Deyun Club is like a giant ship, plowing through the waves in the ocean of cross talk. But recently, this giant ship seems to have encountered a storm, and many people have begun to wonder whether this is because the captain followed the compass of capital.
Yue Yunpeng's cross talk in the Spring Festival Gala was originally a popular program that everyone was looking forward to, but it turned out to be ridiculous, as if it was an "awkward guest appearance" by a star in the cross talk world.
Yue Yunpeng, a former rising star in the cross talk world, has gained a large number of fans by virtue of his image of "foolish people are blessed by fools" and is affectionately called "Little Yueyue".
But his recent performance makes people feel that the distance between him and cross talk is getting farther and farther. The little Yueyue who used to fly freely on the stage now seems to be a little bird that is stumbling over fame and fortune and cannot find the north.
And Deyunshe, which was once regarded as a beacon in the cross talk world, is now accused of going astray by capital and forgetting the original intention of cross talk. They formed the so-called "Deyun Boy Group" in an attempt to get a share of the fandom culture, but this obviously ran counter to the spirit of cross talk art. What followed was a series of scandals that made Deyunshe's reputation worse than before.
The breakup between Cao Yunjin and Deyun Society in 2010 seemed to be a sign that heralded changes in Deyun Society. Cao Yunjin, once the hope of the cross talk world, chose to leave. He was unwilling to lose his way in the changing Deyun Society, but chose to stick to the tradition of cross talk. His departure is undoubtedly a huge blow to Deyun Society.
Compared with Deyunshe’s commercialization path, Cao Yunjin appears to be more low-key but determined. On the road of cross talk, he moved forward silently, adhered to tradition, and was not swayed by fame and fortune. This attitude is in sharp contrast to the current situation of Deyun Society.
Let’s talk about the internal turmoil of Deyun Club and Cao Yunjin’s breakup. It was a big event that shocked the cross talk circle. It was like a real-life TV drama about family fighting. Cao Yunjin, as the eldest disciple of Deyun Club, was Guo Degang's right-hand man. But in 2010, this disciple decided to become independent. This incident caused a turmoil in the cross talk circle.
Looking back, Deyun Society was really in a precarious situation at that time, and it once made people feel that this big ship was about to hit the rocks and sink. Some of the disciples of Deyun Society chose to leave, while others trudged forward in the storm.
In order to lead Deyun Society through the difficulties, Guo Degang decided to transform Deyun Society from a loose art group into a modern company. This decision was undoubtedly a bold innovation, but it also triggered a series of internal conflicts.
Cao Yunjin’s departure, for Deyun Club, is not only the loss of an excellent crosstalk actor, but also the loss of a part of the spirit of Deyun Club. His death symbolizes the pain and struggle of Deyun Society in its transformation from tradition to modernity. As for Cao Yunjin, he chose a more lonely path and adhered to the tradition of cross talk art, although this path was not so glamorous.
However, just as Deyunshe, driven by capital, began to try various new methods and try to find a new position in the entertainment industry, a series of scandals also followed. These scandals remind people that Deyun Society is losing its way. From the beginning of being an art palace to today's frequent scandals, the image of Deyun Society has fallen from the altar, which makes people sigh.
At the same time, although Cao Yunjin does not have the aura surrounding Deyunshe, his persistence and hard work have won the respect and support of some viewers. In this impetuous era, he used his actions to prove that cross talk is not only entertainment, but also a cultural inheritance.
When we continue to explore the deep-seated problems of Deyun Society, it is not difficult to find that these problems were not solved overnight. The series of scandals within Deyun Club are like a mirror, reflecting some unknown dark sides of the current cross talk industry.
From the beginning of the art palace to now being kidnapped by capital and fame and fortune, the changes in Deyun Society are undoubtedly the epitome of the challenges that crosstalk art has encountered in the development of modern society.
Deyunshe’s commercialization attempt has brought huge economic benefits in a short period of time, but it has also caused the traditional art of crosstalk to lose its soul. Crosstalk is a long-standing oral art. Its charm lies in its vivid language, humorous dialogues, and thought-provoking social satire.
However, when these elements are replaced by excessive commercialization, crosstalk becomes a tool purely for entertainment and loses its cultural value and social significance.
At the same time, some improper behaviors within Deyun Club have made people even more disappointed with this once glorious name. The revelations of scandals not only hurt Deyunshe's own image, but also had a negative impact on the entire crosstalk industry. Such behavior is undoubtedly disrespectful to the art of cross talk and the general audience.
Compared with these problems of Deyun Society, Cao Yunjin’s persistence seems to be particularly valuable. After leaving Deyun Club, he did not choose to follow the trend, but continued to stick to his own cross talk path. Although the road was bumpy, he proved with his own efforts that the art of cross talk still has its value and significance.
His persistence not only injects a breath of fresh air into the cross talk world, but also provides a possibility for those who truly love cross talk.
