The label of "child star birth" is more of a curse and blessing to the current actors. Everyone's eyes are on them, and a lot of people who eat melons have an endless heart for them.
But there is one person. She is the best child star of the Southeast Asia Film Festival and the winner of the Hong Kong Film Awards Lifetime Achievement Award. The child star's halo is not taken off after wearing it.
In the eyes of the public, she is not only a good actor, but also a smart, motivated and capable woman. For others' compliments, she always said modestly, "I am not a smart woman, but I will make up for the poor."
She is Fang Shiyu's mother, a ghostly spirit.
is Miao Cuihua who laughs and scolds.
She is the goddess Jiang Fangfang.
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Xiao Fangfang's mother, Cheng Fenghui, is a celebrity from a scholarly family. She was once the chairman of the Shanghai Academy of Art Students' Union, and she was also a popular school girl. Married to the famous painter Liu Haisu and became the third wife.
Liu Haisu is the teacher of Pan Yuliang and Lu Xiaoman, and the principal of Shanghai Art College.
gifted scholars and beautiful ladies only lasted ten years in troubled times. After the divorce, Cheng Fenghui met Xiao Naizhen, a famous student in Germany, and underneath Xiao Fangfang in Shanghai. That year was 1947, and New China had not yet been established.
immigrated to a well-off home in Hong Kong after only three years of blessing, and his father died of illness. The 3-year-old Xiao Fangfang turned from a celebrity to a poor boy without his father.
mother is unwilling to give up, and uses all the relationships to cultivate her daughter carefully. Peking opera, ballet, calligraphy; archery, horseback riding, martial arts, painting, are really proficient in all kinds of piano, chess, calligraphy and painting, and 18 martial arts are readily available.
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Just like that, she started on stage at the age of 6, and made her debut the following year into the showbiz. The life of an orphan and a widow also made Fangfang's mother a tough personality. Outsiders called it the "Queen Mother Xiao".
Fangfang, who just debuted, won the Best Child Star Award at the Southeast Asia Film Festival for playing the childhood film star Lin Dai in "Mei Gu".
collaborated with the superstar Bruce Lee the following year, starring in "Lone Star Blood and Tears", the starting point is so high that everyone can't match it. At the age of 11, she collaborated with Hu Die, a 30-year-old actress of Xiying, to perform "The Wandering Children".
The song "Only Mother in the World Is Good", which has been sung so far, was originally sung by Xiao Fangfang when he was a child. This song has been sung for 60 years. With high-quality appearance conditions and powerful acting skills, Xiao Fangfang in her teenage years became popular throughout Southeast Asia, and several young female stars who were also child stars in Hong Kong at that time became the famous "Seven Princesses".
Because of Fangfang's symmetrical figure and long legs, fashion brands often invite her to catwalks. Fame and influence are equal to the current Xiaohuadans.
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Xiao Fangfang, who became famous when she was young, solved the family's economic crisis and gave a sigh of relief to the lives of the mother and daughter. But on the contrary, she has been living in the spotlight since she was 10 years old, and she has attracted everyone's attention every bit.
She lacks the same campus life as her peers, classmates and friends, can not spend a happy childhood like them, not only that, but also encountered the thrilling incident of almost being kidnapped and extorted.
Deep in her heart, she aspires to go to school like an ordinary child and spend a good school life.
Fangfang, who is busy filming every day, has to study with her family teacher after finishing work, without leaving a little homework. In that era when only money was recognized, as a generation of child stars, she was always known as a famous and rich girl. "You still want to get the champion!" Fangfang, who wanted to study abroad, worried about her mother's source of income, so she desperately filmed movies to make money. , I can save enough money for my mother and myself to study at ease. In that era, there was no sky-high salary.
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From 1962 to 1970, Xiao Fangfang played nearly 200 movies, known as the "Princess Rose" of Hong Kong movies, and the limelight was the same. Her acting skills and singing and dancing are widely praised, and her future is bright.
But she has never received formal school education since she was a child, and she has been repeatedly frustrated in applying for studying abroad.
While persuading her mother, she continued to apply. Finally, in 1970, Xiao Fangfang made a decision that no one could think of. One of the most popular actresses in Hong Kong, she decided to temporarily put aside her acting career and go to study in the United States.8 film contracts, studying mass communication at Setonhall University in New Jersey.
Not only that, she also broke up with Nicholas Tse’s father Xie Xian, and Xie Xian, who turned his prodigal son, couldn’t keep this woman who actively pursued her dreams. In this way, Xiao Fangfang became the first girl to take the initiative to break up with the love killer.
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years of learning career, Xiao Fangfang began to study to maintain the image of the "good girl" in the movie. In Qiong Yao's film "Girlfriend", she was willing to do the role of Brigitte Lin who had just debuted, and won the Taiwan Film Golden Horse Award for Best Supporting Actress.
In 1974, she starred in "Sea Rhyme" and won the best actress at the Spanish Film Festival.
Her career encountered a bottleneck at this time, and she was determined to transform. Not only changed the image of a jade girl on weekdays, but also played a harlequin. The people of Hong Kong said, "Where did the Princess Rose go?"
. After the transformation, she won the Golden Bell Award for Best Actress with the TV series "The Long Sky of Autumn". At this time, she can say that she changed with her own performance. Love to play with the overall style of the era of TV series.
starring in 1987, "I'm Not Enemy Don't Gather Together" won her the 7th Hong Kong Film Awards for Best Actress.
's "Fang Shiyu" in 1993 made her known to the mainland audience and was nominated for Best Actress in the Academy Awards. In 1995, she won the Golden Statue Award, the Golden Horse Award and the Silver Bear Award at the Berlin International Film Festival with "Forty Women", becoming the second Chinese actress to win this honor after Maggie Cheung.
From jade girl to comedian, she succeeded.
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is such a diligent and progressive Xiao Fangfang, do you know that she has been fighting stubbornly against illness all her life?
She has a congenital deafness in one ear and a severe ear disease in the other ear. Behind every wonderful performance, she actually completed it with one ear. Severe ear problems make her head roar like a train every day.
Because of her tinnitus, she almost wanted to commit suicide by jumping off the building. With her health getting worse, Xiao Fangfang gradually withdrew from the screen, but after filming the last film "The Sparrow Flying Dragon" in 1997, she won the MBE Medal of the British Empire and the Hong Kong Artist of the Year Award from the Queen of England. When
was in such poor health, she also completed a master's degree, and founded the "Medical Seedling Fund" to protect children from sexual assault, and has been committed to charity.
The 62-year-old is almost deaf. She has made more than 300 films in her life and won the Lifetime Achievement Award from the Hong Kong Awards. At the awards ceremony, in order not to interfere with the hearing aid she wears, the audience did not applaud and kept a special silence. , To pay her highest respect.
's congenital defects can be compensated with optimism, fame and fortune dare to give up concessions, strive for perfection in everything, and be considerate to contribute to charity.
Xiao Fangfang's life is a process of giving up. The key is to understand when to give up, when to get, what to give up, and what to get.
She has demonstrated the appearance of a true goddess, which is worth learning from all women.
(source network)
