From "Sou Shen Ji" to "Strange Tales from a Liaozhai", the illusory monsters, gods and ghosts have been the top IPs since ancient times. However, there are no ghosts in the heaven. In order to satisfy the emptiness and loneliness of migrant workers after working from 9 to 5, and to take out one or two coins from the original shriveled pocket, film and television masters always take great pains. Since there is no ghost thing, then weird things can always be right? Get another ancient text that has been passed down for thousands of years: "illusion". Everything seems to have that taste.
is also the Celestial Dynasty, the prosperous and vast Tang Dynasty is always a little excited. "The white-headed palace maid is here, sit and talk about Xuanzong ", as for what he said, we don't know. The Record of Events tells 8 stories in the name of strange things. They are "Chang'an Black Tea", "Gan Tangyi", "Shiqiao Tu", "Huangmei Killing", "Zhongshengtang", "Tuoshen Case", "Human Mianhua" and "Tower of the Sky". If each story is a carefully polished gemstone bead, then the "main lines" that strung these bright beads must also be worthy of these beads, in order to complete the sublimation and make melons delicious.
In order to complete the mission of sublimation, the director also went out of his way to bring out the traditional killer of combined story suspense dramas - "mouth cannon"! Every big bad guy will never forget to recite a large number of lines at the critical moment of life and death. may be the villain, and memorizing lines, especially those who are about to receive a boxed lunch, is the standard to measure the level of business.
In general, in the "death mouth cannon", "The Story of Tang Dynasty" still put a lot of thought into it, and it also made the audience quite satisfied. In particular, the "Preface to the Pavilion of King Teng" in the story of "Plum Blossom Killing" is not only memorized, but also powerful. The big bad guy who acquiesced to the division of social classes and was going to use what countless people have done for thousands of years to accomplish the ultimate redemption of life.
"Qu Jia Yi is in Changsha, there is no holy master; Liang Hong is in Haiqu, is there a lack of clarity? The gentleman who sees the opportunity, the talented person knows his fate. The old one is stronger, rather the heart of white head?"
You and I are both I read this passage in class, but we forgot that the people who wrote this sentence are all social people. At the Tengwang Pavilion at that time, all of them were all old scumbags, self-proclaimed gentlemen since ancient times, what kind of opportunities did they see? Those self-proclaimed masters, what kind of life do they know!
It's a pity that I was still too young when I was in school, so I forgot these surreal sentences and only remembered "Wuhua Tianbao, autumn waters last forever". We forget these seemingly broad and beautiful sentences, but they are all foreshadowing. It seems that it is better to let a bad person recite the "Preface to the Pavilion of King Teng" in a vicious tone.
There is no doubt that all these dazzling stories are just the director's beautiful sentences, just paving the way for the hidden plot. He would rather let the big bad guys stand there and make a deadly talk and destroy the rhythm of the plot. Even if this will make the audience chat in all kinds of ways, he will not hesitate. The director wants to say what he wants to say, through the mouths of these bad guys, Complete the mission of preaching.
If the auspiciousness in the story of "Huangmei Killing" is just about career, it doesn't mean much. There are 8 stories in the whole play, and the villains in each story are telling, which has to be suspicious. Yuan Lai in "Chang'an Black Tea", Liu Shiba in "Gan Tangyi", "Four Sons of Nanzhou" in "Shiqiao Tu", Xin Huaishen and Li Yue in "Changtianlou" in "Human Mianhua" Wang Yuantong, , without exception, is not telling all kinds of hardships in his career . What the hell, why is it so unified? Isn't this crazy insinuation? All ancient history is contemporary history. If a director has ambition, he must be telling the story of the present.
The lame county magistrate Yuan Lai said that he had never been promoted, so he hated him; Liu Shiba, a clerk in the post station, said that his talent was a hundred times stronger than that of the officials he visited; He is more qualified than the Juren who studied here; Zong Boqi, a tea master in Nanzhou, said that he had achieved great success, but his life was short; Cang Canjun Zeng SanHe used power for personal gain; Luoyang in Renminhua stayed behind the descendants of Li Yue's aristocracy and wanted to restore the country. Wang Yuantong, who was in the towering tower, retired to the countryside, thinking about it again.
If you combine the official positions and careers of the villains in these eight stories, what you see is a scholar who came out of a remote small town, studied hard in a cold window, and finally got the title, became a minor official, and gradually promoted to become a county official. Ling, and then transferred to Beijing officials, became the prime minister, and eventually lost power and faced the life of old age and death. This is exactly the whole story of how a person should rise and fall in this world.
Buddha said that people have eight sufferings , birth, old age, sickness, death, not being able to ask, resentment meeting, love parting and five yin flourishing.
Huang Meisha told a love story, parting is hard; Liu Shiba was born in a family like this, unless he can change his life against the sky, life is hard; Zong Boqi's death is approaching, greedy for the prosperity of the world, death is hard; He has disabilities, his career is blocked, and he suffers from illness; Meng Dong has spent his entire life unable to complete the masterpieces of the world. The suffering of old age is exhausted by Li Yue's organs, and he plans to restore the country, but he can't ask for suffering; Zeng Sanyi resents low-ranking officials and low-ranking officials, and is not respected and resentful. It will be bitter; and all the stories are finished, put them at the feet of the emperor, in Chang'an City, and use the name of illusion to end all. The retainer who followed the emperor from the prime minister's mansion turned out to be fake, how ironic everything is.
If the main thread that connects all the dazzling pieces is broken, the story will be scattered all over the place, and it is impossible to tell which one is the front and which is the back. Therefore, only uses a youthful growth story, like a bright red thread, which is consistent with . With his beauty, stalwart, and righteousness, he connects the whole line, and finally gets rid of his bad habits, becomes a pillar of society, and infects everyone, which makes people feel at ease.
If we only regard the main line of the story as the growth story of handsome Lu Lingfeng, then we will undoubtedly ignore the director's ambition. That hidden script, deep into the abyss, or seeing Zaitian.
This Chang'an is prosperous. After Lu Lingfeng became the Dali Temple Shaoqing, he still wanted to say that this Chang'an is like a red flower, but the more red the flower, the more obvious the shadow below. This was immediately interrupted by Su Wuming.
You are a son of an aristocratic family, with vested interests, you should take responsibility for this instead of complaining about it. How many people are there in the ceiling of 's class differentiation, the end of his life is just your starting point, how many people can see through it? How many people can break it? you say no?
It's no wonder that bad guys die too much, if there's more, it's all he has.
