After Zhao Liying won the Feitian Award, controversy continued for a while. Many people raised doubts, and it seemed that she had reached the point where it was difficult to convince the public. In my personal opinion, there is an obvious gap in quality between "The Wind Blowing

After Zhao Liying won the Feitian Award, controversy continued for a while. Many people raised questions, and it seemed that she had reached the point where it was difficult to convince the public.

In my personal opinion, there is an obvious gap in quality between "Wind Blowing Pinellia" starring Zhao Liying and "In the World" and other works. As for Zhao Liying's acting skills, at least it has not yet reached the level of a top performer. She is still in the transition stage from a popular artist to an actor, and she cannot yet sustain the reputation of being looked down upon.

Some people may want to ask, since Zhao Liying and are not so good, why is the Feitian Award favoring them?

The Chinese music scene has turned from reality to fiction

Looking back on the development of domestic dramas in the past one or two decades, it is not difficult to find that "popular works are not popular" has become a common phenomenon. Some artists who lack masterpieces or whose masterpieces are less recognized often become popular inexplicably. . The reason is that people's viewing habits have changed. In the past, people mainly watched dramas through TV, but now it is the world of online platforms. The advantage is that it is more convenient to follow dramas, but the disadvantage is also obvious, which is that it leads to the film and television drama industry turning away from reality and into fiction.

What is the turning away from reality to reality?

To put it bluntly, it means that it does not pay attention to the production of film and television dramas, and focuses on excessive marketing. For example, in the current Chinese music scene, the album sales of popular singers have repeatedly hit new highs, but the highly popular songs are far less than one-tenth of what they were twenty years ago. . Take Hua Chenyu as an example. Although they do not have any widely circulated classic songs, they are regarded as "the last gods of the Chinese music scene".

Going back to the origin, in the Internet age, a singer's work does not need to be recognized by the majority of the audience. As long as the volume of his fans' creation on the Internet is loud enough and the data generated is beautiful enough, then he can become a first-line singer. ranks. In other words, in the online world, many seemingly lofty indicators may be artificially artificial illusions. For example, if a certain artist has tens or even hundreds of millions of fans, he or she is the emperor's new clothes.

Domestic dramas turn from reality to fiction

This is true in the Chinese music scene, and it is also true in domestic dramas. A considerable number of dramas are hot topics on the Internet, but their popularity in the real world can only be described as ordinary. To give an example, in 2019, "Dear, Beloved" had a topic volume of 11.2 billion in a single week and was searched 100 times in 18 days. This means that on average, 1.4 billion people have to search for "Dear" every day. , Love" creates more than one topic volume, and each episode needs to create 2 to 3 hot searches. With such incredible data, even the phenomenal drama "In the Name of the People" is far behind. Is "Dear, Beloved" more recognized by the audience than "In the Name of the People"?

It is obviously impossible. Looking back at Zhao Liying after winning the Feitian Award, I have to admit that the network data of "Wind Blowing Pinellia" is outstanding, but in terms of production level, how does it compare to "In the World"? Let’s talk about Yin Tao . Their popularity is indeed not as popular as Zhao Liying, but is the same true in terms of acting skills?

The answer is self-evident. Except for Zhao Liying's fans, few people will think that her acting skills are better than Yin Tao's. However, the result was that Yin Tao was not shortlisted, and Zhao Liying, who was still in the transition period, unexpectedly won the title of TV Queen. Controversies were bound to ensue.

Conclusion

In summary, the biggest challenge for domestic dramas at present is how to squeeze out the water in online data, so that powerful dramas and actors can get the honor they deserve, so as to avoid the industry from being detached from reality.The term "shifting from reality to virtuality" now mainly appears in discussions in the economic field. The manufacturing industry is real and the financial services industry is virtual. It cannot be said that the financial services industry is unimportant, but the financial services industry separated from the manufacturing industry is destined to be a castle in the air. America on the other side of the ocean is a vivid example. It is now plagued by the hollowing out of the industry and high debt.

When it comes to domestic dramas, the production level and the acting skills of the actors are the last word. As for the popularity of the actors, it is just a marketing gimmick. Whether the audience recognizes a drama or not depends on whether it is good or not, not who stars in it. The reason is very simple. Whether you watch the show or not cannot be marketed, but the relevant data of the actors can be faked. This is the difference.

personal opinion, don’t comment if you don’t like it.

After Zhao Liying won the Feitian Award, controversy continued for a while. Many people raised questions, and it seemed that she had reached the point where it was difficult to convince the public.

In my personal opinion, there is an obvious gap in quality between "Wind Blowing Pinellia" starring Zhao Liying and "In the World" and other works. As for Zhao Liying's acting skills, at least it has not yet reached the level of a top performer. She is still in the transition stage from a popular artist to an actor, and she cannot yet sustain the reputation of being looked down upon.

Some people may want to ask, since Zhao Liying and are not so good, why is the Feitian Award favoring them?

The Chinese music scene has turned from reality to fiction

Looking back on the development of domestic dramas in the past one or two decades, it is not difficult to find that "popular works are not popular" has become a common phenomenon. Some artists who lack masterpieces or whose masterpieces are less recognized often become popular inexplicably. . The reason is that people's viewing habits have changed. In the past, people mainly watched dramas through TV, but now it is the world of online platforms. The advantage is that it is more convenient to follow dramas, but the disadvantage is also obvious, which is that it leads to the film and television drama industry turning away from reality and into fiction.

What is the turning away from reality to reality?

To put it bluntly, it means that it does not pay attention to the production of film and television dramas, and focuses on excessive marketing. For example, in the current Chinese music scene, the album sales of popular singers have repeatedly hit new highs, but the highly popular songs are far less than one-tenth of what they were twenty years ago. . Take Hua Chenyu as an example. Although they do not have any widely circulated classic songs, they are regarded as "the last gods of the Chinese music scene".

Going back to the origin, in the Internet age, a singer's work does not need to be recognized by the majority of the audience. As long as the volume of his fans' creation on the Internet is loud enough and the data generated is beautiful enough, then he can become a first-line singer. ranks. In other words, in the online world, many seemingly lofty indicators may be artificially artificial illusions. For example, if a certain artist has tens or even hundreds of millions of fans, he or she is the emperor's new clothes.

Domestic dramas turn from reality to fiction

This is true in the Chinese music scene, and it is also true in domestic dramas. A considerable number of dramas are hot topics on the Internet, but their popularity in the real world can only be described as ordinary. To give an example, in 2019, "Dear, Beloved" had a topic volume of 11.2 billion in a single week and was searched 100 times in 18 days. This means that on average, 1.4 billion people have to search for "Dear" every day. , Love" creates more than one topic volume, and each episode needs to create 2 to 3 hot searches. With such incredible data, even the phenomenal drama "In the Name of the People" is far behind. Is "Dear, Beloved" more recognized by the audience than "In the Name of the People"?

It is obviously impossible. Looking back at Zhao Liying after winning the Feitian Award, I have to admit that the network data of "Wind Blowing Pinellia" is outstanding, but in terms of production level, how does it compare to "In the World"? Let’s talk about Yin Tao . Their popularity is indeed not as popular as Zhao Liying, but is the same true in terms of acting skills?

The answer is self-evident. Except for Zhao Liying's fans, few people will think that her acting skills are better than Yin Tao's. However, the result was that Yin Tao was not shortlisted, and Zhao Liying, who was still in the transition period, unexpectedly won the title of TV Queen. Controversies were bound to ensue.

Conclusion

In summary, the biggest challenge for domestic dramas at present is how to squeeze out the water in online data, so that powerful dramas and actors can get the honor they deserve, so as to avoid the industry from being detached from reality.The term "shifting from reality to virtuality" now mainly appears in discussions in the economic field. The manufacturing industry is real and the financial services industry is virtual. It cannot be said that the financial services industry is unimportant, but the financial services industry separated from the manufacturing industry is destined to be a castle in the air. America on the other side of the ocean is a vivid example. It is now plagued by the hollowing out of the industry and high debt.

When it comes to domestic dramas, the production level and the acting skills of the actors are the last word. As for the popularity of the actors, it is just a marketing gimmick. Whether the audience recognizes a drama or not depends on whether it is good or not, not who stars in it. The reason is very simple. Whether you watch the show or not cannot be marketed, but the relevant data of the actors can be faked. This is the difference.

personal opinion, don’t comment if you don’t like it.