The hottest and most popular outdoor performance last winter was none other than the Dream Stage. Under the leadership of Brother Zuo, tens of thousands of tourists danced in the ice and snow at minus 20 degrees Celsius, making the cold winter night lively.
This summer, at the 22nd China·Harbin International Beer Festival, everyone’s favorite left and right brother returned to the dream stage, leading citizens and tourists to start the summer carnival every night, recreating the famous scene of tens of thousands of people dancing to the disco.
Entering the 22nd China·Harbin International Beer Festival, the place with the loudest music and the liveliest scene is the Dream Stage. Brother Zuo, who has shed the label of "the only Internet celebrity in the off-peak season on the entire Internet", shouts contagious slogans, interacts and dances enthusiastically with citizens and tourists to dynamic music, and the 40,000-square-meter area becomes a vast area. A sea of burning joy.
In addition to the enthusiastic disco, there are wonderful performances on the Dream Stage every night dedicated to citizens and tourists. Powerful singers, hot singing and dancing, band performances, there are many exciting performances for everyone to watch for free.
Whether you are a friend who has not caught up with the winter in Harbin, or a friend who has not had enough fun in winter, don’t miss the big stage of Brother Zuo and Dream this summer. After all, the difference between outdoor disco dancing at more than 20 degrees below zero and outdoor disco dancing at more than 20 degrees above zero can only be understood by personally participating.
The 22nd China·Harbin International Beer Festival is in full swing. With the cool evening breeze of the Ice City, drinking beer, tasting delicious food and having fun are definitely the most pleasant ways to spend the summer. Welcome all new and old friends Come and experience it.
source | Harbin Ice and Snow World
editor | Wang Xiaoding
editor | Xiao Xiaoyue
review | Tencent Culture and Tourism
review | Lu Weikun
