During the hit season of "Flower Room Order", Ju Jingyi 's semi-permanent makeup was no longer the hottest topic, but guest star Zheng Hehuizi was at the forefront. No one could have imagined that with just two episodes of roles, this previously unknown actress would continue to be on the hot search list on social platforms, and there would be a large audience waiting for her to become a leading role.
So it is inevitable that some fans will complain: Is it too much to have a supporting character come to the table to grab attention?
uses the logic of the fan circle to think about "grabbing for a spot". The actor who is ranked lower suddenly takes the limelight of the protagonist. Of course, it is "restless" who "fails to recognize his own position"; but if we go back to the essence of an actor Presumably, this is originally a job that depends on one's ability - it is only normal to be recognized if one performs well, and to be criticized if one performs poorly.
Or it can be said that actors who want to leave their names in the hearts of the audience never rely on titles such as "lead star". Too many works in the past have proved that whether it is a brilliant appearance or an interesting character, what can be remembered is often the unforgettable glimpse. Whether it is Bai Feifei in "The History of Martial Arts" in the early years, or Yu Manli in "The Pretender" later, or even Meng Yanchen who rose to popularity in "My World's Fireworks", supporting roles whose influence and expressiveness surpass the protagonists have long been Countless. Rather than saying that the actors who played supporting roles were "ignorant", it is better to say that they did their job just right and finally got the recognition they deserved.
What’s interesting is that, looking back at "The Order of Flowers", Zheng Hehuizi’s performance can only be said to be at a normal level of 70-80%. This is not intended to suppress, but in such a mediocre work, it is somewhat fanciful to talk about the so-called performance space. The reason why Zhenghe Huizi was promoted to her current position is largely due to the audience's rebellious psychology - when they see two actresses acting in the same frame, the audience unconsciously gives the one with "semi-permanent makeup" first Got a low score. After all, if you can't even match the makeup to the character, how can you create a character?
The mentality of the audience is not objective, but they support "supporting roles on the table" because the audience is tired of the casting thinking that only depends on popularity and traffic, and the filming mode where the crew is fooled together. As the old saying goes, "There are no small roles, only small actors." Whoever is worthy of his job and worthy of the audience's expectations deserves to be on the table and win applause.
In fact, what will happen after it is "on the table" is another cruel question. It is undeniable that the acting skills of many actors are "sufficient" when dealing with supporting roles with relatively simple storylines, but it is still unknown whether they can handle roles with richer layers and more complex emotional requirements. We can even easily count the few actors who "came to the table" and later turned in less than one answer sheet. The most agile performances were all left behind when they played supporting roles.
Ma Yili once said in a program, "To become a good actor and to establish yourself, you need at least three masterpieces. But to smash your own brand, you only need one work." Take This is for actors who are looking forward to "getting on the table". The real challenge has just begun.
