" and Feng Xing " is a fairy tale drama starring Zhao Liying , Lin Gengxin . This drama has been highly anticipated before it was aired. One reason is that Zhao Liying, who has both strength and popularity, will once again play the role of Fairy Puppet. In addition, Zhao Liying and Lin Gengxin have reconciled the regrets of many fans of " Chu Qiao Chuan " drama.
This drama's popularity on the site broke the platform's fastest record of 28,000 on the first day of its premiere. At the same time, it was far ahead in all aspects of the ratings index. Most of the fairy tale dramas in recent years are inseparable from the two basic points of protecting the common people and protecting loved ones. "Traveling with the Phoenix" can be regarded as the fairy tale drama that does not follow the usual routine in this type of drama.
From the perspective of the plot, the heroine Shen Li played by Zhao Liying is not a rimmed heroine who complements the powerful male protagonist. As the Bi Cang King of the spiritual world, Shen Li traps the monsters and protects them. Lin Gengxin plays two roles, the one who travels in the world and the one who travels in the heaven. The identities of the two people have their own responsibilities and missions.
From escaping from the lower realm of marriage to Kai Da rescuing a general from the spiritual realm, the presentation of the character Shen Li is very subjective. Most of the things she encounters are solved by herself, rather than relying on the hero to save the beauty in the end.
This drama has been well received by most people in terms of plot, persuasion, and special effects. The rhythm of plot distribution is relaxed and relaxed. The first six episodes lay out the background and tell the story of two copies. Just like Yun Niang, a military woman who waited for her husband for fifteen years, only to get the news that her husband was dead. The background music "Love in Love" in the play fits the plot very well. I read about missing my wife and then read about missing my husband. Another example is that Gu Chengjin used forbidden magic to save his beloved wife, but in the end he missed his true love Xiao He.
Both the main plot and the side story are full of content, but some people applauded it, and some people ridiculed that it was a middle-aged ancient puppet, and the protagonist's emotional line developed too fast, and the two people fell in love with it inexplicably. First of all, in terms of character setting, one is a god who has lived for tens of thousands of years, and the other is a prince who protects the peace of the place. Therefore, the emotional line between the two is definitely not the love of ordinary boys and girls, and the acting combination of Zhao Liying and Lin Gengxin is very natural, and the grasp of the characters is very accurate, and it does not make people feel inappropriate.
In addition, the emotional development of this drama does not follow the industrial saccharine assembly line routine.
One is a prince who is used to seeing the flash of swords and swords on the battlefield, and the other is Shenjun Xingzhi, who has gone through many calamities and lived an ordinary life. In the beginning, there were a lot of jokes when one person and one bird got along, and it was inevitable that the two people would fall in love with each other. For Xingzhi, Shen Li was the first love he met, and he was comforted by his boring life. For Shen Li, she who was always ready to fight for the spirit world suddenly lived a peaceful and peaceful life, but a weak mortal treated her of unknown origin as an ordinary woman.
"The world is full of emotions, but the white porcelain plum soup in midsummer makes the sound of broken ice hitting the wall." The heartbeat does not lie in a specific time node, but in the emotional resonance of the moment. So when Shen Li confessed to Xingyun, his reaction was just "I got it." In fact, this is very anti-conventional, there is no excessive ambiguity, or instant blushing and heartbeat. Domineering confession is Shen Li's personality, but calm response is Xingyun's restraint.
However, most fairy tale dramas cannot avoid sadistic plots, and the abuse in the dramas does not seem to be profound. Shen Li will always return to the spirit world, and Xingyun's short life is destined not to last long. But there is no need for bloody misunderstandings, plain abuse has the potential to hurt people the most. In the mortal world, Shen Li thought that Xingyun, whom she liked, was a mortal, and that she and him were destined not to stay together. But her attitude was not attached to this relationship that could not bear fruit. The five hundred years of cultivation she gave before leaving was both repayment and repayment.
One day in the sky and one year on earth. To Shen Li, one month of confinement was just a blink of an eye, but to Xingyun in the mortal world, thirty years passed quickly. From black hair to white hair, the remaining years are filled with endless lovesickness. When she heard that Xingyun had passed away, although her heart skipped a beat for a moment, she did not express grief. She knew very well that Xingyun she liked had nothing to do with her previous life or the next. What she likes is Xingyun, a mortal who loves to tease her but calls her to eat.
And Xingzhi returned to his identity as a god. Apart from being the cold and lonely god, he could not be emotional. Saying "I don't know" when seeing Shen Li again was a sign of forbearance and restraint. For the public, it was for the sake of the world; for the private, this relationship was doomed to be fruitless. The current plot is relatively dull, and the follow-up story is worth looking forward to.
Author: Vaibai, bone-deep film review team produced
