Introduction
is chasing the drama " Sanyue has a new job " recently. He joked with his friends that several dramas in the past two years seem to be engaging in storytelling. " a year without a job ", followed by "Sanyue has a new job", and the tones are all anti-anxiety, lying flat, and healing. It can be seen that domestic dramas are trying to cure contemporary young people. How consistent and consistent, the efforts made on the mental internal friction are moving closer to Japanese dramas.
- Treating "mourning", what a luxurious growth-
September 21, directed by Li Mo, Zhou Yiren "Sanyue has a new job" was launched on station B, and 4 episodes have been updated so far.
The play focuses on "the first funeral drama in China", and there are many people who give encouragement points to this theme. It is very good at choosing the right entry point. When a rebellious post-95 generation encounters a major life event such as death, any problem can be cured without medicine, so it is a matter of time to reconcile with the family and live an active life.
In fact, death, as a taboo subject for Chinese people, has always been unpopular in film and television works, and the epidemic has more or less affected the psychology and thinking of film and television practitioners and audiences, giving films and TV dramas an opportunity and society to face this incident. mood. In the movie, this year's "Life Events" Zhu Yilong plays a funeral director, while Dapeng's "Keep You Safe" and Hu Ge 's "Worthy Trip" respectively focus on cemetery salesmen And the person who wrote the eulogy was ridiculed by the audience that "connecting it together is a one-stop funeral service". The
TV series are also becoming more and more "dare" to write about this matter, which is due to the fact that platforms such as Mango TV and Station B have opened up experimental fields for short dramas . For example, as soon as the female group portrait drama " I am good in another country, " came out, Qiao Jingjing, one of the protagonists, was written to death. The investigation into the cause of Qiao Jingjing's death constituted the suspense of the play. Qiao Jingjing's death also turned into the pursuit of the other three protagonists. The driving force of a new life; Liu Lian, the heroine of "Sudden Holiday", just because she lost her mother and didn't know how to deal with herself, decided to give herself a vacation and began to let herself go; the midlife crisis and a series of absurd experiences of the hero of "Summer of Zhang Weiguo" from the loss of a father.
It can be said that The death of others is the engine of the drama, the "breath" for the protagonist to defect from the original order of life and rebuild a new order of personal life. You can stop, ignore the worldly vision, and have the right to be a weirdo. Reason , for this, "Sanyue has a new job" is almost in the same line, and this principle is used to the extreme. The heroine of
, Zhao Sanyue, has a world-weary and indifferent face. She is unemployed and at home. She just wants to lie down and put it down, a proper low-energy patient. How to solve ? The only way is to fight poison with poison and kill with death.
I have to say that the aunt played by Guo Keyu is very good at grasping Sanyue in her own way. By accident, Zhao Sanyue became a make-up artist in a funeral home. Her daily job is to face death and start over and over again. The frequency of death in this show is very high, so high that the audience is worried that anyone who has contact with the heroine will receive a box lunch in the next second, but the change and growth of the heroine are also driven by repeated deaths. I have to say that the growth of is really luxurious enough for .
- Little is really lucky-
"I don't dare to die, but I don't know why I live", "Sanyue has a new job" has a good grasp of the meaningless feeling of in young people , this The self-analysis of mourning and the solemnity and solemnity of the funeral theme have created the fresh and restrained temperament of this drama.
It takes the form of unit drama , each episode has a theme, the first episode is "the reason why I must live", the second episode is "no matter how lonely an individual has the same kind", the third episode is "than Do nothing and do a little more", and the fourth episode is "Tomorrow or the accident which comes first"...and contains many emotional incitements such as patriarchal, mutual support, and people's prejudice against the funeral profession and disenchantment the social topic of sex.
People in the funeral industry have to deal with a lot of jobs that cause physical discomfort in their daily lives, and they also suffer from a lot of prejudice due to their work, which affects their secular life. At the wedding scene, on a blind date, you have to say that you are in the service industry. These are all cruel and frustrating reality.
However, "Sanyue has a new job" almost every episode of splattered some fragments in the river of true mourning. It is true fortune and fun as a shining point to heal the same kind of . For example, the curator played by Liu Jun and interviewed Sanyue: "Tell me how much you love this industry." She came to live, so she couldn't rent a house and was taken in by her senior sister like a "stray dog".
For example, senior sister Zhou Yanan is meticulous at get off work. After work, she dresses up sexy to go on a blind date as a pastime. Every once in a while, she finds Tony to make a style for herself to create a sense of ceremony. Gege plays the piano in the restaurant after get off work, which reminds people of the hot topic on Douban. Splitting up their lives, behind the solemn and avoidable professions, they have a splendid side. Since this is the reality, accept it calmly, and create some fun and beauty for yourself within the scope of what you can do.
So, facing death constantly and under the influence of a group of colleagues, the mourned Zhao Sanyue began to "graduate" and understand life. All in all, except that the protagonist does not speak Japanese, the plot and idea of 's "Sanyue Has a New Job" looks very Japanese drama , and it also includes the "preaching" that does not agree with the values and chicken soup. The audience feels "hypocritical, straightforward and uncomfortable", and at the same time, it also constitutes the audience's memory point and communication point as a golden sentence.
- This is a Japanese drama, this is a very B station, this, this, very small-
Up to now, "Sanyue has a new job" Douban has not scored, but from the short review, everyone who has watched it will give this The play has four and five stars, but the audience for this play is indeed limited. At present, four episodes have been updated, and the number of broadcasts has not reached 24 million. The average number of episodes is less than 6 million. This is a new low for in the self-made drama at station B.
b station's first self-made drama " Wind Dog Boy's Sky " is a youth campus drama with 16 episodes, with a total of 570 million views and an average of more than 35 million episodes. "Shuangjing " has two female protagonists set to rub against the lily, with a total of 170 million views in 12 episodes; "Sudden Holiday" is the benchmark of " London Life ", with 120 million views in 12 episodes, with an average of 10 million episodes. In contrast, "Sanyue has a new job" seems to have become a niche among the niche.
Judging from the current comments and bullet screen feedback, the audience portraits of this show can be subdivided into the following categories: 1. Fans of innovative themes will open up for gimmicks and concepts; 2. Young people who are more dejected than Zhao Sanyue Tailor-made; 3. Real-life theme lovers who came to the director of "I'm Good in Another Country"; 4. Delicate and sensitive literary and artistic youth who came to Guo Keyu, the above types will be superimposed.
From the market point of view, the protagonist is not aiming at the greatest common denominator group in dire straits, Zhao Sanyue said that the miserable is not miserable, the personality is a little bit but not much, and she lives a non-mainstream life of a marginal person , There is a small happiness in the small death, the rhythm is gentle, the plot is fragmented, everything is very similar to the phrase "you are in your country, living a secondary life", the secondWhether you want to see it or not, just relying on the theme of funerals, the idea of facing death directly, and gimmicks such as the mourning of the post-95s generation cannot surprise the public.
is also a funeral theme. Although there are differences between movies and dramas, it can also be seen that the strongly localized "Life Events" and the very Japanese "Sanyue Has a New Job" deal with this theme completely differently. Yes, the former has a mixture of market spirit and human touch, it is fresh and close to the ground, and it is full of awkward, intense and sensational "Chinese-style family affection", which is full of mud and sand; while the latter is small and fresh, restrained and left blank, and it is only a point for heavy and dark places. So far, everything I go is clean and solemn, with a strong sense of cleanliness. The performances of
in the film market and TV drama market are also stark, and can't help but wonder: Is the road of patriarchal Japanese dramas becoming increasingly "no way" for small and beautiful domestic dramas? currently has 8 episodes to be broadcast in this drama. I don't know if the following plot can reverse the fate of this niche.
作 者
富 婆
记者
电视剧爱好者
一切为了HE
主编：栗子
排版：央央
