NO.1: "The Scorching Sun": I like Xin Xiaofeng, played by Deng Chao. This group of sinners who bear a period of sin treats the child with their sincerest heart, not knowing whether it was compensation or pity at the beginning. That child, but in the end they all regarded him as their relatives, and even paid a greater price than their sins. It is really not easy for this kind of crime movie to be so profound.
NO.2: "Fireworks in the Day": It is still the gameplay with personal characteristics embedded in the genre. The lighting and filters are a bit overplayed. Many of the scenes are obviously real shots, but they feel like a scene set in a studio. Wouldn't it be against Li Gu in the dance hall and Zheng Jun in the barber shop? There is also the "Shabak" in Internet cafes. These things are too deliberate and ineffective. Diao Yinan is still the guy with a strong desire to control and dumb, and now he has finally learned a little lyric.
NO.3: "Master of Hypnotism": The movie is really suspenseful, but also brings some shocking horror. If you have seen some movies that advance the story by reversing the plot, such movies are not very new, or it is easy to guess the plot direction. However, the creators are really trying to tell the whole story, and the film generally doesn't have too many loopholes, and the story is basically smooth. The confined space, the two main characters, the identity change, are you familiar with it? Unfortunately, there are too many explanations at the end.
NO.4: "Killing": In a relatively small space, it is not easy to express a relatively absurd story through absurd lenses. The combination of suspense and religious ritualization is not smooth, which may be what the director wants to express Too many things are too complicated, but there is more than enough energy to make the overall look and feel confused, interspersed and flashbacks are not easy to control! On the contrary, Huang Bo's performance is very wonderful, and every gesture is extremely exciting.
NO.5: "Looking for a Gun": Lu Chuan and Jiang Wen unite, the whole film is very obscure. It seems to be telling a simple story, but there is a kind of unnaturalness everywhere. After reading some film reviews, I feel that I haven't reached the point yet. Those two surreal scenes are indeed very strange. Looking back, the story of catching the thief has nothing to do with the main line of the plot. The final sacrifice is also very few. I personally feel that the family elements that Ma Shan sacrificed are incomplete. Obscure, really obscure.
5 domestic suspense movies with zero negative reviews, see how many you missed! The little bit of attention you like, the editor of film and television people continues to update every day!
