His missing parents, his grandmother raising him, his broken family, what she saw in the hair salon, what she shaved was not a beard, but the mud of walking in the world, the edges and misfortunes smoothed by time, and a journey of life.
What is removed is not harm, but spiritual satisfaction, justice that the world will remember, and a means to cover up crimes.
She shouldn't have to bear all this, but he wanted to change his life.
The story of "Zhou Chu Eliminates Three Evils" is very malleable. The details are completely consistent with the basic attributes of a movie. The ending is even more perfect. It not only makes people admire the courage of the protagonist, but also makes the consequences punishable. Mass everywhere.
Cheng Xiaomei's mouth and back, Ethan Ruan's smiles and tears, these are all valuable. However, these classic scenes in the movie seem to be difficult to see at the same time in domestic mainland movies. The former highlights a certain relationship between human nature and the body. The latter is the expression of inner emotions and desire for acting. In most movies, we only see "previews" and "off-site publicity".
makes people want to watch it, purity and ravage coexist. How can there be so many innocent and ignorant girls in , how can there be so many willful and shrewish women, how can there be so many knowledgeable and independent women in blue and white collars, but in ordinary life, a real woman will face more helplessness and helplessness.
If you want to get rid of this helplessness and helplessness, you need some kind of dedication, money or time, or physical expression like Cheng Xiaomei's after being coerced. This kind of expression is more pure and natural, closer to the essence of human nature, and more in line with the inner needs of evil people. It cannot be measured by value.
Until the end, I didn’t see despair in Cheng Xiaomei’s eyes. Compared with those exaggerated states of life and death, I have to say that Cheng Xiaomei expresses weakness and strength to the extreme. Even if they are bullied, most people will treat Cheng Xiaomei Just choose to hide instead of showing off like a showman.
laughs to death with ease and unrestrainedness, and cries with justice and joy. is as courageous as the sky, and destiny is as thin as paper. Everything you eat tastes delicious, and you are free and unrestrained without regrets.
Chen Guilin is a simple yet complex person who cannot distinguish between good and bad. His pursuit of self-worth and realization of his dreams are the same as those of ordinary people, but the results are different in different ways.
I haven’t seen Chen Guilin’s unrestrained smile for a long time. This extreme burst of happiness should be the same as the taste of love.
This kind of acting requires the actor to recognize the inner "justice" of the character from the heart, and then express it through the corners of the mouth and radiate it from the inside out. Seeing Ruan Jingtian's smile, I actually understand why girls on campus They all like bad boys.
reasonably uses the aesthetics of violence to reasonably connect the characters’ inner misery. When everyone thought Chen Guilin was the villain, they didn't expect that Xu Weiqiang's coercion of the hair salon girl was disgusting, and they didn't expect that Lin Lu and Lin Lu were pretending to be gods and ghosts to play with the common people.
I originally thought that killing two evils was Chen Guilin's self-salvation, but unexpectedly it was a scheme designed by Zhang Guiqing. Originally, I just wanted Chen Guilin to realize his return after getting lost, but he never thought that Chen Guilin would sublimate "recognizing his return after getting lost".
One is in the late stage of lung cancer, and the other is in the late stage of crime. They use their own tragedies to return their final innocence. There is no eternal villain, only the three evils that can be eliminated.
In a sense, what should be eliminated should be the four evils. Zhang Guiqing used her so-called medicine to save too many guilty people, and she protected far more evil than Chen Guilin did. Of course, there is no difference between evil and evil. Is there really a difference in size between rooms?
It is a joke for people who have broken through the moral bottom line to want to be restrained by moral kidnapping again. Chen Guilin used his thoughts to strengthen the crime of committing crimes, and used his eyebrows and hair to complete the transformation of his obsession.
The beauty in Cheng Xiaomei's shots, and Ethan Juan's acting skills of laughing and crying are all commendable. There are similar scenes like this everywhere in previous movies.
But nowadays, especially in mainland movies, there are fewer and fewer things that express beauty. Crying and laughter are also covered by the so-called happy ending. What is left is only energy and justice and humanity. I don’t know whether it is a joy or a pity.
Finally, I would like to say that the movie actually leaves a lot of blanks. If Chen Guilin no longer does evil when he meets Xu Weiqiang and Lin Lu, but instead does good deeds and accumulates virtue, then there will be more stories between Chen Guilin and the "two evils". Correction also gradually becomes self-destructive.
