1905 Film News A Chinese-French co-produced film "produced by Luc Besson, French film stars Vanessa Gide, Juliet Besson and domestic powerful actors Liu Peiqi, He Zhengjun, Du Xudong, Cao Yutong, Ding Jiali, Cao Li, etc. "Dating Dating" has been registered on November 8th in major theaters across the country. The film was produced and written by Qiao Wei, directed by An Jianjun and Yang Huilong, with Liu Yongsheng as the producer. Since the movie was released, it has gained a good reputation. Unfortunately, the low row of movies has caused the box office to be cold, and it is called the "legacy of domestic films."
The real-life population monument of rural themes bursts into the audience to resonate with the audience
The film "The Engagement" tells the story of a French journalist Snow who came to China by chance in the early 1980s of the reform and opening up, and met a rural guy Liu Changgen. The two had a wonderful time together. Time. With the camera in his hand, Snow recorded what he saw and heard about Chang Gen, witnessed the entanglement of Chinese young people in love and marriage at that time, and left an unforgettable romantic love story with Chang Gen.
has received rave reviews since its release. The audience said: "It truly reflects the current situation of rural China in that era, reflects the memory of a generation, and it is the memory of an era." More young audiences said that in the film, "the old drama is on the battlefield, the combination of Chinese and Western, and it is very beautiful. The Chinese and foreign are well connected, and the story of the French in this beautiful mountain village is described in a delicate lens, which brings people back to the time of their fathers’ lives.” Fans of director Luc Besson also watched it. Said to be fans in the movie circle: "I like the work created by Qiao Wei, the screenwriter, and directors An Jianjun and Yang Huilong. I also invited my favorite foreign director, Luc Besson, to produce it. The effect did not disappoint me. This is probably the biggest fan. "Sino-French cooperative period films are full of pure love and beauty. There is no material penetration, only the pursuit of spiritual perfection. Young handsome Chinese and Western partners with senior old opera bones are dedicated to interpretation. Each role is unique and has The imprint of that era is true and natural." "The long-awaited film of Qiao Wei, An Jianjun and Luc Besson has finally been released! It has a sense of the times, has a wonderful storyline, has a strong interpretation of old dramas, and more A film that has been meticulously crafted by unsung and sincere unsung heroes to win an international award. I really love it. I believe everyone will not want to miss it!" "The era of reform and opening up is worth recalling. This kind of love story in the era of impetuous era is very interesting. Connotation, the Sino-French cooperation is really amazing! Looking forward to the new work!" Everyone is generous with praise, which shows that the quality of the film is excellent.
The nation builds a "Chinese story" and breaks the ice. It is worthy of a higher ranking.
"Dating" has received rave reviews as soon as it was released. It can be called a good word-of-mouth work in November Chinese films. However, the box office has not been ideal since the movie was released, which has a direct relationship with the low row of theaters. Without the blessing of big-name celebrities, coupled with the limited budget for announcements, "Dating" has encountered a low-ranking situation similar to many other domestic small and medium-sized movies. Today, when popcorn movies are all the rage, "The Engagement" has been labelled the so-called "main theme" because of its unique historical heaviness and the limitations of rural themes. Once the audience believes that this is a so-called main theme movie, the theater will also locate the movie in this way, and the low filming rate becomes an inevitable result.
The original negative attitude of the audience towards this kind of film is difficult to reverse. If the theater does not arrange the film, it is even more impossible to change the inherent perception of the audience. These main theme drama films, rural films and other films that focus on literary drama are still stuck in the inherent impression of the past among the audience, and they are far from breaking the ice of the market. But what is gratifying is that despite the low rate of filming, the praise from all directions continues to flow. The hope that the theater will increase the number of shows is also one wave after another! Looking forward to such aExcellent films can be seen by more people, and the stories of our own nation deserve to be understood by more audiences. History is not only remembered by the older generations. It is one of the greatest meanings of movies to let more young people understand the stories of the times that belong to our nation.
China's box office market has huge potential and is expected to become the world's largest ticket warehouse. The amazing development speed once surprised the world. Compared with Hollywood blockbusters, the momentum of Chinese-language films may be slightly insufficient, but they can always surprise the audience. In the new historical stage, Chinese films have ushered in an important opportunity for "going out". To tell the Chinese story well and not be kidnapped by the "flow", we must jump out of the "community of interests" of "money-seeking" and rush to build a "community of shared destiny" that "people are connected." The co-production attempt is undoubtedly a new benchmark for Chinese and foreign film cooperation. It is an attempt to explore more friendship chapters that transcend the nation, culture, and country, and to shape China's national image. This is the fundamental interest of Chinese films.
Therefore, I have to mention that French President Macron recently launched his second state visit to China during his presidency. Macron's visit to China focused on three things, one of which is about "movies." . And the film "The Dating" produced by Luc Besson on this occasion can be regarded as the messenger of the establishment of diplomatic relations between China and France. This is also the responsibility and mission of our domestic filmmakers to contribute to the country.
