A behind-the-scenes documentary that complements the movie, the naughty Wu Jing and the straight Ge You are all too real

movie 463℃

went live on the 30th, and the box office of "My Motherland and Me" exceeded 2.8 billion, becoming the most beautiful "baby" in the 2019 National Day file. With the successive appearances of "Sleeping Spell" and "Gemini Killer", and the popularity of "Young You", the gift blockbuster silently withdrew from the home and handed over the stage to the "heirs."

A behind-the-scenes documentary that complements the movie, the naughty Wu Jing and the straight Ge You are all too real - Lujuba

However, although the film "Me and My Motherland" is coming to an end, the story is still not over. For the audience, there is a "work" that is not as good as "Me and My Motherland", and even gave the audience more Rich exploration space, is the behind-the-scenes documentary film of "My Motherland and Me". The behind-the-scenes documentary film of

is an in-depth analysis of the various aspects of the formation of a film. The mentality and perception of the participating staff and the presentation of the classic footage of the film are the best feedback to fans. The behind-the-scenes documentary diversity of "Me and My Motherland" analyzes the filming process of the seven chapters in the movie. To some extent, the movie is not to be missed.

It shows the working attitude of the excellent domestic film team, and it is also the best "peripheral" of the film. The excellent team of

is also inseparable from the rigorous and diligent

seven stories, seven big directors, and many powerful actors from all ages, young and old, to join together to build an excellent gift film. What makes this work more touching is the true pursuit of each staff member and the high standard requirements for the work. Their work habits are different, but they are all based on rigor and hard work.

Huang Bo in the "Eve" chapter, as the most central protagonist in this story, he continues to toss himself under the high demands of director Guan Hu. In the movie, the pole-climbing scene that worries the audience the most, is all done by him himself, including dangerous aerial work and repeated 100-meter sprints.

These jobs are no small challenges for Huang Bo, who has passed the old age in his middle age. But in the behind-the-scenes documentary, it can be found that neither Huang Bo himself nor the director Guan Hu gave him the treatment of a "10 billion movie king". If he did not achieve the ultimate effect, he would continue to "protect one". This is the normal state of excellent filmmakers.

The "Return" chapter is not led by a core role like "Eve". It is a group show where multiple actors are equally divided. However, Du Jiang and Zhu Yilong, who need to reproduce the classic scenes, still undergo strict flag raising training. The program team invited Mr. Zhu Tao, the prototype of Du Jiang's role. Under the strict requirements of the other party, the actors kept repeating training.

It seems that Mr. Zhu Tao’s strict requirements are a bit exaggerated, but it is precisely because of his high requirements and the hard work of the actors that the film finally presents a highly restored texture. Even Ge You, who has already experienced all kinds of battles, focused on experiencing the daily state of the driver and capturing the true state of the characters when he played the role of the rental master Zhang Beijing. The most surprising thing about

is director Xu Zheng's harshness to Han Haolin, who played Dongdong in the "Win the Championship".

In the process of watching the movie, the audience can clearly feel the excellent acting skills of the little actor Han Haolin, moved by the true feelings of the character, Han Haolin is too real to restore a ignorant and cute child, and it also makes people marvel at the future. Before the appearance of documentary films, many audiences attributed this wonderful performance to Han Haolin's acting talent.

But documentary films show more of Han Haolin's sweat to the audience. A talented actor also needs constant training to maximize his talent. Xu Zheng has always reserved two attitudes towards Han Haolin, "acting too well" and "keeping one more thing", recognizing his talent but also retaining his pursuit of the ultimate.

Therefore, during the filming process, Han Haolin is a little boy running in Shanghai alleys over and over again. The constantly important performances have exhausted the original full energy. However, Xu Zheng did not relax his pursuit even though he was distressed. Although Han Haolin was tired, he blamed himself for affecting the shooting schedule.

two people's pursuit and dedication to perfection finally showed the most eye-catching winter.

It can be seen that behind every outstanding story, there are directors who constantly toss the actors and actors who find the best way of interpretation over and over again. Those directors who still agree to the use of bugs on the screen, and those actors who feel proud of memorizing their lines, are recognized by the audience and recognized by awards. Perhaps only this rigor and diligence is missing.

When some traffic artists complain because they are not recognized, maybe they can reflect on whether they are as strict as these excellent artists in their work. Talent canIt can make you reach the audience faster, but in the end retain the charm of talent, it is sweat.

The real and emotional expressions of the actors complement the movie. In addition to the insights given to the audience by the excellent team, the behind-the-scenes documentary of "Me and My Motherland" also satisfies the audience's curiosity about the actors and the production of stories, and also presents these actors and movies. The feeling fetters between.

It uses two common perspectives: documentary and interview. In the

documentary picture, we see Wu Jing who dislikes Xu Zheng for not giving himself a P picture, and can't help but laugh for his obsession with taking the "small fresh meat" route. The tough guy also has a heart of "beauty", which unexpectedly adds a funny atmosphere similar to a variety show to this documentary.

has a more "variety sense" and teacher Ge You, who is clearly learning the daily work of a taxi driver, not deliberately funny but "long" the audience laughs. Whether it is straightforward discussion of the work process or interaction with passengers, the sparks of "variety" can be collided. This experience may also refresh his perception.

​​The post-95 and post-00 audiences knew him, mostly through the emoji package of "I Love My Home".

The controversial "Day Meteor" clip may have different feelings from Chen Kaige's rigorous and clear personal view of the shooting process. Perhaps the last part of the interaction with the astronauts is not rigorous enough, but the whole story is a literary sublimation carried out by the director on a real basis. The real side of the

staff gave the documentary a relaxed and happy aspect, and the expression of each person's feelings also resonated with the audience. In the behind-the-scenes interviews of each episode, the participants talked freely about their memories of major events in the motherland, and there was a sense of reminiscence in the topic.

The young Chen Feiyu and Ou Hao have the deepest memories of the 2008 Olympics. The older brother Wu Jing and the older Tian Zhuangzhuang won the women’s volleyball championship. Old Beijing Chen Kaige has a fresh memory of the city celebrating the atomic bomb...

​​Everyone’s memories, and The major events in the selection of the film complement each other. It is not a coincidence, but the film captures the deepest memories of home and country in the hearts of audiences of different ages. Just like this, in addition to the pursuit of art, each actor has pride and enthusiasm. This pride is passed on to the audience through the screen. The pride of

is also the patron saint of the overall high-quality completion of the film. The film

is a special gift film for us and a special medal for the staff involved. This makes the behind-the-scenes documentary of the film more textured than the behind-the-scenes documentary of ordinary movies. At the same time, the high level of pursuit and pride of the film crew is also enough to become a benchmark for other production teams to learn. If each team completes their work using this as an example, I believe our big screen will be even better.

Tags: movie