This is a work directed by the new generation of ghost director Ning Hao. It continues the style of Ning Hao's previous works-good at starting from the perspective of small people and interpreting highly dramatic feature films. "Miracle World" is a short film directed by Ning Hao. In just tens of minutes, it reflects the director's unique humanistic care.
The film uses a two-line narrative structure to tell the story of a thief who just came out of prison, San'er, who found someone calling for help on the Internet, but could not escape the misunderstanding of his police chase all the way, but finally completed the story of saving people in fantasy. The film is full of black humorous film elements and satirical absurd storyline, which brings a trace of sadness in the entertainment, reflecting the director's theme of caring for the dignity of individual lives. The film cleverly combines the dramatic structure of black humorous film elements with intersecting narratives and multiple audiovisual languages to present a heart-wrenching film. The film uses black humor elements in the film, making the work absurd, entertaining, and at the same time giving people
a certain degree of irony and criticism. The so-called black humor is a common style of modernism, which is just typical. will. Black represents death and is a realistic manifestation of terrible cruelty or violence. Humor is the attitude of individuals with will to ridicule reality. Black and humor become desperate humor, making the work full of heaviness and sorrow in the attitude of cynicism and cynicism. , Tears and pain. The San'er in the film
is exactly the image of the anti-hero in the black humor movie. Through his vivid characterization, the director embodies the theme of fringe people fighting for self-dignity. Characters with distinctive characteristics can not only reflect the universality of specific social life, but also reveal certain laws and essential aspects of the development of social relations. The third is a thief who ran all the way to save people when he found someone calling for help on the Internet. From this perspective, the film praised the moral sense that ordinary people can do justice.
At the end of the film, the third reason is that in the case of urgent pursuit, the wrong floor was admitted, which led to the failure of saving people. The goal of saving people can only be achieved in fantasy. This is full of irony and reflects the status and mental disability of marginal characters. The tragedy of being recognized and not trusted. The image of the director Yongsa reflects the struggle of marginal characters to realize their self-worth and the loss of individual heroic feelings. The
film is just right in the narrative structure. It uses a two-line narrative structure. In the process of San'er being chased by the police, the method of cross-montage is interspersed to make the film more dramatic and arouse the audience's interest in watching the movie. The so-called two-line narrative refers to a film with a linear time structure with obvious causality, and at the same time a plot with two main lines intertwined. The event has an obvious beginning and a climax ending. And cross-montage refers to the use of these two plot clues alternately interspersed with each other, and the alternate editing techniques are used to render the intense and exciting atmosphere, strengthen the dramatic effect of the film, and evoke the intense emotions of the audience. In the film, the director Saner and the police The chase scene uses alternate narratives, which is unique and unique. There are four obvious film elements in this film. At first, San'er found someone calling for help on the Internet. Just when he wanted to save someone, he was stopped by the police who didn't believe him. In desperation, San'er could only run through this series. In the intense chase, the director used cross-montage to present the bloody incident in the victim's home on the other side with a few seconds of footage, which created the urgency of time for the film and also made the audience involuntarily worried.
In such a tense and fierce chase, San'er suddenly jumped out of his whole body and came to the victim’s home, kicking the door to save others. At this climax, the director not only used montages to create a last-minute rescue effect, but also used In a cyclical way, in the form of fantasy, the protagonist completes a rescue, but in the end it has such an effect. Using a cyclical method, the protagonist completed a rescue operation in the form of fantasy, but in the end it was unexpected. Because San'er went to the wrong door and saved the people to no avail, he ended up watching San'er walking in the alley. The end of the past knights, the final ending, with a touch of buffer, made the audience's nervous heart gradually recover. The director's alternate structure not only strengthens the dramatic effect, but also fits the elements of commercial movies. In order to create a tense atmosphere and give people an intuitive feeling, the director's use of camera and music is also essential. The
lens is the most basic unit of the film structure. In the film, the director uses the switching lens, Rendering the atmosphere to form the fast pace of the film, and music can not only be used to render the atmosphere and create emotional tone, but also can promote the narrative process, speed up the combination of shots and music, make the internal and external rhythms of the film unify, and also make the film The overall rhythm is accelerating. Rhythm is the most basic feature of the film. In this film, San'er and the police constantly switch the camera during the racing process to quickly present the action expressions of the characters in the audience’s sight, causing psychological disturbance to the audience. The excitement also speeds up the narrative section of the car, forming a rhythmic pleasure. In conjunction with the combination of music, in the film, the police persistently hunt down the three children. The music is rapid, the melody is exciting, and the combination of the picture and the music creates a visual and sensory impact. Such a diverse and rich sensory rhythm is not only the narrative of the film Played a driving role, but also achieved the director's intention to convey the film's thoughts. Ning Hao uses the most modern technique, tortuous plot, and unique rhythm to express a unique work from the story of a small character, revealing its humanistic care for marginal figures, and at the same time, it also shows that marginal figures are in order to achieve self-dignity. The sympathy and loss hindered by the mainstream praised the individual's emphasis on life and the spirit of redemption. At the end, the section where San'er was released by the police is a manifestation of the spirit of dignity and redemption of the individual's life.
