If you look at "One Way" from a secular perspective, the story is not complicated. It is a revenge story about family love, and the enemy is also his own family. This is a story with a lot of entanglement and entanglement above emotion. But Haven, the director, screenwriter and starring role of the film, tells such a story with a very artistic flavor. If you don't go into the theater and experience the audiovisual charm of the film, you will definitely miss such a masterpiece that can penetrate your soul.
If you follow the content of the film, you will find that Director Haven spent five years sharpening the sword of "One Way", just to commemorate his brother who died young. As a result, the Haven in life and the Green Zen in the movie have a cross between reality and light and shadow. Of course, the story of "One Way" is not a portrayal of real life, but many of what Qing Chan feels and thinks in the film are derived from director Haven's own experience.
Looking at the entire film and television industry, the vast majority of directors use scripts to shoot stories, while the story of "One Way" is difficult to support with conventional scripts. There are too many conceptual styles in the film, which can give The audience brings many magical feelings that can only be understood and cannot be explained. This feeling comes from the deepest life experience of the director, screenwriter, and starring Haven. Only with such a "Trinity" creative form can the core of this film penetrate the creator's life.
At the same time, there is a core creative figure that must be mentioned, and that is the film's photography Du Kefeng. As an internationally acclaimed photographer, Du Kefeng has taken the mirror and directed countless works, but this time he participated in "One Way", he has also taken into account two identities that he has never seen before. Is Haven's life partner. Or maybe it is because of this more intimate and complicated relationship that makes the creation of this film more perfect. Both of them have a very pure pursuit in art, and many shocking talents, finally created such a distinctive film "One Way". Director
Haven stated: "I believe that everyone has their own "One Hundred Years of Solitude". Our movie "One Way" is a tangled, and it is also a degree of relief. Life is not just one way, but Let us come to this crossroad through the one-way street. I hope that in the vast unknown, "One-way Road" can give you a little impulse or calm, and turn this movie into meditation and thinking, because life is a complex Paradoxical loneliness..." After watching the film, I feel that the director’s statement is very accurate. The dialectical thinking of "One Way" exists in every picture and every voice of the film. Pursuing is also a process of meditation in a dream.
Qing Chan walked slowly from the beginning to the end. From beginning to end, she was still on the move. No matter what happened in the middle, no matter what he had experienced, it was just a dream. The existence of is always to be met, always to say goodbye, and always to move forward on the "one-way line" of oneself and never look back. Perhaps this is the attitude of director Haven. She loves life and is grateful for every moment in her life, including those anxious and melancholy, pain and sadness. "One Way" is an attitude to life, it is Haven and Du Kefeng, a kind of life idea to be conveyed to more audiences through images: learning to "accept everything" in the years of tempering.
I have seen "One Way", I understand, do you understand?
