"Captain Han paid attention to the music and took the time to detonate the grenade. In addition, Xiao Hua Tuo tied the grenade to Captain Han and paid attention to the lower part of the waist. Concentrate and complete the fourth crossing of Chishui. Prepare each department, 321 Let's go..."
Recently,
reporters walked into the Great Turning Theater to visit
and saw that all the crew
were arranging in an intense and orderly manner
making an all-out sprint for the first audition to be held on January 15th
Highlight 1:
Comprehensive, three-dimensional and concrete, a new interpretation of the red revolutionary epic
According to reports, China's large-scale Long March cultural immersive performance - "The Great Turning" has the mission of "carrying forward the spirit of the great Long March and the spirit of the Zunyi Conference" and is based on the Communist Party of China's firm belief and persistence. From the perspective of truth, independence, and unity, the Central Red Army moved to Guizhou and held the Zunyi Conference after the bloody battle on the Xiangjiang River as the main line, and the battle, life, and emotions of Xiao Hua Tuo, an ordinary Red Army soldier and medic, as the auxiliary line, combining cutting-edge stage technology with The Red Story is created through the integration of large-screen oil paintings, battlefield smoke, landscape dancing, surround sound effects and other technologies to perfectly reproduce the red epic "The Great Turning".
"How to tell the story of the Long March that happened in Guizhou is our most important first step." Yan Bing, a national first-level director, screenwriter and executive director of "The Great Turning" said that in the process of building the script framework, in addition to provincial With the important guidance and help given by the Propaganda Department of the Communist Party of China, party history, military history experts, and cultural workers in the province, the creative team went to the place where the Central Red Army marched in Guizhou in the early stage to pursue red memories in order to get closer to that great era and try their best to find The emotional resonance of history.
Highlight 2:
The actors performed carefully, making the red culture "alive"
At the rehearsal site, the reporter saw that the actors were full of passion and cooperated with each other tacitly, from the movement of Chairman Mao holding a cigarette butt between his fingers to the voice and expression of Premier Zhou's speech ...Every actor is carefully completing every subtle movement, every look, and every line in every gesture, integrating the spirit and motivation of the character into himself and expressing it completely with heart and emotion.
"Premier Zhou's voice is actually the most distinctive. For this reason, I often 'sharpen my ears' in private. When I have time after rehearsals, I put on headphones and learn to imitate Premier Zhou's voice." Zhou Enlai plays the role in the play Zhang Yihang said that in order to get closer to Premier Zhou's voice, he often listened to Premier Zhou's real speech materials.
reporters learned that in order to create perfect characters, in addition to the intense rehearsals of the crew on weekdays, the actor "partners" in the crew often "make small adjustments" in private to add suggestions to each other for modifications.
Zeng Delong and Liu Chunten are classmates. They both come from the Performance Department of Guizhou University College of Science and Technology. They are also known as good partners in the crew. They play the roles of Xiao Hua Tuo and Xiao Lu respectively in the play, and together they perform a beautiful and pure story of revolutionary friendship. .
It is understood that Xiao Huatuo and Xiao Lu are fictional characters refined by the director. Liu Chuncen told reporters that in the early stage, the director asked them to write biographies for their own characters. "In this way, we have a certain degree of subjective initiative and can exert a certain degree of initiative." They use their imagination and creativity to shape and interpret this character." She said that at the beginning of the creation, they went to the Red Army Martyrs Cemetery next to the theater many times to learn and experience history under the guidance of the commentator. Think about and understand that there were many Red Army soldiers like Xiao Hua Tuo and Xiao Lu in that era by consulting information and going into history, so that you can express the selflessness, purity, and dedication of the revolutionary warriors of that era in your creations. Revolutionary spirit.
"The time is tight and the tasks are heavy. The rehearsal time is from 9 am to 9 pm every day. The biggest challenge may be physical strength." Zeng Delong told reporters that because the stage is very large, actors usually have to run up and down and pay attention to the accuracy of the performance. It was time to change props, so after the whole rehearsal, I felt very tired."Now I see that the director was very wise at the time. Thank you to the director for asking us to add an hour of physical training every time during rehearsals at the Zunyi Cultural Center. If we didn't exercise at the beginning, it would probably be even more difficult now." Liu Chuncen said.
Highlight Three:
360-degree rotating stage, three-dimensional immersive shocking experience
In addition to the ingenious setting of screenwriters and characters and various superb artistic expression techniques, the integration of cutting-edge technical means and the blessing of various advanced equipment have also become another aspect of the theater A major highlight.
Yan Bing said that on the premise of telling good stories, the use of technological means and cross-border integration are important means for the crew to convey emotions. The reporter saw at the scene that there is a stage in the center of the stage that can rotate 360 degrees and circulate endlessly. Several wide suspension bridges can construct different spaces in different scenes; the wide suspension bridge sometimes takes off and lands vertically, sometimes tilts, and cooperates with the scene. The 360-degree rotating stage in the center of the stage is unpredictable, just like a magic cube. The visual impact of the scene is extremely shocking.
Yan Bing told reporters that about 120 tons of water are stored under the stage, and this water can circulate endlessly from the ground to the sky to the heads of the audience. "I believe that every audience can hear, see, smell, feel, touch the spirit we want to convey in our theater, and may even be shocked."
