Jia Ling's "Hot and Spicy" has a certain number, and controversy continues.
lost 100 pounds and was on numerous hot searches, but there was no powerful Reuters photo.
Various celebrity platforms said that Jia Ling’s body fat has reached 10%, and her original weight has also changed from 180 pounds to 200 pounds. The more they say, the more mistakes they make. Jia Ling, who is originally very popular with the public, is questioned too much. Consumer audience enthusiasm.
One after another, the poster of "Hot and Spicy" was once again involved in plagiarism.
Three years ago, "Hello, Li Huanying" was released at the right time and place. With a box office of 5.413 billion, Jia Ling was in the limelight. However, three years later, "Hot and Spicy" has obviously lost some of her popularity.
But because there are no star-studded movies or blockbusters in this year's Spring Festival, "Hot and Spicy" is extremely promising. The box office forecast given by the media is 2.2-3.5 billion.
Compared with "Article 20", "Mr. Red Carpet", "Bear Bears 10", "Flying Life 2" and "Let's Shake the Sun Together", "Hot and Furious" is far away from the increasing number of people who want to watch it, and its box office forecast. lead.
So the question is, can "Hot and Spicy" live up to expectations? If you want to understand this problem, you must first understand what the core of the original "One Hundred Dollar Love" is.
The core of inspirational films like "One Hundred Dollars of Love" are two words, faith and burning.
At the same time, this is also the most difficult part to balance. If it is too much, it will be too deliberate. If it is too little, the emotions will not be mobilized.
tests the ability of the director, the acting skills of the actors and the patience of the audience. Only by combining these trinity can we fully watch the process of calmness, ripples and turbulence, and the emotions continue from inside the play to outside the play.
The first half of "One Hundred Dollars of Love" is as bland as water, but this kind of foreshadowing is indispensable.
must convince the audience that Ichiko's life is hopeless, depressed, low self-esteem, hopeless, and living in a muddle-headed mood every day.
At home, her younger sister disliked her for doing nothing. Although her mother liked her, she also hated the fact that iron could not become steel. She was like a useless person, both annoying and completely useless.
I am in my thirties, have never been in love, have a bloated body and look unkempt.
thinks that the banana man likes her, but in fact, most of it is her own wishful thinking. Compared with other girls, she is as low as dust.
She exists, but what is the meaning of her existence? If you don't change it, you will be looked down upon and looked down upon by others throughout your life, and waste will become a label that will accompany you throughout your life.
's ordinary straightforwardness and embellished reality can be projected into reality. The audience becomes involved in it. The moment they watch the movie, they will most likely reflect on themselves. How
should face the future, whether to change and win once, or to lie down and continue to show off. When the audience has such a choice, the story has been completed.
The next step is burning. There are several types of burning, but it is definitely not achieved overnight, but comes naturally through faith.
It can be a success or a failure. Life is inherently frustrated and proud. The key lies in the change of attitude. Fishing for three days and drying the net for two days is burning. Perseverance and consistency are also burning.
"One Hundred Dollars of Love" is not conventional, allowing Ichiko to fight back desperately, but instead makes her lose. The approach that is closer to reality is cruel, but exciting.
Because there are not so many miracles in life, the seed of wanting to win once has been planted in Zizi's heart. Even if she stops boxing in the future, she will no longer live aimlessly.
This kind of burning is not as passionate as winning a championship, but it can make people regain hope in life, move forward positively, and have confidence in the future. It is not about beating chicken blood, nor is it about talking about many big principles, but it can be directly copied to everyone. In personal life, mentality determines one's own.
In terms of Ran's performance, the director also has some tricks up his sleeve.
is like a boy who transforms from a fat girl into a lean boxer. He uses explicit symbols to interest the audience, and then moisturizes and silently injects the thoughts he wants to convey. This is a solution to a mature genre film.
On the surface, it is an introduction, but on the inside, it is retention. It does not rely on tears to sensationalize people, does not adopt doctrines, and is not good at teaching others. It tells it calmly, and the audience feels it quietly. Everything they get is their own. "One Hundred Dollar Love" is quite good. .
is both calculated and natural, resonant and realistic at the same time. This is the foundation of "One Hundred Dollars of Love".
Jia Ling’s remake must not be copied in full. After all, China and Japan have different national conditions. Without local adaptation, it will become Huang Lei’s "Late Night Diner". They are so complacent that the audience is ashamed.
Besides, the scene of a son being violated in "One Hundred Dollars of Love" can raise women's issues and create real conflicts, but Jia Ling should not cause any trouble during the Chinese New Year.
Taken together, it is difficult for "Hot and Spicy" to be trustworthy and popular, because the trust will be turned into a comedy, and the popularity depends entirely on the music, so Jia Ling has to restore the nature and resonance in "100 Yuan Love" in order to live up to the expectations. The original is good.
Judging from the trailer, Jia Ling tasted the sweetness of "Hello, Li Huanying", and "Hot and Spicy" is basically the same way. Before
was officially released, most of the materials released were in the form of comedy, focusing on a family carnival, which complemented the Spring Festival atmosphere perfectly. The first half of
's movie is definitely a collection of various jokes to dispel the realistic nature of the film. Many comedians take turns to perform scenes, each shaking off a few baggage. The second half of
is inspiring and sensational, getting closer to Chen Sicheng, picking up some real pain points, outputting some emotional value, shouting a few slogans, and paving the way for good reviews.
In this way, there will be laughter and resonance, and with Xuanfa's help, the box office will be about the same.
However, with such a structure, it is easy to create a sense of fragmentation and is full of opportunism. The essence of the original version is one-sided, and the movie is close to a sketch.
I hope Jia Ling will make "Hot and Spicy" more like a movie this time.
