film, in just one hundred years, it has become the eighth art in addition to the seven art categories of literature, music, dance, drama, painting, architecture, and sculpture. This is inseparable from the many directors and their films. A good film director must also become a good artist (of course, such as Guo Jingming is not counted, hehe). During the century of
, there have been countless well-known directors and their representative works around the world. The editor roughly lists some influential and highly accomplished famous performances. List the director's simple comments, representative works and major achievements as a small file. Due to the large number of people, the author publishes it in installments, trying to sort by country or region, with ten people per issue. I think most movie fans know the first few directors in each issue, but although the last three are famous directors in movie history, those who know can be considered senior movie fans. Part of the information and comments of
are from teacher Fang Yingyuan’s lesson plan on Time.com. Thank you!
10. Zhang Yimou, China, April 2, 1950----
Comments: Early Zhang Yimou was famous for directing literary and artistic movies full of Chinese traditional culture. His artistic characteristics are the vividness of details and the romantic mutual reflection of themes. He is good at film color science And capture the delicate and moving things in the inner world of the characters. The outstanding feature of Zhang Yimou’s works is a deep understanding of traditional Chinese feudal consciousness and a strong critical spirit, a strong sense of history and life consciousness embedded in it, a peculiar sight of ancient folklore, and also full of eulogy and acclaim for the spirit of resistance to women Praise, he insisted on the truth of life and the lyrical narrative behind the strong colors and bold composition.
Zhang Yimou's ability lies in his strong and accurate, timely and advanced chord of the Chinese people. Zhang Yimou’s films have a wide range of themes, including rural, urban, history, humanities, reality, love, martial arts actions, and war. His expressions are constantly updated. His films have repeatedly won awards at home and abroad, making the long-silent Chinese films begin to receive the world. Attention.
masterpieces: "Alive", "Red Sorghum", "Raise the Red Lantern", "Ju Dou", "A Lawsuit in Autumn Ju"
Achievement: 3 Oscar nominations; Venice 5 nominations, 3 awards; Cannes 6 Nominations and 3 awards; 6 nominations in Berlin and 3 awards; countless other awards
9. Chen Kaige, China, August 12, 1952----
Comment: Chen Kaige is a pole that carries the characteristics of Chinese film culture The individual director and the hobby of reading have brought him a wealth of knowledge. Constant thinking has made his thinking magnificent and profound. The special experience during the Cultural Revolution has strengthened his strong sense of mission and responsibility for society and culture. Although his films have obscure defects, they reflect the characteristics of Chinese culture and the spiritual pursuit of Chinese literati. Most of his films are full of strong cultural flavor and have a very high cultural character. In the movie "The Yellow Earth", he set his sights on ordinary people living on the Yellow Earth, which fully demonstrated his deep concern and exploration of human nature. In the movie "Farewell My Concubine", he made a compromise between his purely personal artistic style and popular. At the moment when the wave of the fifth generation of movies was in decline, he completed the alternation of styles with timely changes.
masterpieces: "Yellow Land", "Farewell My Concubine", "King of the Children"
Achievement: 1 Oscar nomination; Shaner 6 nominations, 1 award; numerous other awards
8. Tsui hark, Hong Kong , February 15, 1951----
Comment: Regarding the situation of Hong Kong movies in the 1980s, Tsui Hark was the focus. Tsui Hark is one of the most influential people in the front and back of the Hong Kong film industry today. He has worked as a director, screenwriter, producer, soundtrack, editor, and actor. He is energetic, creative, pragmatic and low-key. This person can work for 36 hours without sleep, and can complete editing, dubbing, mixing, subtitles, printing, etc. within five days. During the whole process, you can also make some "small changes" four hours before the midnight screening.
masterpieces: "A Chinese Ghost Story", "Once Upon a Time Series", "Heroes Series", "Swordsman Series"
Achievement: 11 times nominated for the Hong Kong Awards. 1981 "Ghost Horse Zhi Duo Xing" The 18th Taiwan Film Golden Horse Awards Best Work Award, Best Director Award
7. Kar wai Wong (Kar wai Wong), Hong Kong, July 17, 1958----
Comment in one sentence: The film directed by Wong Kar Wai is a unique or nih world. Although the setting and space setting of the film are different in different eras, the world he describes is always the same.
Representative works: "A Fei's True Story", "Chongqing Forest", "Evil and West Poison", "Happy Together", "In the Mood for Love"
Achievement: In 2001, he was awarded the Bronze Bauhinia Star by the Hong Kong Government in recognition of him Contribution to Hong Kong film. Wong Kar Wai was invited to be the chairman of the jury at the 2006 Cannes Film Festival in France, becoming the first Chinese to receive this honor. On May 21, 2006, he was awarded the Knights of the Legion of Honor by the French government in Cannes, France, in recognition of his contribution to the film industry. So far, he has received 15 nominations for the Hong Kong Film Awards and 2 awards. Five nominations at the Cannes Film Festival and one award. Nominated for the Berlin Film Festival once.
6. Ang Lee (Ang Lee), Taiwan, October 23, 1954----
Comment: Among Chinese directors, Ang Lee is undoubtedly a benchmark figure. The impact of the two different civilizations created Li Ang's distinctive vision and temperament, combining the politeness of the Eastern tradition and the unrestrained and unrestrained Western style. Ang Lee has the creative courage to develop different themes and has achieved outstanding artistic achievements. Whether it is ethics, martial arts, comedy, or even science fiction, he can control it calmly. His unique experience allows him to navigate the Eastern and Western cultures on the height of the world stage. Ang Lee's film technique is simple and natural, the dialogue is humorous, the plot is delicate and unique, and the plot is round and smooth. The Chinese film directed by him is dedicated to discussing the ethical contradictions between tradition and modernity, the cultural conflicts between the East and the West, broadening the horizons of the Chinese people, conveying the universal value of human nature, and reminding and encouraging the current Taiwanese society. A new field of expression; An English film directed by Ang Lee can also combine Eastern and Western art and commercial elements, accurately grasp the cultural psychology of Europe and the United States, and bring enterprising spirit and value; he has become a Chinese director with high reputation in the international film industry.
masterpieces: "Pushing Hands", "Wedding Banquet", "Eating Men and Women", "Broken Arm Mountain", "Lust Caution", "Crouching Tiger, Hidden Dragon", "Fantasy Drifting of the Youth"
Achievement: 11 Oscar nominations, 4 Awards; 10 nominations for the British Film Academy, 5 awards; 11 nominations for the Golden Globe Awards, 5 awards; 9 nominations for the Taiwan Golden Horse Awards, 6 awards; 2 nominations for the Venice Film Festival, 2 awards; 2 Cannes Nominations; countless other awards
5. Jiang Wen, China, January 5, 1963----
Comment: As a director, Jiang Wen has received more recognition. He is good at adding unique humorous styles to movies and reflecting certain The reality of these times. The self-written and directed debut "Sunny Days" was named the top of the "Top Ten Best Movies in the World in 1995" by Time Magazine; the anti-Japanese film "The Devil Is Coming" was held at the 53rd Cannes International in 2000 Won the Jury Prize at the film festival; the Lunar New Year movie "Let the Bullets Fly" released at the end of 2010 broke a number of box office records for domestic films and won more than 20 domestic and international awards.
masterpieces: "The Devil Is Coming", "Sunny Day", "The Sun Also Rises"
Achievement: Cannes 3 nominations, 2 awards; 1 Berlin nomination; Venice 2 nominations; Hong Kong Awards 6 times Nomination, 1 award; Taiwan Golden Horse Awards 8 nominations, 4 awards; numerous other awards
4. Jia Zhangke, China, May 24, 1970----
Comment: Jia Zhangke’s image world is gradually becoming an understanding of China A special way is also reinterpreting the realism of Chinese movies. Compared with the once-popular critical realism, Jia Zhangke’s narrative is more calm and unassuming. He never makes pure moral judgments, but expands one by one through a distinctive documentary style; compared with modern nihilism, Jia Zhangke is more It is never making mysteries, focusing on the details of historical changes, and maintaining a warm tone in the cold reality.
Representative works: "Platform", "Xiao Wu", "Ren Xiaoyao", "The Good Man in the Three Gorges", "Destiny"
Achievement: Cannes 6 nominations and 3 awards; Venice 7 nominations and 5 awards; Berlin 2 times Nominations, 2 awards; 6 nominations for the Golden Horse Awards, 1 award; 30 other awards!
III. Tian Zhuangzhuang China April 1, 1952----
Comment: Tian Zhuangzhuang is called "the most talented and outstanding film director in contemporary China" by the famous Japanese critic Tadao Sato.
Faith and poetry are the consistent pursuit of Tian Zhuangzhuang’s films. Among Chinese “fifth generation” directors, his “stubbornness” made him the last spokesperson of the fifth generation of artistic style. Compared with Zhang Yimou and Chen Kaige, his experience has Encountered too many hardships, first of all, his movie songs are high and few, and his friends are too few; second is the official censorship mechanism, he was banned for 10 years. However, he said that he has never been far away from the film, he is now engaged in teaching work, Lu Xuechang, Wang Xiaoshuai, Zhang Ming and others have all been supported by him.
representative works: "Blue Kite", "Spring in a Small Town", "Wu Qingyuan"
Achievement: won the 1992 Tokyo International Film Festival "Best Picture Award"; 1993 Hawaii International Film Festival "Best Picture Award"; 1993 United States Chicago Film Festival "Best Director Award"; 1993 Swiss Three Continents International Film "Best Film Award"; 1993 Singapore Film Festival "Best Director Award"
2. Hou Hsiao-hsien, Taiwan, 1947 April 8th-
Comment: Hou Xiaoxian, the most important representative of Taiwan's new film, with his natural, smooth and realistic style, brings us almost the life experience we have had. In Hou Xiaoxian, we see a very pure way of narration. This is to look at the world from another perspective. This is what shocks and touches me the most. Through his movies, I see better Our world has seen myself.
representative works: "Love in the Wind", "Childhood Past", "City of Sadness", "Dream Life",
Achievement: 10 nominations in Cannes, Berlin, Venice; three awards. Asia Pacific Film Festival 5 won this award.
1. Edward Yang, Taiwan, China, November 6, 1947-June 29, 2007
Comments: "One of the most influential Taiwanese masters in the 1990s", "Taiwanese society "Surgery lamp", Taiwanese film director Yang Dechang, who enjoys a high reputation in the world film industry, has profound, rational and strong social consciousness in his films.
masterpieces: "Yi Yi", "Guling Street Juvenile Murders", "Terrorists"
Achievement: The work "Terrorists" released in 1986 won the 23rd Taiwan Golden Horse Awards for Best Film and many other domestic and overseas awards . In 1991, the independently released work "Guling Street Juvenile Murder" won the 28th Taiwan Golden Horse Awards for Best Work. In 2001, "Yi Yi" won the Best Director Award at the Cannes Film Festival. In 2007, he won the Taiwan Golden Horse Award for Lifetime Achievement.
