On the evening of September 1st, the TV series "Mortal Song" updated the plots of episodes 5 and 6. In my initial review of this TV series, I have already analyzed its problems of suspension, showing off wealth and errors in creative techniques. After two more episodes, I firmly

Because there are no real ordinary workers in this TV series, they are all people with high incomes. Therefore, when creating conflicts for these groups, we can only do it forcefully. For example, by making the character act like a monster. Another example is by making the character become intelligent. This method began to appear on a large scale in the plots of episodes 5 and 6.

Let’s talk about being a demon first. In episode 6, the heroine turned on the demon mode. After the couple quarreled, the heroine ran away from home, leaving her children who were still feeding milk powder and those who had just started school at home, without caring about them. The play seems to want to show the importance of the female protagonist, so the male protagonist is in a hurry. However, after the emergence of such a demon model, will it win the emotional recognition of the audience?

After the heroine and the hero quarreled, the heroine threw the infant child to the hero and pushed the hero and his child out of the room. Then, the male protagonist started the mode of coaxing the child to sleep. Later, the heroine became more serious and ran away from home, leaving the two children with the hero. This drama suddenly reminded me of the scene in the TV series "Lone Boat" where the villain threw his child to our party comrades in order to escape.

The heroine's behavior of abandoning her children and running away from home is not just a demon, but also a low level of personal moral conduct and cognition. I'm not willing to regard the heroine's inferiority as the creators' (screenwriters, etc.) inferiority. But would a highly educated woman abandon her infant child? None of the women in our village who have not gone to school can do something with such low IQ. Let's put it this way, the woman in our village who was not mentally healthy ran away from home and she knew how to hold her child in her arms. This is the mother's nature.

In order to increase the conflicts in this suspended drama, the screenwriter actually created a farce where the heroine acts as a demon and subdues her wits. The social demonstration value of the plot content is very wrong!

In the latest plot content, not only the heroine subdues her wits and becomes a monster, but the female supporting character also turns on the monster mode. The heroine's biological mother was ill and could not be saved. The heroine took her husband to choose a cemetery for her biological mother, which cost nearly 300,000 yuan. By the way, it’s okay for the female supporting character to have money herself, but she doesn’t have it and needs her husband to borrow 200,000 from her sister. What has become of my biological sister? Fu Di Mo! Moreover, this money was spent on a so-called cemetery.

In other words, there are as many porcelain jobs as there are diamonds. How much money is there in the family, doesn’t the female supporting character herself know? With all your money, can you afford a cemetery? This pattern of female supporting characters acting like monsters is somewhat intensified in "Mortal Song". No, the male partner was reluctant to buy a cemetery and wanted to buy a cheap one, so the female partner went to the hospital to have an abortion. By the way, is using a child's life as a threat the screenwriter of "Mortal Song" a trick? If the heroine uses it up, will the heroine use it?

It’s not just the female protagonist and the female supporting character who are depraved and bewitched. In “Mortal Song”, the male protagonist is also forcibly depraved by the screenwriter. It stands to reason that a vice president of a large company has never seen anything in the world and has never dealt with any company business disputes. However, the male protagonist was stuck with a debt collector who suddenly appeared and insisted on paying 800,000 yuan himself.

, a debt collector, said that the company owned by the male protagonist owed him 800,000 yuan. The male protagonist did not hire a lawyer or go through legal procedures. He even planned to help pay back the 800,000 yuan without asking the client.By the way, the screenwriter and director of this TV series may be really rich and think that 800,000 is a very small amount that a "mortal" family can easily come up with. When the male protagonist approached his boss about this matter, the boss downplayed it and told him directly that he could just go through the judicial process.

Under normal circumstances, anyone who encounters such unreasonable debt collection will immediately call the police, find a lawyer, and go through judicial procedures immediately. However, the male protagonist did not. He was forcibly demented and he has to pay back the 800,000 yuan. In other words, I will give you 800,000 yuan today, and tomorrow, if someone comes up, I will give you another 800,000 yuan. As long as the screenwriter is willing, the male protagonist can go bankrupt directly. And can you still watch such a TV series that forcibly reduces intelligence? This is not a farce, what is it?

In "Mortal Song", it is explained why the male protagonist dare not call the police because he is afraid that the female boss will fire him. By the way, the female boss hates the woman who owes money to the company. The male protagonist works hard to get this woman to "death", which makes the female boss happy. However, the screenwriter of "Mortal Song" just doesn't understand such a simple narrative logic.

There are no poor people in this domestic drama. Therefore, in order to create economic contradictions and conflicts, the screenwriter can only deal with the characters by using tricks and subduing intelligence.If a TV series produced using this technique is not a farce, what is it? The audience is not stupid, stop looking down on the audience's aesthetic intelligence, okay, rich screenwriters and directors? (Text/Ma Qingyun)