On August 29, the 7th China Film New Power Forum was held in Changchun, Jilin. Cao Lubao, member of the Standing Committee of the Jilin Provincial Committee of the Communist Party of China and Minister of the Propaganda Department, and Mao Yu, deputy director of the Central Propa

Deputy Director of the Central Propaganda Film Bureau in charge of daily work. Director Mao Yu delivered a speech.

Deputy Director of the Central Propaganda Film Bureau in charge of daily work. Director Mao Yu delivered a speech.

The theme of this forum is "Inheritance, Innovation, and Practicing - Films and Audiences Together". Ma Yuke, Chen Jianxi, Li Jiakai, Zhang Jiajia, Ke Wenli, Liu Bowen, Yan Fei, Dong Runnian, Wu Rina, Li Yang, Liu Jiangjiang, Wang Zichuan, Long Fei, Xia Peng, Ding Yanlai, He Nian, Zhong Ding, Xu Wei, Li Ji, Yin Ruoxin and other new generation filmmakers gathered together to discuss topics such as "the audience popularity of genre films", "new comedy and new audiences", and "how to innovate film language". Senior practitioners such as Zhang Yimou, Huang Jianxin, Yin Hong, Xu Zheng, Ran Ping, and Shu Huan, as well as film company representatives such as Fu Ruoqing, Zheng Zhihao, Li Jie, Chen Zhixi, Yu Chao, Li Ning, Zeng Jiyuan, and Nie Borui also combined their own work and practical experience to send messages. The new force of Chinese film.

Ma Yuke, the director of the Cantonese film " Reborn ", said that as a filmmaker, he always believes that the power of movies lies not only in entertainment, but also in its ability to resonate with the audience and to Make you think and move. "The essence of a movie is to tell a story and have a dialogue with the audience's soul. Therefore, in every work, I try my best to integrate my life experience and insights into it, so that the audience can feel "Real emotions and thoughts."

After "Rebirth" was released, Ma Yuke read many audience comments, "I think this is particularly important. Our movies are made for the audience. If they are interested in a certain part of the story, I don’t agree with it. I think some emotions and some logic are not smooth enough. I have to listen carefully and absorb it, because I am a commercial film and need the audience to pay. I need to attract more audiences to the scene. They are my food and clothing. Parents', so I will take the most pertinent evaluation as a warning and reminder for the next creation. "

Ke Wenli, the director of the summer box office dark horse " Silent Kill ", believes that the audience is the soul of the movie. "Every time I see the audience being invested and moved in the theater, I feel deeply honored, and I am more determined to continue making good movies. I will continue to start from the audience's perspective, whether in the creation or promotion stage, and embrace Facing the diverse expressions of the audience, we must think and absorb more patiently and humbly, and apply them to future creations.”

Ke Wenli.

Liu Bowen, the director of " Laifu Hotel ", talked about his creative experience - movies must draw materials from life and find interesting story cuts. "I think letting the audience walk out of the cinema and feel strength and warmth is what we filmmakers should do, so I will continue to make movies that are powerful and can bring light to everyone."

" Catch the Baby " director Yan Fei, " annual meeting cannot be stopped!" Filmmakers such as "" director Dong Runnian, " Thelma and Louise " director Wu Zhina, and "Hong Kong Era" screenwriter Shu Huan discussed how comedy movies can impress audiences.

Yan Fei believes that good comedy can bring happiness to the audience, help people resolve paranoia and activate an optimistic attitude. This is the original intention of ordinary audiences to love movies.Dong Runnian said that audiences watch comedy movies not just to laugh, but to see their own lives and express their inner emotions and feelings through comedy works. This requires creators to choose comedy movie topics from life and reflect Issues that the audience really cares about.

Under the premise that comedy jokes are full of daily life on the Internet, how to create new comedy scenes is an arduous task for all comedy creators. Dong Runnian shared his experience, “I believe that we need to deeply study the creation principles of comedy and rationally analyze the structure and composition of comedy from basic principles; we need to go deep into life and the masses, and learn to collect the most vivid and interesting things in the daily lives of the masses. The vitality of language, baggage and jokes; we must draw nutrients from traditional culture. From traditional Chinese operas, cross talk, and folk art works, we can learn a lot of comedy structures, paragraphs, and ways of shaking off baggage that have been practiced for hundreds of years. These are also The comedy presentation method that is in line with Chinese people's aesthetic habits needs to be sorted out and inherited by creators. "

In Uzhina's view, comedy and life are a two-way journey. Life provides comedy with a steady stream of material and inspiration, and comedy gives back to life in a unique way. "If creators want to know what kind of comedy movies the audience likes, they need to always maintain a sensitive and open heart to perceive the world and understand others. Being able to bring happiness to the audience is the best way for us creators to move forward. Motivation."

Shu Huan mentioned the impact of short videos, mini-program dramas, and mini-series on comedy movies. He believes that we must adhere to the mission and artistic character of movies, explore new themes from real life, and find reality. Vivid, vivid and resonant new stories in life.

At this forum, Zhang Yimou, Huang Jianxin, Yin Hong, Xu Zheng, Ran Ping, Shu Huan and other senior practitioners, as well as Fu Ruoqing, Zheng Zhihao, Li Jie, Chen Zhixi, Yu Chao, Li Ning, Zeng Jiyuan, Nie Borui Representatives of other film companies also combined their own work and practical experience to send messages to the new forces of Chinese film.

senior director Zhang Yimou believes that innovation and challenges are opportunities given by the times. "When opportunities come, filmmakers must study hard and adapt to the needs of the times through serious hard work and training, so that they can tell new good stories." Huang Jianxin is full of confidence in the new power of Chinese films. He said that science and technology are developing rapidly and life is changing with each passing day. There are endless stories to tell and there will always be new content, and young people are the ones who dare to think the most. “We believe they are interested in new ideas.” Structure, new stories, new types of attention and presentation, Chinese films are supported, tolerated and passed down by generations of filmmakers, passing on the fire from generation to generation."

Zhang Yimou.

Fu Ruoqing, Secretary of the Party Committee and Chairman of China Film Group, mentioned that last year China Film launched the "China Film Young Filmmaker Program". Up to now, more than ten projects have been selected from nearly a thousand scripts for creation, and more than ten young filmmakers have been signed. He hopes to use the power of China Film to provide a better stage for new forces. In the process, it will also help young filmmakers find a better direction and realize their ideals. The president of Alibaba Pictures revealed that in the future, Alibaba will continue to invest firmly in blockbusters, firmly support the growth of young directors, strengthen close exchanges and introduce cooperation with global high-quality films, and firmly maintain the healthy development order of the industry.

The scene also set up links such as a ten-year review of the Chinese movie audience satisfaction survey and the release of new film lists. As of the 2024 summer season, the China Movie Audience Satisfaction Survey has completed 55 schedules and 48 weekends, covering a total of 513 films. Among them, " Me and My Motherland " (91 points), " Changjin Lake " (89.6 points) and " Wolf Warrior 2" (89.2 points) ranked among the top three single-film satisfaction ratings. In the release of the film list, nearly a hundred new works such as " only this green ", "click to stop", "manslaughter 3", "Liao Zhai: Lanruo Temple" have been unveiled on the forum, and these films will also be launched soon. market and meet domestic audiences.

This forum is hosted by the Central Propaganda Film Bureau, hosted by the China Film Art Research Center, and co-organized by the Propaganda Department of the Jilin Provincial Committee of the Communist Party of China (Jilin Provincial Film Bureau). A total of more than 200 people attended the forum, including relevant responsible comrades from film units directly under the Central Propaganda Department, responsible comrades from provincial, autonomous and municipal film authorities, representatives of state-owned and private film companies, film creators, experts and scholars.