Who would have thought of that? Fang Xiewen, who goes online with his native hair and lies everywhere, is not the most annoying male guest in " Rose Story "?
On the other hand, looking back at Peng Guanying version Zhuang Guodong, they rounded off and reached a lower limit that is difficult to copy by their own efforts.
comes and expands.
一, The Highly Effective
novel in Narrow Passage was published in Hong Kong in 1981. It obviously needs major revision. An obvious tendency in the drama version is to "morally whiten" the heroine. In the
novel, the sixteen-and-a-half-year-old Huang Meigui falls in love with the 27-year-old Zhuang Guodong, who has a girlfriend, and entangles her willfully even though she knows that he has no interest in her. At the beginning of the novel, Huang Meigui is called "superficial" in the first person voice of her brother. ".
(I’m very confused about the appeal and starting point of judging a beautiful sixteen-year-old girl as “superficial”? Otherwise, should she be thinking about the ultimate issue from her mother’s womb? Talking about philosophy at the age of three and six years old Epiphany? )
In short, the novel version of Yellow Rose has a lot of problems, but the drama version has been dealt with "safely" from the beginning.
The practice of removing the protagonist's personality shortcomings, character shortcomings, and moral stains is, in a sense, easy and boring castration; changing "wrong" to "right" seems to be a good thing at first, but this "breaking right" process is too It is easy to deprive the character of arc, resulting in a flat and shriveled effect.
The great thing about "The Story of a Rose" is that the process of whitening and transforming Huang Yimei accurately is not an abrupt whitewashing, awkward cutting, nor is it reduced to a rigid pile of praise. On the contrary, in a processing channel that is prone to dwarfing and narrowing,
abnormally creates full and vivid highlights, and abnormally "cultivates" eye-catching new roses.
Liu Yifei This version of Huang Yimei is simply beautiful in the world.
The fairy is thirty-six minus eighteen. There is no pressure to act as a student. Every time she turns around and looks back, she is so beautiful that it makes people scream.
is as brilliant as the emperor descending from the mortal world, but also has the daily intimacy of a neighbor.
seems to be extremely beautiful, yet maintains a warm and vigorous growth texture.
In the novel, her brother despises her for "having a good skin but being superficial", but in the drama version Huang Yimei is not just a beauty, she is beautiful from the inside out.
strives generously at work and executes carefully, and quickly became the caring little cotton jacket of the two female bosses Su Su and Jiang Jiang; empathy, execution, and creativity are all online. In
's private life, she was coveted and harassed by Zhou Shihui, and she woke up his resentful ex with a cake. The controversy in the novel about real hookups was greatly reduced, and was replaced by warm, beautiful and correct attributes.
When arguing with Zhou Shihui in the novel, the thorns of the rose are the thorns of public order and good customs: I am willing to be unclear with others, can you control it?
The thorn in the drama version when Huang Yimei rejected Zhou Shihui was from a correct standpoint and she complained about all the wretched men who had no point in their hearts: Am I sick at his age? Use light comedy style to respond and rebuke all kinds of offenses in the name of love.
You see, this kind of reform method is very accurate in meeting the needs of the times and the coolness.
The key point is that Huang Yimei is not just right for the sake of being right, or just adding beauty to cater to popular trends, nor is she piling up complimentary adjectives in vain, exaggerated and helpless. Liu Yifei makes you believe that there really is such a beautiful bright color in the world. Every time I passed by, I was struck by how bright it was for a moment.
Two, the bright moon and the ditch
Huang Yimei is so beautiful that every minute I feel like "she is so good, no one is worthy of her".
's follow-up of Fang Xiewen's story is very obvious at the beginning: he has no sense of deservingness, and he deliberately lies every step of the way to win her favor, but Zhuang Guodong's story is a different kind of strange approach.
Huang Yimei is still young. She was carried away by her first love at the age of twenty-two, so there is nothing wrong with her;
There is nothing wrong with one-dimensional emotions losing to multi-dimensional realistic utilitarian considerations.
But Zhuang Guodong is very wrong.
The first thing is casting, there is a problem with the base color.
Liu Yifei’s Huang Yimei is so beautiful and bright that the tall and powerful actor seems to be overshadowed by dehydration and wrinkles.
I can honestly say that there are so many crooked male artists from all walks of life, and Peng is definitely not one with really bad qualifications. He also has good looks in other dramas.
Is it because the angel is so beautiful that the male actor is unsightly?
No, the next-door movies " Meng Hua Lu " and Gu Qianfan, "Go to the Windy Place" and Xie Zhiyao are all eye-catching and enjoyable.
is the story "originally meant to show the complexity of love" so it doesn't look good? No, the follow-up story of Lin Gou's launch will be more complicated, but it is still more pleasing to the eye than him.
Netizens enthusiastically nominated it. If it were replaced by Daniel Wu, , and Takeshi Kaneshiro's face, would the look and feel be much better? meeting.
But the problem is not all about appearance and temperament.
Zhuang Guodong's setting has a slightly elite and arrogant temperament, but the actor has neither of these qualities. His promising young man looks like a fake wearing someone else's clothes.
Afterwards, the two of them had conflicts over principles, and there were repeated scenes of "Zhuang came up to him and forced him to kiss and have sex" and then reconciled.
The two of them were in Paris. When Huang Yimei woke up, she felt as desolate and cold as if she were in a different bed. The expression of the shot was clear, but for the rest of the time, the two of them were chewing each other, which made people feel like "wanting to personally attack the actor."
Forget it was a raging fire when we first fell in love, but what happened after that? Is there any misunderstanding about the "Hiha Hisha" part?
When Zhuang Guodong sneaks out from behind and hugs Huang Yimei, he is ridiculed for "having a strong feeling of stealing" and being scolded is really like a thief in the house; this is no longer the category of "severe" feeling, but a strong "maggot" feeling. .
Huang Yimei and Zhuang Guodong are too similar to the bright moon and the ditch; the actors failed to fully release the false appeal of Zhuang Guodong's character, and the subsequent gnawing was too offensive.
is like the violent, gloomy and twisted man on the Rule of Law channel. He is earthy and gloomy, but he went to the wrong channel and got together with Huang Yimei, the beauty in the world.
"Tu" is not a derogatory term at all, and there are many local stories that are deeply touching.
"Yin" is also not a purely negative word. The struggles of many gloomy villains make people sigh.
But for Zhuang Guodong, these have been turned into derogatory terms, like twisted and squirming pests among rose bushes.
Some people refute "Can't women have the freedom to do"?
Of course there should be. Huang Yimei is willing to take someone home from the roadside if she is in a good mood, or even though she does not love Zhuang Guodong, she is willing to take the initiative to use him as a tool for fun. These can be called "female sexual freedom."
But what's going on with "Zhuang Guodong forcefully kisses x and Huang Yimei will be fine"? What kind of terrifying logic is this?
Maybe you will say that this part of the play is meant to let us see the tragic ending of first love, to see that the beauty of imagination cannot match the complexity of reality, to see Huang Yimei love so hard that she loses sight of her own life and then suffers a bloody head.
Yes, yes, this is a first love that ended in tragedy; but the sweetness of the first love was not beautiful enough, the entanglement was not heart-warming enough (mostly through chewing), the actor failed to achieve the intended effect, and there was a serious sense of dislocation.
In the play, his selfishness and impatience are reflected in some of his lines, such as "What's wrong with you?" and so on, which express the commonality of a group of people who deteriorate or reveal their true nature in relationships.
What they want may be the gradual fragmentation, long-term pull, deep frustration, and deep regret of "the prince and princess discover after the dance that life is not a fairy tale", but what the actor gave is "there is a fly in the clear and beautiful rose condensation" "A sense of déjà vu.
Zhuang Guodong broke up and went offline, finally breathing a sigh of relief: Thank God, help me, he is finally gone!
Let us give this male guest a warm farewell and never see him again.
Three, the love that hides the expensive price
Lin Gengxin plays Fang Xiewen online, wearing a simple and rustic coat, doing smart and pretending to be stupid, I can't take it at all, and even feel a little scared, But I think this is precisely the brilliance and success of the play.
Huang Yimei took the bus home late at night, and Fang Xiewen silently followed her on a bicycle. Although there was suspicion of stalking, it was different from "abnormal stalking". It was more of a youthful and natural joy and aloofness.
The admiration of young people is as comfortable as the wind, silently but growing wildly all the way.
After that, Fang Xiewen helped Huang Yimei rescue the cat and rent a house, telling big and small lies everywhere, and telling all kinds of falsehoods with a very simple face.
For example, "A lot of people have come to see the house recently, and it should be rented out in the next few days." This is a common tactic used by intermediaries to trick people into renting quickly. It is nothing compared to Fang Xiewen's IQ and EQ.
But he is so in love with the girl he loves, and can tell the shopping mall routine without thinking. The difference between "too much love" and "too much skill" is really a bit shocking.
The audience has an omniscient perspective, while Huang Yimei has a one-sided perspective. She does not grasp the boundless network we see, and she walks step by step into the deep nest and trap of "love".
Love is real, but it is also true that there are too many tricks.
The graceful and infatuated youth is true, and the lies are also true.
Lin Gengxin's performance was also very good, successfully performing the two layers of "stupid and smart" inside and outside, and the control of truth and falsehood of "passionate and hypocritical".
You see, the play not only gives the joy of a youth film, and the heart is green and lush;
also lays out the big hook of "he is not that simple, and this relationship is not so pure", telling you "this relationship is not so pure" at every turn. Relationships have a very high price hidden from the beginning.”
has the sweetness of youth movies, but also has the real depth that youth movies don't have;
has the calculation and scheming of a real marriage and love story, and it also has a trace of emotion that is not found in the "chicken feathers in one place" style. concentrated.
Zhuang Guodong's part of the failure case of "both wanting and wanting" but not achieving it, and this part is a version of both wanting and wanting.
Comfortable Conclusion
Huang Yimei's love is like passing through a tribulation. This is not a shallow romance show that only provides snacks, nor is it a "marriage horror movie"-style story about quitting.
Huang Yimei met Fang Xiewen after she was exhausted mentally and physically, and went from one mistake to another lie. But mistakes and lies are not all of Huang Yimei's love, and the lack of a happy ending does not mean that "every minute was not worth it from the beginning."
Roses are covered with scars, and their petals are scattered and crushed in the soil due to wind and rain. After the rain, they are still vigorously growing flowers, blooming and scorching.
Liu Yifei’s Huang Yimei is so beautiful and bright that the tall and powerful actor seems to be overshadowed by dehydration and wrinkles.
I can honestly say that there are so many crooked male artists from all walks of life, and Peng is definitely not one with really bad qualifications. He also has good looks in other dramas.
Is it because the angel is so beautiful that the male actor is unsightly?
No, the next-door movies " Meng Hua Lu " and Gu Qianfan, "Go to the Windy Place" and Xie Zhiyao are all eye-catching and enjoyable.
is the story "originally meant to show the complexity of love" so it doesn't look good? No, the follow-up story of Lin Gou's launch will be more complicated, but it is still more pleasing to the eye than him.
Netizens enthusiastically nominated it. If it were replaced by Daniel Wu, , and Takeshi Kaneshiro's face, would the look and feel be much better? meeting.
But the problem is not all about appearance and temperament.
Zhuang Guodong's setting has a slightly elite and arrogant temperament, but the actor has neither of these qualities. His promising young man looks like a fake wearing someone else's clothes.
Afterwards, the two of them had conflicts over principles, and there were repeated scenes of "Zhuang came up to him and forced him to kiss and have sex" and then reconciled.
The two of them were in Paris. When Huang Yimei woke up, she felt as desolate and cold as if she were in a different bed. The expression of the shot was clear, but for the rest of the time, the two of them were chewing each other, which made people feel like "wanting to personally attack the actor."
Forget it was a raging fire when we first fell in love, but what happened after that? Is there any misunderstanding about the "Hiha Hisha" part?
When Zhuang Guodong sneaks out from behind and hugs Huang Yimei, he is ridiculed for "having a strong feeling of stealing" and being scolded is really like a thief in the house; this is no longer the category of "severe" feeling, but a strong "maggot" feeling. .
Huang Yimei and Zhuang Guodong are too similar to the bright moon and the ditch; the actors failed to fully release the false appeal of Zhuang Guodong's character, and the subsequent gnawing was too offensive.
is like the violent, gloomy and twisted man on the Rule of Law channel. He is earthy and gloomy, but he went to the wrong channel and got together with Huang Yimei, the beauty in the world.
"Tu" is not a derogatory term at all, and there are many local stories that are deeply touching.
"Yin" is also not a purely negative word. The struggles of many gloomy villains make people sigh.
But for Zhuang Guodong, these have been turned into derogatory terms, like twisted and squirming pests among rose bushes.
Some people refute "Can't women have the freedom to do"?
Of course there should be. Huang Yimei is willing to take someone home from the roadside if she is in a good mood, or even though she does not love Zhuang Guodong, she is willing to take the initiative to use him as a tool for fun. These can be called "female sexual freedom."
But what's going on with "Zhuang Guodong forcefully kisses x and Huang Yimei will be fine"? What kind of terrifying logic is this?
Maybe you will say that this part of the play is meant to let us see the tragic ending of first love, to see that the beauty of imagination cannot match the complexity of reality, to see Huang Yimei love so hard that she loses sight of her own life and then suffers a bloody head.
Yes, yes, this is a first love that ended in tragedy; but the sweetness of the first love was not beautiful enough, the entanglement was not heart-warming enough (mostly through chewing), the actor failed to achieve the intended effect, and there was a serious sense of dislocation.
In the play, his selfishness and impatience are reflected in some of his lines, such as "What's wrong with you?" and so on, which express the commonality of a group of people who deteriorate or reveal their true nature in relationships.
What they want may be the gradual fragmentation, long-term pull, deep frustration, and deep regret of "the prince and princess discover after the dance that life is not a fairy tale", but what the actor gave is "there is a fly in the clear and beautiful rose condensation" "A sense of déjà vu.
Zhuang Guodong broke up and went offline, finally breathing a sigh of relief: Thank God, help me, he is finally gone!
Let us give this male guest a warm farewell and never see him again.
Three, the love that hides the expensive price
Lin Gengxin plays Fang Xiewen online, wearing a simple and rustic coat, doing smart and pretending to be stupid, I can't take it at all, and even feel a little scared, But I think this is precisely the brilliance and success of the play.
Huang Yimei took the bus home late at night, and Fang Xiewen silently followed her on a bicycle. Although there was suspicion of stalking, it was different from "abnormal stalking". It was more of a youthful and natural joy and aloofness.
The admiration of young people is as comfortable as the wind, silently but growing wildly all the way.
After that, Fang Xiewen helped Huang Yimei rescue the cat and rent a house, telling big and small lies everywhere, and telling all kinds of falsehoods with a very simple face.
For example, "A lot of people have come to see the house recently, and it should be rented out in the next few days." This is a common tactic used by intermediaries to trick people into renting quickly. It is nothing compared to Fang Xiewen's IQ and EQ.
But he is so in love with the girl he loves, and can tell the shopping mall routine without thinking. The difference between "too much love" and "too much skill" is really a bit shocking.
The audience has an omniscient perspective, while Huang Yimei has a one-sided perspective. She does not grasp the boundless network we see, and she walks step by step into the deep nest and trap of "love".
Love is real, but it is also true that there are too many tricks.
The graceful and infatuated youth is true, and the lies are also true.
Lin Gengxin's performance was also very good, successfully performing the two layers of "stupid and smart" inside and outside, and the control of truth and falsehood of "passionate and hypocritical".
You see, the play not only gives the joy of a youth film, and the heart is green and lush;
also lays out the big hook of "he is not that simple, and this relationship is not so pure", telling you "this relationship is not so pure" at every turn. Relationships have a very high price hidden from the beginning.”
has the sweetness of youth movies, but also has the real depth that youth movies don't have;
has the calculation and scheming of a real marriage and love story, and it also has a trace of emotion that is not found in the "chicken feathers in one place" style. concentrated.
Zhuang Guodong's part of the failure case of "both wanting and wanting" but not achieving it, and this part is a version of both wanting and wanting.
Comfortable Conclusion
Huang Yimei's love is like passing through a tribulation. This is not a shallow romance show that only provides snacks, nor is it a "marriage horror movie"-style story about quitting.
Huang Yimei met Fang Xiewen after she was exhausted mentally and physically, and went from one mistake to another lie. But mistakes and lies are not all of Huang Yimei's love, and the lack of a happy ending does not mean that "every minute was not worth it from the beginning."
Roses are covered with scars, and their petals are scattered and crushed in the soil due to wind and rain. After the rain, they are still vigorously growing flowers, blooming and scorching.
