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" as a pair of "golden partners" in the screenwriting industry, they have created " who is the master of my youth ", " marriage defense ", "Together Ferryman" and other popular plays. This time they have joined forces again. , they admitted that the most difficult thing is how to use five minutes of dance to show the changes of Chinese culture in ten years.
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In 2021, a group of Tang Dynasty wearing high buns and yellow, green and red dresses The girls are popular out of the circle, giving people the feeling of being both real and fantasy, crossing the ancient and modern times. They are the characters in the Zhengzhou Song and Dance Theater dance work " Tang Palace Night Banquet ", affectionately called " Tang Palace Miss Sister " by the audience. Last night, Jiangsu Satellite TV 's "Tang Palace Night Banquet" unit of "Our Ten Years" was broadcast, revealing more stories about the past and present life of "Miss Tang Palace". The powerful vitality of traditional culture is amazing.
Recently, Ren Baoru and Gao Xuan, screenwriters of the "Tang Palace Banquet" unit, were interviewed by Jiangsu Satellite TV. As a pair of "golden partners" in the screenwriting industry, they have created popular plays such as "Who Calls My Youth", "Marriage Defense" and "Together Ferryman". They joined forces again this time, and they admitted that the most difficult thing was how to use five minutes of dance to present the changes of Chinese culture in the past ten years.
interview material for more than 15 hours
soaked in the training ground and dormitory every day
In the early stage of project preparation, the main creative team of "Our Ten Years" collected and sorted out more than 200 topics, "Tang Palace Night Banquet" quickly attracted screenwriters Ren Baoru, Gao Xuan's eyes.
"One is because (this dance) has been seen many times before, and I really find it amazing and I like it very much. Second, because Teacher Ren Baoru is from Zhengzhou, Henan, and is very familiar with the local song and dance theater." Gao Xuan recalled.
In this way, "Tang Palace Night Banquet" was determined as one of the units of "Our Ten Years".
has entered the creative stage. In order to present the dancers' work and daily life most realistically, the main creative team originally planned to go to Zhengzhou for on-the-spot interviews and research before the Spring Festival in 2022. Due to the impact of the epidemic, all preliminary interviews were completed by telephone.
"At that time, I interviewed the four main creators and leaders of Zhengzhou Song and Dance Theater, that is, the main characters in our play later, and established a relatively clear understanding of their work and life. All the interview materials add up to no less than 15 hours." Gao Xuan recalled.
Finally, after the Spring Festival, Ren Baoru and Gao Xuan couldn't wait to walk into the Zhengzhou Song and Dance Theater. According to Gao Xuan, they spent every day in the training ground and the actor's dormitory, and the ten-day interview further enriched the material obtained on the phone before.
The prototype of the story guards the details of the script
The most touching thing is their tenacity
In line with the principle that art comes from life, the main characters in "Tang Palace Night Banquet" can find prototypes. In the play, Chen Ran's prototype is Chen Lin, the choreographer of Zhengzhou Song and Dance Theater, and Yi Wenyan's prototype is Yi Xingyan, the female chief of Zhengzhou Song and Dance Theater. They are also the main creators of classical dance "Tang Palace Night Banquet".
And in the creative process, the prototype actors also gave the two directors a lot of help.
"Their chief Yi Xingyan will help us with some staged plans in a very specific manner, including how to choreograph some professional dance movements, and how to choose and present some classic dance segments. I turned myself into a professional within the time limit, so I am very grateful to Chief Yi for his professional guidance." Ren Baoru said.
's in-depth interviews and research also gave Ren Baoru and Gao Xuan a new understanding of grassroots song and dance theaters.
"In the past, we would think that dancers live in the cloud. After we went there, we found that they also had many unknown difficulties to overcome. We were very surprised by their resilience." In the interview with
, Ren Baoru mentioned a few Very vivid example.
"Chen Lin will tell us how to use one money to make music and costumes do two jobs. Luo Bingbing's prototype Lou Bingbing is the deputy director of Zhengzhou Song and Dance Theater. She will laugh at us and say that the sofa in her office will be destroyed The person who came to complain is collapsed." GaoXuan exclaimed: "But even so, they still say that they are very satisfied, I think this is love."
Bai Baihe is just like Chen Lin
Zhang Huiwen's performance is amazing
In 2008, Ren Baoru and Gao Xuanzeng There was a cooperation with Bai Baihe in "Who is the Master of My Youth". After 14 years, they met again in "Night Banquet in the Tang Palace", and the two screenwriters gave high praise to Bai Baihe's performance.
"She also danced before, so she will give her own knowledge of dance into it. In our eyes, she is a choreographer, fully showing Chen Lin's appearance on the training ground.
As for Zhang Huiwen, the two screenwriters use the same "Surprise" can be described as "surprise". In their opinion, although Zhang Huiwen was graduated from the Beijing Dance Academy, there is still a big difference between the folk dance and the classical dance. The requirements are very high, and it is not easy to interpret at a high level.
"Later we heard that she practiced and practiced until her knee injury recurred, but she still completed every movement very beautifully, and her professionalism was touching. . "
Tonight at 19:30, lock in "Tang Palace Night Banquet" of "Our Ten Years" by Jiangsu Satellite TV Happy Theater, and watch the contemporary expression of traditional culture that has traveled through thousands of years.
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