At noon on September 16, multiple episodes of the TV series "Corporate Strong Man" were launched on Tencent Video, officially starting the premiere mode. This Hong Kong drama tells the story of how a logistics company went public and became bigger and stronger. Based on the plot

The suspension problem is the biggest problem in this "Corporate Strong Man". The story of this TV series is about a very capable male protagonist. After resigning from a bank, he started his own logistics company and went public within three years, and then became bigger and stronger. This kind of exciting drama story about a male protagonist starting a business would be more likely to succeed if it were moved to other industries, especially industries that the audience is not familiar with. However, there are tens of millions of people working in the logistics industry. When everyone knows very well what kind of industry this is, the sense of suspension in this "Corporate Strong Man" cannot be concealed.

For suspended dramas, the easiest place to reveal the truth is the logical rationality issues in the story. For example, in the play, how a logistics and transportation company that was abandoned by entrepreneurs was turned into a listed company by the protagonist in three years. The play "brushes it off" without mentioning the specific details at all. Why is this? Because both the screenwriter and the director know that this matter is impossible to achieve in actual operations.

When the audience wanted to ask how a transportation company with no value could be listed on the market in three years, the TV series avoided this question and directly greeted everyone with the story of the male protagonist after the listing. Such a TV series obviously lacks the inherent logic and rationality of the story. The aesthetic level of current TV dramas is very high. Audiences who don't want to see the internal logic and rationality of the story have gone to watch popular dramas, leaving no market for such Hong Kong dramas at all.

For another example, the supporting actor was portrayed very well. When they came to the male protagonist's company, the two chatted for half an hour, and the supporting actor immediately became the "second in command" of the company. After working on it for a long time, the screenwriter finally regarded this listed logistics company as a family business and wrote it according to the model of Young and Dangerous. By the way, can the "second-in-command" of any listed company join the company so easily? When everyone has a clear understanding of the personnel system of listed companies, they will find that the narrative logic of this TV series is far-fetched and the plot content is suspended.

Even for such a capable supporting actor, the first thing he did when he came to the company was to buy a cheap plane. The person who played a decisive role in this matter turned out to be the actor's ex-wife. This setting itself is absurd enough. The vision of many Hong Kong drama screenwriters is a typical village vision. For a long time, the old acquaintances in the village are doing the trouble. Unable to open up a broad narrative perspective, I can only make up stories among acquaintances.

As for "Enterprise Strong Man", its failure is directly related to the profession it talks about that everyone is familiar with. If this TV series tells the story of the male protagonist, it is still a typical Hong Kong drama, and it can be made up without revealing the secret, then in this drama, the story of the low-level logistics personnel is obviously exposed. , you know it doesn’t look like that anymore, that’s not the case.

In the play, the heroine who runs a logistics franchise station, and all the stories surrounding her, can make the audience look "fake" at a glance. Just when the audience thought that this TV series was finally telling some low-level stories about this character, it suddenly made a sharp turn for everyone - it turns out that the heroine is also the daughter of a wealthy family, and she can also be found when she runs out of money. The father of a wealthy family wants a master worth hundreds of thousands. I just said that many Hong Kong drama screenwriters have a narrow vision and do things here and there. This group of people are all from the same village, which is another example. The heroine's biological father is actually a "relative" to the male protagonist. After going on and on, it turned out that it was just a group of old acquaintances who were causing trouble.

The most constraining thing about Hong Kong dramas is that they are not realistic. Once they touch on the professions and roles in real life, everyone feels that they are fake. The same is true for "Corporate Strongman" this time. Writing a story about the logistics industry is enough to show its timidity. Again, the audience is too familiar with the logistics industry, especially the daily life of couriers. Therefore, when this TV series relies on the thinking of Hong Kong drama screenwriters to make things up, the audience can tell that it is fake.

Based on this, the quality of the TV series "Corporate Strong Man" is very low, Hong Kong dramas are not realistic, and the problem of making good use of routines is still serious.(Text/Ma Qingyun)