A mirror to the end is amazing, a talent that can not be ignored, and helps the actor on the road

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But most of the time people will regard the degree of slack in the performance and whether the actors and characters can be integrated as one of the evaluation criteria of acting. Among the three generations of actors of the old, middle and young generations, these are the three that I personally like: the older generation of actors prefer Chen Daoming, the middle-aged generation is Liang Chaowei; the new generation of actors appreciate Yang Zi, but the favorite It's Tony Leung. The reason is as follows:

A mirror to the end is amazing, a talent that can not be ignored, and helps the actor on the road - Lujuba

Tony Leung learns to perform in a training class in Hong Kong TVB.

Everyone who knows him knows exactly how he stepped into this industry, that is, he has a good friend who is equally famous-Zhou Xingchi. Inadvertently, Tony Leung was called by Zhou Xingchi to go to the training class together, but Tony Leung was chosen during the first interview. After the two entered the wireless station, according to the memories of later classmates, Tony Leung was the one who was praised the most by the teacher during the study, because he was in good acting state and was particularly relaxed.

A mirror to the end is amazing, a talent that can not be ignored, and helps the actor on the road - Lujuba

When Tony Leung and Wong Kar Wai are combined together, it is the time when Tony Leung's role charm is maximized.

Many of his masterpieces are inseparable from Wang Jiawei. If you have watched "The True Story of A Fei", you can't help but be amazed by Tony Leung's performance in the last scene. At that time, the hero of the movie was Leslie Cheung, and Tony Leung only appeared at the end. The entire scene was a series of actions when a gambler was preparing to go out. The details of combing hair, counting money, smoking, etc., which seemed not difficult, were vividly shown by Tony Leung. Even later, many people imitated this classic performance of Tony Leung to varying degrees in countless occasions and movies.

A mirror to the end is amazing, a talent that can not be ignored, and helps the actor on the road - Lujuba

and Wong Kar-wai collaborated in many films, such as "Happy Together", "In the Mood for Love", "The Grand Master" and so on.

The images of the great part of the Liang Dynasty are restrained and heavy, and they are always carrying something called connotation. It is difficult to find an actor of the same type in the Chinese film world. Standing there without talking, he seems to be able to exude infinite charm.

And acting is indeed a mysterious word, someone who has received professional training is the so-called "scientific class background", and maybe there is no Tony Leung's eye that strikes people's hearts.

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