"The Irishman"-the golden age of the movie and the elegy of the gangsters once all, gathered Al Pacino, Robert De Niro, Martin Scorsese, Joe Pesci, this lineup is really scary, gangster film The great kings are almost like a team that has Pele, Maradona, Beckenbauer, Cruyff, and the coach is Santana.
I heard that you cleaned the house.
Fashionable old man
with messy haircut The protagonist of the film is De Niro's role as the "middleman cruel killer". In the era of gangs, such a person who never asks much, is indifferent and murderous is of course the most enjoyable, but What is the moral purpose of the gangster? Loyalty only has the loneliest ending in a lifetime. Scorsese has made so many gangster movies, this one is the least passionate and the most suspicious of life, the sadness and helplessness after getting old is embarrassing. The movie is surprisingly humorous. Although the overall tone is heavy (the photography and the scene design complement each other), it is not dull overall. In addition, what is more exciting than the three celebrities performing on the same stage again? Pacino bursts like a fire, De Niro gradually penetrates like bones and palms, and Joe Pessi is the pinnacle of the sea, which is always the master of a scene. The
film is adapted from real events and also involves a big historical case. In 1975, Jimmy. Hoffa disappeared in the parking lot of a restaurant. His whereabouts have been unknown since then. Some people speculate that he was killed by gangsters and destroyed his body. This film will solve this puzzle for the audience. The killer Frank (played by Robert De Niro), known as the "Irish guy", confided a secret to his good friend Charles before his death. He admitted that he was killed by the gang boss. Jimmy Hoffa. The epic length of the
movie, coupled with a layered story, continues the violence that good fellas and casino face directly, and the joking is mostly reflection and retrospective. The second period is full of vigor, and the second period is trapped in various social and family factors. Duan is lonely and widowed. It's still a man's story. But there is less decisiveness in the tone, and more is looking back and reflecting. The overall framework is stable and wonderful, and whether it has been carved intentionally or unintentionally shows the ease of Martin and the creators. What's more interesting is that this old man's movie selection was produced by Netflix, which forms an interesting intertextuality with the movie content. In addition, the age-reducing special effects made at a large price may be more meaningful than imagined-as the actor himself said, at least the career will be prolonged a lot.
