated support from many young people such as likes, comments, and reposts.
Judging from the comments, the audience was not only attracted by the ups and downs of the storyline, but also saw the various traditional handicrafts of Xinjiang displayed in the play. This allowed them to more intuitively appreciate the diversity and uniqueness of Xinjiang culture, and also inspired young people to want to come to Xinjiang. Interest and passion for traveling and learning more about Xinjiang’s traditional handicrafts. In this regard, director Ding Ziyi deeply feels that the significance of this work is extraordinary. The expression insisted on by the director team has also been accepted by the audience. This process of communication with young audiences is more like a co-creation, "We The goal is not only to bring more material wealth to Xinjiang, but more importantly, to lead more people to understand, value and devote themselves to Xinjiang through protecting and promoting regional traditional handicrafts. In the protection of Xinjiang's traditional culture, we work together to contribute to the inheritance, transformation, innovation and development of traditional culture."
The radio drama "I Come to See You from the Bay Area" won the 17th "Five One Project" Outstanding Work Award for Spiritual Civilization Construction. , the entire creative team feels extremely honored and excited.Ding Ziyi said: "We are very grateful to all the listeners for their support and love, and to the review committees at all levels for their recognition. This honor belongs to every actor, screenwriter, director, and post-production staff involved, as well as those who have given us inspiration and support. People from all walks of life. In the future, we will redouble our efforts, continue to explore and innovate, and create more works with both depth and breadth.
Recently, the Propaganda Department of the Central Committee of the Communist Party of China issued a commendation decision to commend advanced units and outstanding works in the organization of the 17th "Five One Project" for spiritual civilization construction. Among them, 4 works selected by Guangdong won awards, including the dance drama "Wing Chun", the radio drama "I Come to See You from the Bay Area", the song "Flowers Along the Road" (2024 Special Edition), and the online literature and art " Bloody No Name·Running " .
Among them, the Cultural Affairs Bureau of the Macao Special Administrative Region Government and the Publicity and Culture Department of the Liaison Office of the Central People's Government in the Macao Special Administrative Region serve as consultant units. Well-known voice actors Ji Guanlin and Zhao Ling, national first-class actor Han Tongsheng, Macao, China actor Wu Xinfang and Xinjiang actors Dili The radio drama "I Come to See You from the Bay Area", a collaboration between Shah Tayir and many other outstanding actors, tells a unique and attractive story with its novel and original charm of a new radio drama that can be heard and seen. The story of the new era of "connection between Guangdong and Xinjiang" and "cultural inheritance" has attracted the attention and love of a broad audience, especially young audiences.
"I Come to See You from the Bay Area" tells the story of a Macau girl, Li Xinyan, who completed her spiritual salvation in Kashgar, Xinjiang after failing to start a business in the Guangdong-Hong Kong-Macao Greater Bay Area. After returning to the Greater Bay Area, she combined traditional crafts, regional culture and avant-garde design. Together with Amina, a girl from Kashgar, they designed excellent jewelry works with rich cultural connotations. The play takes young people from the Greater Bay Area as the protagonists and skillfully combines the plot of young people in the Greater Bay Area pursuing their dreams with the Xinjiang ethnic customs. Through vivid plots and vivid characters, it shows a moving chapter of contemporary youth's struggle and pursuit of dreams. , recreating the "story of mountains and seas" where national cultures blend and East and West collaborate.
Nandu reporter recently conducted an exclusive interview with Ding Ziyan, the director and screenwriter of the play. On behalf of the creative team, she was delighted and encouraged to receive this honor. She also told us the story behind the birth of "I Come to See You from the Bay Area" and the broadcast The gratifying results obtained after the harvest. As the first drama about the cultural inheritance of the ethnic characteristics of the Greater Bay Area and border areas, and a tribute work to celebrate the 25th anniversary of Macao's return to the motherland, "I Come to See You from the Bay Area" has created more works for the continuous exploration and innovation of Guangdong literary and art workers. Works with depth, height and warmth provide many inspirations.
Open the border
Connect young people from Guangdong and Xinjiang with touching stories
The team led by director Ding Ziyi has always been They are committed to creating film and television dramas with the theme of the development of the Greater Bay Area and youth entrepreneurship. When they received the project of the radio drama "I Come to See You from the Bay Area", it was the first time that they broke through the limitations of previous local-focused creations and developed a brand-new creative idea - to The idea of connecting the Guangdong-Hong Kong-Macao Greater Bay Area and the regional background of Xinjiang has broadened the "boundaries" of their creation, provided them with rich creative materials, and also opened up deeper themes that can be explored.
“We realized that combining youth entrepreneurship in the Greater Bay Area with the cultural inheritance of border ethnic characteristics can present a story that is both contemporary and culturally rich. It can not only create novel and unique plots and characters, but also promote Understanding and respect between different cultures enhances national unity and social cohesion," Ding Ziyan said.
The protagonist of this drama is Li Xinyan, a Macau girl. Her entrepreneurial journey was full of ups and downs at first. When she encountered setbacks, she chose to go to Kashgar, Xinjiang to find inner peace and new entrepreneurial inspiration. Kashgar's peaceful and simple life and profound cultural heritage provide Li Xinyan with a new perspective and a broad stage. In the beautiful Xinjiang, she formed an indissoluble bond with local craftsmen, found a new entrepreneurial direction, and achieved spiritual growth.
Li Xinyan does not have a specific prototype character. As a screenwriter, Ding Ziyi wanted to condense an image of the tens of thousands of young strivers in the Bay Area to present a young man who traveled thousands of miles away to pursue his dream. After unremitting efforts , a touching story of finally gaining friendship, transcending oneself, and realizing dreams.When the entire team was conceiving this radio drama, they were constantly discussing how to write a theme that could not only reflect the spirit of the times but also transcend regional boundaries. They found an entry point - the jewelry design industry, which can become a link between entrepreneurial youth in Macau, Shenzhen and Xinjiang. "Jewelry design, as an industry that is both traditional and modern, not only carries rich cultural connotations, but also has high artistic and commercial value. Through jewelry design, we can combine Macao's multiculturalism, Shenzhen's innovative spirit and Xinjiang's The perfect fusion of national characteristics formed a unique and attractive story theme. "When they found this unique starting point, Ding Ziyi and his team colleagues were excited, and the story, characters, and plots spewed out like spring water.
Li Xinyan, as a Bay Area youth with an overseas study background, has an open, cutting-edge and cosmopolitan creative concept. The craftsmanship of Amina, a girl from Kashgar, Xinjiang, represents a kind of China that is rich in connotation, precious and unique, but is facing loss due to various reasons. Traditional culture, the cooperation between the two combines traditional craftsmanship with modern design, creating a series of jewelry works rich in cultural connotations, and reviving traditional crafts that are about to be lost. "This story expresses a beautiful expectation and vision of our team. We hope that more young people from Guangdong and Xinjiang can work together with sincerity and sincerity to jointly create a beautiful youth and build a tomorrow for the motherland." Ding Ziyao said.
Ingeniously produced
uses innovative techniques to bring the audience a novel and immersive radio drama experience
In the current entertainment market, film, television, audio and variety works occupy the mainstream position, while radio dramas are relatively niche. How to create a radio drama that is popular with a broad audience, especially young people? The creators of "I Came to See You from the Bay Area" obviously don't want to take the usual path. They made a bold attempt and can be described as the "first crab-eater" in the field of radio dramas. One of the characteristics of
radio dramas is that the story is told through delicate and moving voices, making the audience feel as if they are in the story scene, and can experience the resonance of emotions and concepts along with the characters' joys and sorrows. Traditional radio dramas mainly rely on the expressive power of sound, and the audience "listens" to the story through their ears. However, "I Come to See You from the Bay Area" breaks this boundary and achieves the leap from "audible" to "visible". Director Ding Ziyan told us that in order to achieve this innovation, the crew used new technical means during the recording process, using high-definition video recording and multi-angle shooting to record the entire performance of the actors. "Listening to a drama" is like "watching a drama", giving people an immersive feeling.
Voice actor Ji Guanlin has voiced classic characters such as Sun Li , Yang Mi , Liu Yifei , Ruby Lin , etc.
Nandu reporters discovered that in addition to being online on multiple broadcast channels, the play has also logged into the Bilibili platform. On station b, listeners can not only feast their ears on it, but also see the voice actors' performance records and interludes. scenery of Xinjiang. Ji Guanlin, a well-known voice actor who has voiced classic characters such as Sun Li, Yang Mi, Liu Yifei, Ruby Lin, etc., voices the protagonist of this drama, a Macau girl Li Xinyan. Her delicate and changeable voice is sometimes clear and sweet, sometimes handsome and capable, and she has solid lines. With her strong skills, the image of Li Xinyan, a girl from the Greater Bay Area who is full of passion and vitality and constantly rises from setbacks, emerges vividly on the page. There are also other well-known actors Zhao Ling , Han Tongsheng , Wu Xinfang, Dilisa Thayer, etc. who performed vividly at the dubbing scene. Their rich expressions and body movements are presented to the audience, providing the audience with a A novel "watching and listening experience".
Ding Ziyan also revealed that the creation of this radio drama was supported by the DMS dynamic sound system technology provided by the Key Laboratory of Media Audio and Video of the Ministry of Education of Communication University of China. The sound transmission in the recording studio has clearer and more flexible spatial dynamic characteristics. These Undoubtedly, it adds more vitality to radio dramas, brings a more immersive and delicate experience to the audience, and also allows this relatively niche form of artistic expression to attract the attention and love of more young listeners.
The beauty of cultural inheritance
Showing the beauty of Xinjiang’s traditional crafts and intangible cultural heritage to contemporary youth
The radio drama "I Come to See You from the Bay Area" is undoubtedly a work with a main theme. As literary and artistic workers, we have the responsibility to reflect the changes of the times and promote the excellent traditional Chinese culture through our works, but how does the creative team find a way to What is the path that not only takes into account the artistic value and ideological connotation of the work, but also leads to the audience's heart? How can the traditional handicrafts and intangible cultural heritage of Xinjiang displayed in the play naturally attract young audiences?
Director Ding Ziyan also gave the team’s in-depth thoughts during the creation process. "When we present the protagonist Li Xinyan's personal growth and spiritual redemption journey, we closely connect traditional jewelry crafts with her personal emotions. The traditional Xinjiang crafts in the play, especially the ancestral craft of Amina and her father's gold thread sewing The residual jade' craft symbolizes Nowadays, traditional culture is in trouble. This kind of fine craftsmanship seems to be gradually abandoned by the times in the current era of traffic first and the pursuit of large-scale and fast-paced machine production. However, it serves as a guide and inspiration for Bay Area girls to regain their entrepreneurial dream. Things, traditional handicrafts of Xinjiang It contains huge inner power, and once discovered, it can show fresh vitality and even have a certain sense of redemption. In the play, we show in detail the mental journey and emotions of the craftsmen and designers in creating this traditional craft. The change is to allow more people to feel the inherent preciousness and beauty of this traditional art form."
The vivid performances of well-known actors Zhao Ling and Ji Guanlin at the dubbing site provided the audience with a novel "watching and listening experience." .
The radio drama "I Come to See You from the Bay Area" has been launched on multiple platforms. In addition to being broadcast on the "Recording China" column of the Voice of China of the Central People's Broadcasting Station, it has also been broadcast in Guangdong, Xinjiang, Macau, Shanxi, Heilongjiang, Jilin, Ningxia, It is broadcast on radio stations in Henan, Jiangxi, Guizhou, Shandong and cities in the Greater Bay Area, and is also broadcast simultaneously on new media platforms such as Yunting and Bilibili. Data from the platform shows that with the traffic attraction of dubbing celebrities, the audience expressed enthusiastic concern and enthusiasm for the dream-seeking plot of the youth in the Greater Bay Area and Xinjiang’s ethnic customs, traditional handicrafts and intangible cultural heritage. Strong interest. The comment area of the show has accumulated support from many young people such as likes, comments, and reposts.
Judging from the comments, the audience was not only attracted by the ups and downs of the storyline, but also saw the various traditional handicrafts of Xinjiang displayed in the play. This allowed them to more intuitively appreciate the diversity and uniqueness of Xinjiang culture, and also inspired young people to want to come to Xinjiang. Interest and passion for traveling and learning more about Xinjiang’s traditional handicrafts. In this regard, director Ding Ziyi deeply feels that the significance of this work is extraordinary. The expression insisted on by the director team has also been accepted by the audience. This process of communication with young audiences is more like a co-creation, "We The goal is not only to bring more material wealth to Xinjiang, but more importantly, to lead more people to understand, value and devote themselves to Xinjiang through protecting and promoting regional traditional handicrafts. In the protection of Xinjiang's traditional culture, we work together to contribute to the inheritance, transformation, innovation and development of traditional culture."
The radio drama "I Come to See You from the Bay Area" won the 17th "Five One Project" Outstanding Work Award for Spiritual Civilization Construction. , the entire creative team feels extremely honored and excited.Ding Ziyi said: "We are very grateful to all the listeners for their support and love, and to the review committees at all levels for their recognition. This honor belongs to every actor, screenwriter, director, and post-production staff involved, as well as those who have given us inspiration and support. People from all walks of life. In the future, we will redouble our efforts, continue to explore and innovate, and create more works with both depth and breadth.”
Interviewed and written by Nandu reporter Cai Liyi